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<pre>
#TEXTBLOCK=400
//@女@＊「のどが　かわいたときは<line>
//　　私に　いってね。<end>
@女@＊: Any time you're thirsty, just tell me, okay?<end>

#TEXTBLOCK=401
//@低@＊「さあ　とっとと<line>
//　　はこんで　行きやがれ！<end>
@低@＊: Come on, get back to work!<end>

#TEXTBLOCK=402
//@低@＊「ノタノタしてると<line>
//　　この岩に　押しつぶされるぞ！<end>
@低@＊: If yer too slow, this rock’ll squish ya!<end>

#TEXTBLOCK=403
//@男@＊「この石の入った袋を　上に運ぶんだ！<line>
//　　わが教祖さまは　大神殿の完成を<line>
//　　待ちのぞまれているぞ。<end>
@男@＊: Carry up this sack of stones! Dear Leader is waiting for the completion of his great temple.<end>

#TEXTBLOCK=404
//@男@＊「はたらけ！　はたらけ！<line>
//　　死ぬまで　はたらくんだ！<end>
@男@＊: Work! Keep working! Work ‘til you drop!<end>

#TEXTBLOCK=405
//@男@＊「お母ちゃんの　ためなら<line>
//　　エーンヤコーラ！<end>
@男@＊: For my mommy, uuugghhnnn! Hwaaaaah!<end>

#TEXTBLOCK=406
//@男@＊「ほって　ほって<line>
//　　また　ほって　と……。<end>
@男@＊: Dig, dig, and dig some more, whew...<end>

#TEXTBLOCK=407
//@男@＊「………………。<end>
@男@＊: ...<end>

#TEXTBLOCK=408
//返事がない……。<line>
//どうやら　話す気力も　ないようだ。<end>
He didn't respond... It seems he doesn't have the strength to speak.<end>

#TEXTBLOCK=409
//@女@＊「お願いです……。<line>
//　　ぶたないでください……。<end>
@女@＊: I beg you... Please don't hit me...<end>

#TEXTBLOCK=40A
//@女@＊「はあ　はあ……。<end>
@女@＊: *huff* *huff*<end>

#TEXTBLOCK=40B
//@男@＊「はあ　はあ……。<end>
@男@＊: *huff* *huff*<end>

#TEXTBLOCK=40C
//@男@＊「はあ　はあ……。<line>
//　　ジャマをしないでくれ！<end>
@男@＊: *huff* *huff* ...Please don't bother me!<end>

#TEXTBLOCK=40D
//@男@＊「ふがふが……。　こんな年寄りに<line>
//　　超重いふくろを　はこばせるなど<line>
//　　ヤツらは悪魔じゃ！<end>
@男@＊: Oof, oof... To make an old man like me carry such a heavy bag... They're devils!<end>

#TEXTBLOCK=40E
//@女@＊「また　ここから<line>
//　　逃げだそうと　いうの？<line>
//　　もう　まきぞえは　ごめんだわ。<end>
@女@＊: Are you talking about running away from here again? Sorry, I've finally given up.<end>

#TEXTBLOCK=40F
//@女@＊「ほら　この前　逃げて<line>
//　　つかまったときの　ムチのあとが<line>
//　　まだ　こんなに残って……。<end>
//note: subject is ambigous... could be referring to herself.
@女@＊: Hey, you still have the scars from the last time you tried to escape...<end>

#TEXTBLOCK=410
//@女@＊「お願い……　話しかけないで。<line>
//　　つかれてるの……。<end>
@女@＊: Please... Don't talk to me. I'm exhausted...<end>

#TEXTBLOCK=411
//とても　苦しそうだ……。<line>
//ジャマをしないほうが　いいだろう。<end>
She looks completely tormented... It's best to leave her alone.<end>

#TEXTBLOCK=412
//@男@＊「なんでも　この部屋には<line>
//　　教団の　ご神体の像が<line>
//　　かざられるらしいな。<end>
@男@＊: I heard that this room will have all sorts of the cult's religious statues.<end>

#TEXTBLOCK=413
//@男@＊「ということは　あそこの<line>
//　　下り階段も　いずれ<line>
//　　つぶしてしまうのかなあ……。<end>
@男@＊: I bet sooner or later they'll demolish the stairs over there...<end>

#TEXTBLOCK=414
//@男@＊「オレたちは　おそらく<line>
//　　神殿の完成とともに<line>
//　　始末されるんだろうから……<end>
@男@＊: Because they’re sure to get rid of us when the temple is completed.<end>

#TEXTBLOCK=415
//@男@＊「脱出するためのヒントは<line>
//　　つねに　探しておかなくてはな。<line>
//　　おっと！　声が大きかったぜ……。<end>
@男@＊: We MUST keep looking for some chance to escape! Oops! I said that too loudly...<end>

#TEXTBLOCK=416
//@男@＊「おらおら　どうした！？<line>
//　　こんな石の量じゃ<line>
//　　とてもじゃないが足りないぞ！<end>
//NOTE: added line only for formatting looks
@男@＊: Hey, hey, what are you doing!?<line>You won’t be able to move with so many rocks!<end>

#TEXTBLOCK=417
//@男@＊「わっはっはっはっ。<line>
//　　お前たち　ドレイは<line>
//　　本当に　しあわせ者だな！<end>
@男@＊: Wahahaha! You slaves are really the lucky ones!<end>

#TEXTBLOCK=418
//@男@＊「わが大教祖さまのために<line>
//　　一生　はたらけるのだからな！<end>
//Say speaker I think
@男@＊: You’re working your entire lives in service to our Dear Leader!<end>

#TEXTBLOCK=419
//@男@＊「おらあ　ドレイにされてから<line>
//　　２０年以上に　なるだよ。<end>
@男@＊: It's been over 20 years since I became a slave.<end>

#TEXTBLOCK=41A
//@男@＊「そういや　あんちゃんは<line>
//　　ここに来たとき<line>
//　　まだ　子供だったよな。<end>
@男@＊: And you, boy, came here when you were still a child.<end>

#TEXTBLOCK=41B
//@男@＊「あんちゃんも<line>
//　　ずいぶん　たくましく<line>
//　　成長したもんだな。<end>
@男@＊: You sure have grown up big and strong.<end>

#TEXTBLOCK=41C
//@男@＊「はたらけ！　はたらけ！<line>
//　　はたらけば　幸せがまってるぞ！<end>
@男@＊: WORK! WORK HARDER! Happiness awaits if you work hard enough!<end>

#TEXTBLOCK=41D
//@男@＊「ひー　ひー。<line>
//　　重くて動かないよ。<end>
@男@＊: Ahh. Ahh! It's too heavy. I-I can't move it.<end>

#TEXTBLOCK=41E
//@男@＊「いいか？<line>
//　　まだ　秘密の話だが……<end>
@男@＊: Don’t mention a word of this, understand? This is still behind closed doors, but...<end>

#TEXTBLOCK=41F
//@男@＊「教祖さまは　この神殿が完成すれば<line>
//　　お前たちドレイを　解放すると<line>
//　　おっしゃっているぞ。<end>
@男@＊: Dear Leader told me that when this temple is completed, he will free all you slaves.<end>

#TEXTBLOCK=420
//@男@＊「もちろん　わが光の教団の信者に<line>
//　　なればという条件つきだが<line>
//　　悪い話では　あるまい。<end>
@男@＊: Of course you'll have to become true believers of the Followers of Light like us.<arrow>@男@＊: That's not too bad if you ask me.<end>

#TEXTBLOCK=421
//@男@ヘンリー「やあ　@主@！<line>
//　　こんなところで　油を売ってると<line>
//　　またムチで　打たれるぞ。<end>
@男@Henry: What on earth do you think you're doing, @主@?<arrow>@男@Henry: If you laze about here, then you're bound to be whipped again!<end>

#TEXTBLOCK=422
//@男@ヘンリー「それとも　また<line>
//　　逃げだす相談かい？<line>
//　　あれから　もう１０年になるもんな。<end>
@男@Henry: Ah, or is this another meeting of the brain trust about escaping?<arrow>@男@Henry: Hard to believe 10 years have already passed since our arrival.<end>

#TEXTBLOCK=423
//@男@ヘンリー「お前の親父さんには<line>
//　　本当に　申しわけなかったと<line>
//　　思っているよ。<end>
@男@Henry: I'm so very sorry about what happened to your father.<end>

#TEXTBLOCK=424
//@男@ヘンリー「お前は　きっと<line>
//　　親父さんの　最期の言葉を信じて<line>
//　　母親を　さがしたいんだろうな。<end>
//Tweaked so it sounds better
@男@Henry: You've certainly taken your father's last words to heart...<arrow>@男@Henry: Wanting to continue the search for your mother and all.<end>

#TEXTBLOCK=425
//@男@ヘンリー「いいよなあ……。　オレなんか<line>
//　　ここを逃げだしても　お城じゃ　弟の<line>
//　　デールが　王さまになってるだろうし。<end>
//Trying to make this make sense
@男@Henry: That'd be nice... Even if I escaped here, my brother, Dale, would still be the King.<end>

#TEXTBLOCK=426
//@男@ヘンリー「と　くどくど話してても<line>
//　　しかたがないなっ！<line>
//　　さあ　仕事　仕事……。<end>
@男@Henry: It can't be helped, talking about such things over and over! Well, back to work...<end>

#TEXTBLOCK=427
//@男@＊「なんだ　お前はっ！？<line>
//　　はやく　自分の仕事場に<line>
//　　もどらんかっ！<end>
@男@＊: Who are you!? What do you think you’re doing here? Return to your own work area at once!<end>

#TEXTBLOCK=428
//@男@＊「そして　まちがっても<line>
//　　ここから逃げようなど<line>
//　　思わぬことだな。<end>
@男@＊: And don't even dream about escaping from here.<end>

#TEXTBLOCK=429
//@低@＊「なんだ？　ひとりで岩を運んでいる<line>
//　　そいつを　手伝うっていうのか？<end>
@低@＊: Wot? You wanna ‘elp that bloke carrying stones by ‘imself?<end>

#TEXTBLOCK=42A
//@低@＊「わっはっは！　やめておけ！<line>
//　　お前も　すぐに　そんなクチは<line>
//　　きけなくなるさ。<end>
@低@＊: Wahaha! That’s enough outta you! You'll learn not to ‘ave that sort o’ mouth ‘fore long.<end>

#TEXTBLOCK=42B
//@男@＊「ジャマをしないでください。<end>
@男@＊: Please don't bother me.<end>

#TEXTBLOCK=42C
//@男@＊「ここの持ち場は　私だけだから<line>
//　　休むわけには　いかないんです。<end>
@男@＊: There's no way I can rest because I'm the only one at this post.<end>

#TEXTBLOCK=42D
//@男@＊「ここの教祖さんは<line>
//　　世界を救うと　いうとるそうじゃ。<end>
@男@＊: I heard the priest here say he’s going to save the world.<end>

#TEXTBLOCK=42E
//@男@＊「しかし　無理やり　さらってきた<line>
//　　人間に　神殿をつくらせるようでは<line>
//　　ロクなもんじゃねえぞ！<end>
@男@＊: Still, it's not befitting to those people kidnapped and forced to build this temple!<end>

#TEXTBLOCK=42F
//@女@＊「お水は　いかが？<line>
//　　外の世界は　魔物がウヨウヨ。<line>
//　　でも　ここは安心よ。<end>
@女@＊: How about some water? The outside world is full of monsters, but at least it’s safe here.<end>

#TEXTBLOCK=430
//@女@＊「それも　これも<line>
//　　教祖さまの　おチカラなのね。<end>
@女@＊: That's the power of our Dear Leader.<end>

#TEXTBLOCK=431
//@男@＊「た　たのむ　静かにしてくれ……。<line>
//　　今だけ　休ませてくれ……。<end>
@男@＊: I, I beg of you, please keep quiet... Let me rest for now...<end>

#TEXTBLOCK=432
//@男@兵士「まいった……。<line>
//　　妹のマリアが　ドレイに<line>
//　　されてしまったのだ……。<end>
@男@Soldier: I'm so torn... My sister Maria has become a slave...<end>

#TEXTBLOCK=433
//@男@兵士「なんとかしたいが<line>
//　　教祖さまには　さからえないし……。<end>
@男@Soldier: I want to do something, but I can't disobey my Dear Leader...<end>

#TEXTBLOCK=434
//@男@兵士「と　こんなことを<line>
//　　ドレイの　お前に　話しても<line>
//　　しかたなかったな……。<end>
//Better
@男@Soldier: ...And I really shouldn't be saying such things to a slave.<end>

#TEXTBLOCK=435
//ずいぶんと　くちはてた<line>
//古いお墓だ。<end>
An old and crumbling tombstone.<end>

#TEXTBLOCK=436
//新しいものが　見あたらないが<line>
//この前　死んでしまったドレイは<line>
//どうなったのだろう……。<end>
It's not a new grave, so what happened to the slave who just died?<end>

#TEXTBLOCK=437
//牢トビラには　かたく<line>
//カギが　かけられている……。<end>
The jail cell door is locked tight...<end>

#TEXTBLOCK=438
//@低@＊「ちきしょ～！<line>
//　　ここから　出しやがれ！<line>
//　　インチキ教団めが～っ！！<end>
@低@＊: Dammit! Let me out o' here! Ya charlatans!!<end>

#TEXTBLOCK=439
//@男@＊「よーし！<line>
//　　今日は　ここまでだ！<end>
@男@＊: Al-right! That's enough for today!<end>

#TEXTBLOCK=43A
//@男@＊「明日も　朝は早いぞ！<line>
//　　それぞれ　部屋に　もどって<line>
//　　さっさと　休むんだ！<end>
@男@＊: Tomorrow's another early start! Everyone return to your quarters and rest!<end>

#TEXTBLOCK=43B
//@男@ヘンリー「やあ　@主@<line>
//　　やっと　目がさめたようだな。<end>
@男@Henry: Hey, @主@, good to see you up and moving.<end>

#TEXTBLOCK=43C
//@男@ヘンリー「ずいぶん　うなされてた<line>
//　　ようだけど　また　ムチで<line>
//　　打たれる夢でも　見たんだろ。<end>
@男@Henry: You look like you had a nightmare. Was it about being whipped again?<end>

#TEXTBLOCK=43D
//@男@ヘンリー「しかし　お前は<line>
//　　いつまでたっても　反抗的で<line>
//　　ドレイになりきれないヤツだよなあ。<end>
@男@Henry: Despite being a slave, you've always had a streak of rebelliousness, haven't you?<end>

#TEXTBLOCK=43E
//@男@ヘンリー「その点　オレなんか<line>
//　　素直になったと　自分でも思うよ。<line>
//　　わっはっはっ。<end>
@男@Henry: On the other hand, I think I’ve fallen right into line, despite myself. Wahaha!<end>

#TEXTBLOCK=43F
//トビラが開かない！<line>
//どうやら　カギが<line>
//かかっているようだ！<end>
The door won't open! It seems to be locked from the other side!<end>

#TEXTBLOCK=440
//@男@ヘンリー「もっとも　オレが<line>
//　　素直になったのは　お前の親父さんの<line>
//　　死が　こたえたのも　あるけどさ。<end>
//Hmmm
@男@Henry: I've had to answer for your father's death...<arrow>@男@Henry: I guess that's what made me a changed man.<end>

#TEXTBLOCK=441
//@男@ヘンリー「あれから　１０年……。<line>
//　　月日のたつのは早いもんだぜ。<end>
@男@Henry: It's been 10 years since then... The days and nights have passed by so quickly.<end>

#TEXTBLOCK=442
//@男@＊「お願いじゃ　起こさないでくれ。<line>
//　　ぎりぎりまで　眠らせてくれ……。<end>
//NOTE: added line for formatting only -DMM
@男@＊: I beg you, don't wake me up yet.<line>Let me sleep as much as I can.<end>

#TEXTBLOCK=443
//@男@＊「こりゃ　@主@アニキ<line>
//　　どうも　おはようございます。<end>
@男@＊: Hey, good mornin’ to you, @主@, my 'bro'.<end>

#TEXTBLOCK=444
//@男@＊「なんでも　アニキは　子供のとき<line>
//　　連れてこられて　ドレイとして<line>
//　　１０年も　はたらかされているとか。<end>
//'Do-anything bro' is the hero, who is being addressed.
//Using "childhood slavery" to compact the entry
@男@＊: I heard it's been 10 years now since you were forced into slavery as a child.<end>

#TEXTBLOCK=445
//@男@＊「ずいぶん<line>
//　　苦労しなすったんですねえ。<line>
//　　うっ　うっ……。<end>
@男@＊: We've been working so hard.<line>*sob*...<end>

#TEXTBLOCK=446
//@男@＊「うわー！　すいません！<line>
//　　もう　さぼりませんから<line>
//　　ムチで　打たないでください。<end>
@男@＊: Yyaahh! Excuse me, sir! Please don't whip me. I won’t be a dead-beat no more!<end>

#TEXTBLOCK=447
//@男@＊「むにゃむにゃ……。<end>
@男@＊: Zzz Zzz...<end>

#TEXTBLOCK=448
//@男@＊「うっうっうっ……。<line>
//　　こんな生活なら　死んだほうが<line>
//　　マシです……。<end>
@男@＊: *sob*...<line>I'd rather die than live like this...<end>

#TEXTBLOCK=449
//@男@＊「なんの希望も　夢もなく<line>
//　　一生　ドレイで終わるなんて……<line>
//　　もう　死んでしまいたいです……。<end>
@男@＊: A slave’s life doesn’t have any dreams or hopes... I want to die already...<end>

#TEXTBLOCK=44A
//@男@＊「あんた　知ってますか？<line>
//　　神殿が完成すれば　私たちは<line>
//　　自由の身に　なれるんですよ！<end>
@男@＊: Hey, have you heard the good news? If we complete the temple, then we'll be freed!<end>

#TEXTBLOCK=44B
//@低@＊「おめえはよお<line>
//　　考えが　甘いんだよ！<line>
//　　誰から聞いたかは知らんが……<end>
@低@＊: You’ve got to be pullin’ one over on me! I dunno where ya heard that from, but...<end>

#TEXTBLOCK=44C
//@低@＊「そんなのは　オレたちを<line>
//　　がんばらせるための口実に<line>
//　　決まってるだろっ！<end>
@低@＊: Nah, they probably only said that ta get us workin' harder!<end>

#TEXTBLOCK=44D
//@男@＊「でも　本当だって……。<end>
@男@＊: But, it was true... They said so...<end>

#TEXTBLOCK=44E
//@低@＊「知らん　知らん！<line>
//　　おめえは　幸せなヤツだよ！<end>
@低@＊: I don't wanna ‘ear it! We’re a lot of unlucky buggers, we are!<end>

#TEXTBLOCK=44F
//@低@＊「よお　おめえか！<line>
//　　おめえの親父は　この教団の<line>
//　　ヤツらに　殺されたんだってな。<end>
@低@＊: ‘Ey, you there! Yer father was killed by the goons from this cult.<end>

#TEXTBLOCK=450
//@低@＊「その時の　くやしさを<line>
//　　忘れちゃいけねえぜ。<end>
@低@＊: 'Spite how mortifyin' that moment was, ya can't forget it.<end>

#TEXTBLOCK=451
//@低@＊「その思いがあるかぎり<line>
//　　おめえは　きっと<line>
//　　生きてゆくだろうからな。<end>
@低@＊: Thinkin' ‘bout that’ll sure give ya a reason to continue livin’.<end>

#TEXTBLOCK=452
//@男@＊「ちょっと　聞いておくれよ。<end>
@男@＊: Listen for a minute.<end>

#TEXTBLOCK=453
//@男@＊「そこの　マリアちゃんは<line>
//　　光の教団の信者だったのに<line>
//　　ドレイに　されちゃったのよ。<end>
@男@＊: Maria, over there, was once a true believer, but she was made a slave.<end>

#TEXTBLOCK=454
//@男@＊「なんでも　不注意で<line>
//　　教祖さまの　大事なお皿を<line>
//　　わってしまったとかで……。<end>
@男@＊: How could she be so careless as to drop one of Dear Leader's favorite dishes...?<end>

#TEXTBLOCK=455
//@男@＊「マリアちゃんの　兄さんは<line>
//　　教団の兵士をしてるっていうのに<line>
//　　まったく　ひどい話よねえ……。<end>
@男@＊: Isn't it horrible that Maria's brother is still working as a cult soldier...?<end>

#TEXTBLOCK=456
//@女@マリア「私……　最近は　教祖さまの<line>
//　　お考えに　ついていけないところが<line>
//　　あったんです……。<end>
//note: fixed 'ついていけないところ' to be 'lost my faith' equivalent
@女@Maria: I... recently lost my faith in Dear Leader's sermons...<end>

#TEXTBLOCK=457
//@女@マリア「だから　教祖さまの怒りをかって<line>
//　　ドレイにされて　むしろ<line>
//　　よかったのですわ。<end>
@女@Maria: So I'm glad that I brought his wrath upon myself and was made a slave.<end>

#TEXTBLOCK=458
//@女@マリア「こんなに多くの人々が<line>
//　　教団のために　はたらかされて<line>
//　　いることが　分かりましたし……<end>
@女@Maria: And now, I know that there are so many innocent people forced to work for the cult’s cause.<end>

#TEXTBLOCK=459
//@女@マリア「光の教団が　おそろしいチカラ<line>
//　　によって　うごかされていると<line>
//　　ウワサに聞いたことも　あります。<end>
@女@Maria: I've also heard rumors here that the Followers of Light will be led by a frightful power.<end>

#TEXTBLOCK=45A
//@女@マリア「でも　いったい誰が<line>
//　　そんな　おそろしいチカラと<line>
//　　たちむかえるのかしら？<end>
@女@Maria: But I wonder who will be strong enough to fight against such a frightening entity?<end>

#TEXTBLOCK=45B
//@主@は　ツボを　のぞきこんだ！<end>
@主@ peered into the pot.<end>

#TEXTBLOCK=45C
//すごい　ニオイがする。<line>
//どうやら　ドレイたちの<line>
//トイレのようだ……。<end>
A terrible smell wafts. It appears to be the slaves' latrine...<end>

#TEXTBLOCK=45D
//こんなツボを　投げて割ったら<line>
//取り返しのつかないことに　なるだろう。<line>
//やめておいたほうが　よさそうだ。<end>
If you throw this jar and shatter it, you'll have completely lost it. You should quit while you're ahead!<end>

#TEXTBLOCK=45E
//@男@＊「おらおら！　仕事の時間だぞ！<line>
//　　さっさと　いかないと<line>
//　　このムチが　とぶぞ！<end>
@男@＊: GET UP! Time to work! If you don't begin immediately, this whip will fly!<end>

#TEXTBLOCK=45F
//@男@＊「はーん？　また　お前か……。<line>
//　　なにかにつけて<line>
//　　反抗的なヤツだな！<end>
@男@＊: What? You again...? You rebellious twit!<end>

#TEXTBLOCK=460
//@男@＊「さっさと　出てゆかんかっ！<end>
@男@＊: You'd better get a move on!<end>

#TEXTBLOCK=461
//@男@＊「ん？　お前の仕事場は<line>
//　　ここじゃないだろう！　さっさと<line>
//　　自分の持ち場に　いかんかっ！<end>
@男@＊: Hmm? This ain't your workplace! Better get back to your spot immediately, or ELSE!<end>

#TEXTBLOCK=462
//@男@＊「教祖さまの　お話では<line>
//　　やがて　闇の時代が　来るらしい。<end>
@男@＊: I heard from Dear Leader's sermon about an era of darkness coming soon.<end>

#TEXTBLOCK=463
//@男@＊「そこで　教祖さまは<line>
//　　光の国をつくり　人々を<line>
//　　闇から守る　おつもりなのだ。<end>
@男@＊: Dear Leader wants to build a Kingdom of Light here to protect his people from darkness.<end>

#TEXTBLOCK=464
//@男@＊「なんという　ありがたい<line>
//　　お考えであろうか……。<end>
@男@＊: I feel so wonderfully blessed...<end>

#TEXTBLOCK=465
//@男@＊「誰かを　さがしているのか？<line>
//　　ドレイの　ヘンリーなら<line>
//　　今日は　地下にまわされたぞ。<end>
@男@＊: You looking for someone? That slave called Henry was sent to work on the lower level today.<end>

#TEXTBLOCK=466
//@男@＊「神殿が　完成すれば<line>
//　　自由になれるという話か？<line>
//　　ああ　もちろん本当だとも！<end>
//NOTE: added line for formatting -DMM
@男@＊: All that talk about freeing the slaves after completing the temple?<line>Ah, of course, it's true!<end>

#TEXTBLOCK=467
//@男@＊「だから　何も考えず<line>
//　　精いっぱい　はたらくのだぞ！<end>
@男@＊: That's why you must put all your effort into your work and think of nothing else!<end>

#TEXTBLOCK=468
//@男@＊「この神殿が　完成するまで<line>
//　　とても　生きておれそうにないのう。<end>
@男@＊: Until this temple is complete, I have nothing else to live for.<end>

#TEXTBLOCK=469
//@男@＊「しかし　死んでしまえば　もう<line>
//　　ムチで　打たれることもない。<line>
//　　やっと　自由な身じゃよ……。<end>
@男@＊: Although, if you die, there'll be no more whips across your back. Freedom at last...<end>

#TEXTBLOCK=46A
//なんと！　ドレイの女が<line>
//ムチで　打たれている！<end>
Oh no! That slave girl is being whipped!<end>

#TEXTBLOCK=46B
//@男@＊「オレの足の上に<line>
//　　石を落とすとは　ふてえ女だ！<line>
//　　その根性を　たたき直してやる！<end>
@男@＊: You clumsy woman, dropping this stone on my foot! I'll have to reform such an attitude!<end>

#TEXTBLOCK=46C
//@女@マリア「ど…　どうか<line>
//　　おゆるしください……。<end>
@女@Maria: Please, forgive me! It was only an accident!<end>

#TEXTBLOCK=46D
//@男@＊「いーや　だめだ。<line>
//　　たしか　おめえは　ドレイに<line>
//　　なったばかりだったなあ。<end>
@男@＊: Sorry, too bad. You must be a new arrival.<end>

#TEXTBLOCK=46E
//@男@＊「このさいだから<line>
//　　自分がドレイだってことを<line>
//　　身にしみて　わからせてやる！<end>
@男@＊: Looks to me like you need to learn your place!<end>

#TEXTBLOCK=46F
//@女@マリア「ひいいい……。<end>
@女@Maria: Aaahhhhh....<end>

#TEXTBLOCK=470
//@男@ヘンリー「く……！　あいつらっ！<end>
@男@Henry: Rrr...! That bastard!<end>

#TEXTBLOCK=471
//マリアらしき女性が　ひどい目に<line>
//あっている！　このままに<line>
//しておくわけには　いかない！<end>
Maria cowered in fear! You can't let her suffer any more pain!<end>

#TEXTBLOCK=472
//@女@＊「あんなに　ムチで打たれて……。<line>
//　　かわいそうに……。<end>
//NOTE: added line for formatting
@女@＊: Poor girl, being hit by the whip so hard...<line>She looks so pitiful...<end>

#TEXTBLOCK=473
//@男@＊「むごいのう……。<line>
//　　誰か　なんとか<line>
//　　してやれんもんじゃろうか……。<end>
@男@＊: How awful... Won't anyone step in to help her?<end>

#TEXTBLOCK=474
//@男@ヘンリー「あれ　@主@！<line>
//　　いつのまに　そこに<line>
//　　いたんだっ！？<end>
@男@Henry: Hey, @主@! How long have you been there?!<end>

#TEXTBLOCK=475
//@男@ヘンリー「まあ　いい……。<line>
//　　オレは　もう　ガマンできないぞ！<end>
@男@Henry: Well, no matter... I can't stand it any longer!<end>

#TEXTBLOCK=476
//@男@＊「うわっ！<end>
@男@＊: Aaaagh!<end>

#TEXTBLOCK=477
//@男@ヘンリー「オレは　もう<line>
//　　ガマンできないぞ！　@主@！<line>
//　　お前も　手をかせっ！<end>
@男@Henry: I can't stand it any longer! @主@, lend me a hand!<end>

#TEXTBLOCK=478
//@男@＊「なんだ！　お前も<line>
//　　はむかう気だなっ！？<line>
//　　よーし　思い知らせてやる！<end>
@男@＊: What’s this?! Oh, you're a lively bunch today! I'll show you how to behave!<end>

#TEXTBLOCK=479
//@女@マリア「いけません……。<line>
//　　私にかまうと　あなたまで<line>
//　　ムチで　打たれてしまいますわ。<end>
@女@Maria: No, don't do it... You’ll both be punished for trying to help me.<end>

#TEXTBLOCK=47A
//@男@＊「さわぎは　やめてくださいよぉ。<line>
//　　こっちまで　怒られるんです……。<end>
@男@＊: Please, stop this ruckus. You're getting me into trouble...<end>

#TEXTBLOCK=47B
//@女@＊「教団の人たちに　さからうなんて<line>
//　　バカよ。　おとなしくしてれば<line>
//　　殺されたりしないのに。<end>
//NOTE: i think this is talking about maria being whipped -DMM
@女@＊: She's an idiot for opposing the Followers of Light. They won't kill you if you behave yourself.<end>

#TEXTBLOCK=47C
//@低@＊「おらおら　見物してねえで<line>
//　　とっとと　はたらけ！<end>
@低@＊: ‘Ey now! No standin’ 'round! Back to work!<end>

#TEXTBLOCK=47D
//@男@兵士「なんだ　なんだ<line>
//　　この　さわぎはっ！？<end>
@男@Soldier: What? What's all this uproar!?<end>

#TEXTBLOCK=47E
//@男@＊「はっ！　この２人が<line>
//　　とつぜん　はむかってきて……。<end>
@男@＊: Ha! These two suddenly up and attacked us...<end>

#TEXTBLOCK=47F
//@男@兵士「この女は？<end>
@男@Soldier: And this woman?<end>

#TEXTBLOCK=480
//@男@＊「あっ　はい。　このドレイ女も<line>
//　　反抗的だったので……。<end>
@男@＊: Ah, yes. Yes, this slave girl is quite treacherous...<end>

#TEXTBLOCK=481
//@男@兵士「………………。<line>
//　　……まあ　よい。<end>
@男@Soldier: ... Very well.<end>

#TEXTBLOCK=482
//@男@兵士「おい　この女の<line>
//　　手当てを　してやれ！<end>
@男@Soldier: Hey, go take care of this woman!<end>

#TEXTBLOCK=483
//@男@＊「は？　……あっ<line>
//　　はい　分かりました！<end>
@男@＊: Huh? ...Ah. Yes sir, understood!<end>

#TEXTBLOCK=484
//@男@兵士「それから　この２人は<line>
//　　牢屋に　ぶちこんでおけっ！<end>
@男@Soldier: And then, throw these two in the holding cell!<end>

#TEXTBLOCK=485
//@男@＊「はっ！<end>
@男@＊: Yes, sir!<end>

#TEXTBLOCK=486
//@男@＊「さあ　来るんだっ！<end>
@男@＊: Now come with me!<end>

#TEXTBLOCK=487
//@男@ヘンリー「いや～　まいったな。<line>
//　　しかし　ムチで　打たれるより<line>
//　　マシかな。　わっはっはっ。<end>
@男@Henry: Ahh, what a bother. Eh, at least it's better than being flogged! Wahaha!<end>

#TEXTBLOCK=488
//@男@ヘンリー「どうしようもないな。<line>
//　　せっかくだから<line>
//　　のんびりすることに　しようぜ。<end>
@男@Henry: There's nothing we can do. Might as well enjoy ourselves with a little holiday for our trouble.<end>

#TEXTBLOCK=489
//@男@ヘンリー「しかし　いつまで<line>
//　　ここに　入れておく気かなあ。<end>
@男@Henry: I wonder how long we'll be in here, though?<end>

#TEXTBLOCK=48A
//@男@ヘンリー「ん？<line>
//　　誰か　来たみたいだぞ！<end>
@男@Henry: Huh? Sounds like someone’s coming!<end>

#TEXTBLOCK=48B
//@男@ヘンリー「いったい　なんだろう？<line>
//　　おい　行ってみようぜっ。<end>
@男@Henry: I wonder who that could be. Hey, let’s go have a look.<end>

#TEXTBLOCK=48C
//@女@マリア「さ　先ほどは<line>
//　　助けていただいて　本当に<line>
//　　ありがとうございました。<end>
@女@Maria: Thank you very much for saving me back there.<end>

#TEXTBLOCK=48D
//@男@ヘンリー「あっ　キミは……。<end>
@男@Henry: Oh, it's you...<end>

#TEXTBLOCK=48E
//@女@マリア「さあ　どうぞ　こちらへ。<end>
@女@Maria: Quickly, please come this way.<end>

#TEXTBLOCK=48F
//@男@兵士「妹のマリアを助けてくれたそうで<line>
//　　本当に　感謝している。<line>
//　　私は　兄のヨシュアだ。<end>
@男@Soldier: I'm truly grateful to you for saving Maria. I’m her brother, Joshua.<end>

#TEXTBLOCK=490
//@男@ヨシュア「前まえから　思っていたのだが<line>
//　　お前たちは　どうも　他のドレイとは<line>
//　　ちがう。　生きた目をしている！<end>
//NOTE: kind of paraphrased to fit instead of "i've been thinking...you two are different from the other slaves" -DMM
@男@Joshua: I've noticed for some time that you two are different from the other slaves.<arrow>@男@Joshua: You still have a quite the fire burning in your hearts!<end>

#TEXTBLOCK=491
//@男@ヨシュア「その　お前たちを<line>
//　　見こんで　たのみが　あるのだ。<line>
//　　聞いてくれるな？<end>
@男@Joshua: I have a favor to ask of you guys. Will you hear me out?<end>

#TEXTBLOCK=492
//@男@ヨシュア「じつは　このことは<line>
//　　まだウワサなのだが……<end>
@男@Joshua: Really, this is still only a rumor, but...<end>

#TEXTBLOCK=493
//@男@ヨシュア「この神殿が　完成すれば<line>
//　　秘密を守るため　ドレイたちを<line>
//　　皆殺しにするかも　知れないのだ。<end>
@男@Joshua: In order to maintain secrecy, once the temple is built, the slaves will probably be killed.<end>

#TEXTBLOCK=494
//@男@ヨシュア「そうなれば　当然<line>
//　　妹のマリアまでが……！<end>
@男@Joshua: Should they follow through with it, they'll even kill my sister...!<end>

#TEXTBLOCK=495
//@男@ヨシュア「お願いだ！<line>
//　　妹のマリアを連れて<line>
//　　逃げてくれ！<end>
//Ugh
@男@Joshua: Please, escape while you can! Take my sister with you!<end>

#TEXTBLOCK=496
//@男@ヨシュア「お前が　昔　さらわれて<line>
//　　来たときの　荷物やお金も<line>
//　　うしろのタルに入れておいた。<end>
@男@Joshua: Your belongings from when you first arrived here are in that barrel.<end>

#TEXTBLOCK=497
//@男@ヨシュア「この水牢は　ドレイの死体を<line>
//　　流す場所で……　浮かべてあるタルは<line>
//　　死体を入れるために　使うものだ。<end>
@男@Joshua: This water chamber is used to float the slaves' dead bodies in barrels out to sea.<end>

#TEXTBLOCK=498
//@男@ヨシュア「気味が悪いかもしれんが<line>
//　　そのタルに入っていれば　たぶん<line>
//　　生きたまま　出られるだろう。<end>
@男@Joshua: I'm sure the barrel must smell awful...<arrow>@男@Joshua: But as long as you stay inside, you'll probably manage to get out alive.<end>

#TEXTBLOCK=499
//@男@ヨシュア「さあ　誰か来ないうちに<line>
//　　早く　タルの中へ！<end>
@男@Joshua: Now hurry up and get in before someone sees us!<end>

#TEXTBLOCK=49A
//@男@ヨシュア「まあ　そういわずに<line>
//　　聞いてくれ。<end>
@男@Joshua: Please, it’s a good plan. Won’t you just listen?<end>

#TEXTBLOCK=49B
//---ジャンプ---> #002414へ<end>
---Jump---> to #002414<end>

#TEXTBLOCK=49C
//@女@マリア「………………。<end>
@女@Maria: ...<end>

#TEXTBLOCK=49D
//なにを　思っているのか<line>
//マリアは　だまって<line>
//うつむいたままである。<end>
Knowing what he's thinking, Maria holds her head down and stays quiet.<end>

#TEXTBLOCK=49E
//ヨシュアは　タルにからめられた<line>
//クサリのカギをはずし　願いをこめて<line>
//タルを　流れに押しだした！<end>
Joshua unchained the barrel and prayed as he pushed the barrel into the water!<end>

#TEXTBLOCK=49F
//@男@ヘンリー「おい　どうした　@主@？<line>
//　　どっちにしても　こんなチャンス<line>
//　　見のがす手は　ないだろう。<end>
@男@Henry: Hey, what's wrong, @主@? Whatever we do, we won't see another chance like this.<end>

#TEXTBLOCK=4A0
//@男@ヘンリー「さあ　タルに<line>
//　　乗り込もうぜ！<end>
@男@Henry: Hurry, let's get in the barrel!<end>

#TEXTBLOCK=4A1
//@男@ヘンリー「@主@　なにしてるんだ？<line>
//　　誰かに　見つからないうちに<line>
//　　早く　タルへ　乗り込もうぜ！<end>
@男@Henry: What are you doing, @主@?<arrow>@男@Henry: We have to get in the barrel quickly before we're discovered!<end>

#TEXTBLOCK=4A2
//@低@＊「くそーっ！<line>
//　　オレも　出しやがれっ！！<end>
@低@＊: Ah, bollocks! Why can't I get out too!!<end>

#TEXTBLOCK=4A3
//@女@＊「……まあ　よかった！<line>
//　　気がつかれましたのねっ！<end>
@女@＊: ...Thank goodness! You've come to!<end>

#TEXTBLOCK=4A4
//@女@＊「もう５日も　眠ったままで<line>
//　　このまま　起きないのではと<line>
//　　心配していましたのよ。<end>
@女@＊: You've been asleep for five days now. I was worried that you'd never wake up.<end>

#TEXTBLOCK=4A5
//@女@＊「しかし　タルの中に<line>
//　　人が　はいっていたのには<line>
//　　びっくりしましたわ。<end>
@女@＊: I was so surprised to find people inside a washed up barrel.<end>

#TEXTBLOCK=4A6
//@女@＊「お連れの人から　聞いたのですが<line>
//　　とんでもない所から<line>
//　　逃げていらしたとか……。<end>
@女@＊: I heard the whole story from your companions. I can't believe you escaped such a horrifying place...<end>

#TEXTBLOCK=4A7
//@女@＊「ここは名もない　海辺の修道院。<line>
//　　どうか　元気になるまで<line>
//　　ゆっくりしていってくださいね。<end>
@女@＊: This is a nameless abbey on the beach. Please rest here until you're well.<end>

#TEXTBLOCK=4A8
//@女@＊「そうですわ。　その服は<line>
//　　あなたが持っていた荷物に<line>
//　　はいっていたものです。<end>
@女@＊: That's right, these clothes are from the luggage you were carrying.<end>

#TEXTBLOCK=4A9
//@女@＊「前の服は　あまりにボロボロ<line>
//　　でしたから　着がえさせて<line>
//　　もらいましたのよ。　ぽっ……。<end>
@女@＊: Your old clothes were all rags, so I... changed them for you. *blush*<end>

#TEXTBLOCK=4AA
//@男@ヘンリー「やあ　@主@！<line>
//　　やっと　気がついたなっ。<end>
@男@Henry: Hey, @主@! Among the living once again, I see.<end>

#TEXTBLOCK=4AB
//@男@ヘンリー「へえ　ちゃんと着がえたのか？<line>
//　　そういや　お前は　荷物を<line>
//　　持っていたもんな。<end>
@男@Henry: Wow, you're all changed? Well, you were toting around quite the luggage.<end>

#TEXTBLOCK=4AC
//@男@ヘンリー「オレなんか　まだ<line>
//　　ドレイの格好のままだぜ。<line>
//　　まっ　いいけどね。<end>
@男@Henry: I still have the fashion sense of a slave, though. Ah, it's alright.<end>

#TEXTBLOCK=4AD
//@男@ヘンリー「それはそうと　マリアさんが<line>
//　　この修道院の　洗礼式を<line>
//　　受けるらしいぞ。<end>
@男@Henry: By the way, I heard Maria will be taking her vows in this abbey today.<end>

#TEXTBLOCK=4AE
//@男@ヘンリー「お前は　目が覚めたばかりで<line>
//　　いまいち　ピンとこないだろうけど<line>
//　　まあ　とにかく　出席しようぜ。<end>
@男@Henry: You might still be a bit drowsy, but we can’t miss it. Hurry, let's take a seat.<end>

#TEXTBLOCK=4AF
//@女@＊「それでは　これより<line>
//　　私たちの新しい友　マリアさんに<line>
//　　神の祝福が　さずけられます。<end>
@女@＊: God's blessing is given to our newest friend, Sister Maria.<end>

#TEXTBLOCK=4B0
//@男@＊「わが修道院へ　みちびかれし<line>
//　　われらの友　マリアよ。<end>
@男@＊: Let us give thanks to God for leading our sister, Maria, on the path to our abbey.<end>

#TEXTBLOCK=4B1
//@男@＊「そなたに　聖なる神の<line>
//　　祝福を　さずけましょう。<end>
@男@＊: Let our Holy God bestow his blessing upon you.<end>

#TEXTBLOCK=4B2
//マザーは　グラスに入った<line>
//ルビー色の水を　少しずつ<line>
//マリアに　ふりかけた。<end>
The Abbess flicked a little ruby-colored liquid from a glass onto Maria.<end>

#TEXTBLOCK=4B3
//@男@＊「……さあ　これで　あなたにも<line>
//　　聖なる加護が　あたえられました。<end>
@男@＊: ...With this blessing, you too now carry our divine protection.<end>

#TEXTBLOCK=4B4
//@男@＊「これからは　その美しき　たましいが<line>
//　　けがされることの　ないよう<line>
//　　正しき道を　学ぶのですよ。<end>
@男@＊: From now on, you will learn to walk the correct path as to not befoul your beautiful soul.<end>

#TEXTBLOCK=4B5
//@男@＊「では　これで　儀式を終わります。<line>
//　　さあ皆さん　今日のお仕事に<line>
//　　もどりましょう。<end>
@男@＊: And now, by this, the ceremony is concluded. Alright everyone, let's return to today's duties.<end>

#TEXTBLOCK=4B6
//@女@＊「あなたは　このマリアさんと<line>
//　　同じタルで　流されてきた方ですね。<end>
@女@＊: You're the ones who arrived in the same barrel as Sister Maria.<end>

#TEXTBLOCK=4B7
//@女@＊「マリアさんと　話せば話すほど<line>
//　　その心の美しさに<line>
//　　感心してしまいますわ。<end>
@女@＊: I can tell yours is a gentle and beautiful soul, more so than what Sister Maria had told me.<end>

#TEXTBLOCK=4B8
//@女@＊「彼女こそ　神におつかえするため<line>
//　　生まれてきた人　なのでは<line>
//　　ないでしょうか……？<end>
@女@＊: Does that mean you were meant to be a vessel of God’s will more so than her...?<end>

#TEXTBLOCK=4B9
//@女@マリア「ああ！　やっと<line>
//　　気がつかれましたのねっ！<line>
//　　本当に　よかったですわ。<end>
@女@Maria: Ah! You've finally awoken! I'm very glad.<end>

#TEXTBLOCK=4BA
//@女@マリア「兄の願いを聞き入れ<line>
//　　私を連れて逃げてくださって<line>
//　　ありがとうございました。<end>
@女@Maria: Thank you for listening to my brother’s plea and taking me away to safety.<end>

#TEXTBLOCK=4BB
//@女@マリア「まだ　あそこにいる兄や<line>
//　　多くのドレイの皆さんのことを　思うと<line>
//　　心から　よろこべないのですが……<end>
@女@Maria: My heart is still torn when I think about my brother and the many slaves, but...<end>

#TEXTBLOCK=4BC
//@女@マリア「今　私が　ここにあるのも<line>
//　　きっと　神さまの　おみちびき<line>
//　　なのでしょうね……。<end>
@女@Maria: It is surely God's will that I was brought here.<end>

#TEXTBLOCK=4BD
//@女@マリア「@主@さん。　これは　兄から<line>
//　　あずかったものですが<line>
//　　どうぞ　お役に立ててください。<end>
@女@Maria: @主@, this was given to me by my brother, but please, make good use of it.<end>

#TEXTBLOCK=4BE
//@主@は　１０００ゴールドを<line>
//受けとった！<end>
@主@ received 1,000 gold!<end>

#TEXTBLOCK=4BF
//@女@マリア「@主@さんたちの　勇気が<line>
//　　きっと　この世界を照らす光に<line>
//　　なってくださると　信じますわ。<end>
//NOTE: she's talking to Abel -DMM
@女@Maria: I believe that your bravery will certainly brighten up this world.<end>

#TEXTBLOCK=4C0
//@女@＊「あ～あ　また遊びに<line>
//　　行きたいなあ……。<end>
@女@＊: Aaah, I want to go out and play some more...<end>

#TEXTBLOCK=4C1
//@女@＊「あのね！　ここから北に行くと<line>
//　　大きな町があるのっ。<line>
//　　とっても面白い所だよ！<end>
@女@＊: Umm, hey! If you leave here, you’ll find a bustling town to the north. It's a very interesting place!<end>

#TEXTBLOCK=4C2
//@女@＊「あなた方の　旅の無事をお祈りして<line>
//　　この　女神像を　さしあげましょう。<end>
@女@＊: I'll pray for your safe journey, and give you this goddess statue so you can remember us.<end>

#TEXTBLOCK=4C3
//@主@は　木彫りの女神像を<line>
//受けとった！<end>
@主@ took the wooden goddess carving!<end>

#TEXTBLOCK=4C4
//@女@＊「それは　私たち　修道院に暮らす者が<line>
//　　祈りをこめて　彫ったものです。<end>
@女@＊: This is a hand-crafted image of the one we at the abbey pray to.<end>

#TEXTBLOCK=4C5
//@女@＊「とくべつなチカラが　宿るものでは<line>
//　　ありませんが　この修道院へいらした<line>
//　　記念に　どうぞ　お持ちください。<end>
@女@＊: It doesn't have any special power, but please take it as a memento of your time at this abbey.<end>

#TEXTBLOCK=4C6
//@女@＊「修道院では　衣服も食事も<line>
//　　すべて　自分たちが作ったもので<line>
//　　まかなっています。<end>
@女@＊: We maintain a strict lifestyle by making all our own food and clothing.<end>

#TEXTBLOCK=4C7
//@女@＊「ですから　自然と　何かを作ることに<line>
//　　なれて行くのですわ。<end>
//note: the tl here was wrong before, specifically なれて
@女@＊: This is why we're so gifted at creating things with our own hands.<end>

#TEXTBLOCK=4C8
//@男@＊「あたしゃ　亭主から<line>
//　　逃げて来たんだよ。<line>
//　　とんでもない　らんぼう者でね。<end>
@男@＊: I ran away from my husband. He was a wild and crazy guy.<end>

#TEXTBLOCK=4C9
//@男@＊「おや？　あんたも　どこかから<line>
//　　逃げてきたのかい？<line>
//　　そりゃ　きぐうだねえ。<end>
@男@＊: Oh? You too ran away from somewhere? Well, isn’t that a coincidence?<end>

#TEXTBLOCK=4CA
//@女@＊「お話は聞いています。<line>
//　　１０年以上も　ドレイとして　はたらき<line>
//　　やっと　自由の身になったとか。<end>
@女@＊: I heard about your story. After a decade of working as a slave, you finally found freedom.<end>

#TEXTBLOCK=4CB
//@女@＊「あなたは　もう誰からも<line>
//　　命令されないでしょう。<end>
@女@＊: You don't have to take orders from anyone else now.<end>

#TEXTBLOCK=4CC
//@女@＊「父上も　亡くなられた今<line>
//　　どこへ行き　何をするか……<end>
@女@＊: Your father died, and now you don't know where to go or what to do...<end>

#TEXTBLOCK=4CD
//@女@＊「これからは　すべて　自分で<line>
//　　考えなくては　なりません。<end>
@女@＊: From here, your path is all up for you to decide.<end>

#TEXTBLOCK=4CE
//@女@＊「しかし　負けないでくださいね。<line>
//　　それが　生きるということ<line>
//　　なのですから。<end>
//Hmm
@女@＊: But, please keep a clear head and never lose. That is, lose the will to live, I mean.<end>

#TEXTBLOCK=4CF
//@女@＊「光の教団のウワサは<line>
//　　しばらく前に　旅先の町で<line>
//　　聞いたことがあります。<end>
@女@＊: I've heard all about the Followers of Light's lies over in Oraclebury.<end>

#TEXTBLOCK=4D0
//@女@＊「なんでも　すべての人が<line>
//　　幸せになれる　理想の国を<line>
//　　作るのだとか。<end>
@女@＊: They talk about creating a utopia where everyone can live in happiness.<end>

#TEXTBLOCK=4D1
//@女@＊「理想をかかげるのは　すばらしいこと<line>
//　　ですが　まずは　自分の家族や<line>
//　　身近な人々を　幸せにすることが……<end>
@女@＊: A utopia is a wonderful ideal, though first you have to create happiness for you and your family...<end>

#TEXTBLOCK=4D2
//@女@＊「やがては　すべての人々の幸せに<line>
//　　つながるのでは　ないでしょうか。<end>
@女@＊: In any case, doesn’t the key to happiness bring everyone together?<end>

#TEXTBLOCK=4D3
//@女@＊「ここは　特別な　お客様を<line>
//　　おあずかりする時のための<line>
//　　お部屋です。<end>
//Shortened
@女@＊: This is a room for our special guests.<end>

#TEXTBLOCK=4D4
//@女@＊「つい　この間まで　お金持ちの<line>
//　　おじょうさまが　花嫁修業に<line>
//　　いらしていたんですが……<end>
@女@＊: Up until recently, a rich young girl had been here, training in our refined arts, but...<end>

#TEXTBLOCK=4D5
//@女@＊「それはもう　心のやさしい　美しい<line>
//　　娘さんで　私たちこそ　勉強させて<line>
//　　いただきましたわ。<end>
@女@＊: She was already a kind-hearted and beautiful girl. We learned as much from her as she did from us.<end>

#TEXTBLOCK=4D6
//@女@＊「その娘さんといい　あなたがたが<line>
//　　お連れになった　マリアさんといい<line>
//　　ここは　人にめぐまれていますね。<end>
@女@＊: We are blessed to have people such as that young girl and Sister Maria, who you’ve brought to us.<end>

#TEXTBLOCK=4D7
//@男@ヘンリー「さっきは<line>
//　　だまって　出てきちゃって<line>
//　　悪かったな　@主@。<end>
@男@Henry: Sorry for ducking out without mentioning a single word to you, @主@.<end>

#TEXTBLOCK=4D8
//@男@ヘンリー「マリアさんって<line>
//　　ドレイのときは　気づかなかったけど<line>
//　　キレイな人だよな～。<end>
@男@Henry: I didn't realize it when she was a slave, but Maria is quite the pretty girl.<end>

#TEXTBLOCK=4D9
//@男@ヘンリー「ここで　ずっと　暮らすなんて<line>
//　　もったいないよ。<end>
@男@Henry: To be cooped up here for the rest of her life, it’s... it’s too cruel.<end>

#TEXTBLOCK=4DA
//@男@ヘンリー「まあ　兄さんは　まだ<line>
//　　あの神殿だろうし　ほかに<line>
//　　身よりも　ないらしいからな……。<end>
@男@Henry: Still, since she has no other family besides her brother... who's still a guard at that temple...<end>

#TEXTBLOCK=4DB
//@男@ヘンリー「さあてと……。<line>
//　　これから　どうするかなあ……。<line>
//　　出かける時は　声をかけてくれよ！<end>
@男@Henry: Um, no matter... Where shall we go from here? Tell me when we're to depart!<end>

#TEXTBLOCK=4DC
//@男@ヘンリー「いよいよ　旅に出るのか？<end>
@男@Henry: Are we leaving at last?<end>

#TEXTBLOCK=4DD
//@男@ヘンリー「そうだよな。　お前には<line>
//　　母親をさがすっていう目的が<line>
//　　あったもんな。<end>
@男@Henry: Right-o. I’m sure you still intend to find your mother.<end>

#TEXTBLOCK=4DE
//@男@ヘンリー「なあ　どうだろうか？<line>
//　　その旅に　オレも<line>
//　　つき合わせてくれないか？<end>
@男@Henry: Hey, how ‘bout it? Take me along on this journey too?<end>

#TEXTBLOCK=4DF
//@男@ヘンリー「よし　そうと決まったら<line>
//　　さっそく　旅に出よう！<end>
//Old @男@Henry: Yes, with that decided, let's head out for our travels now!
@男@Henry: Now that that's out of the way, let's head out!<end>

#TEXTBLOCK=4E0
//@男@ヘンリー「今　出かけるって<line>
//　　言ってくるから　お前は<line>
//　　ここで　待っていろよ！<end>
//NOTE: this made more sense in the context, retranslate if necessary -DMM
@男@Henry: Wait, I thought we were leaving and now you want to stick around.<arrow>@男@Henry: Well, I'm just gonna wait right here until you make your mind up!<end>

#TEXTBLOCK=4E1
//@男@ヘンリー「お前は　意外と<line>
//　　つめたいヤツだな。<end>
@男@Henry: You're an unexpectedly cold bastard, aren't you?<end>

#TEXTBLOCK=4E2
//@男@ヘンリー「よくは　覚えてないけど<line>
//　　お前は　たしか　オレの子分に<line>
//　　なったんじゃなかったかなあ。<end>
@男@Henry: I seem to recall you becoming MY flunky at some point, hm?<end>

#TEXTBLOCK=4E3
//@男@ヘンリー「親分の　言うことは<line>
//　　聞くもんだぜ。<line>
//　　なっ　いいだろう？<end>
//Talking about listening to him
@男@Henry: You better start listening to your boss, got that?<end>

#TEXTBLOCK=4E4
//---ジャンプ---> #002686へ<end>
---Jump---> to #002686<end>

#TEXTBLOCK=4E5
//@男@ヘンリー「そうか……。<end>
@男@Henry: I see...<end>

#TEXTBLOCK=4E6
//@男@ヘンリー「……しかし　本当に<line>
//　　生きて　ここまで流れ着くなんて<line>
//　　オレたち　運がいいよな。<end>
@男@Henry: ...But making it here alive, luck has really been on our side so far.<end>

#TEXTBLOCK=4E7
//@男@ヘンリー「オレさ……　タルの中で<line>
//　　もうダメかもって　思ったとき<line>
//　　鐘の音を聞いたような　気がしたんだ。<end>
@男@Henry: I, um... thought it was all over for us in that barrel, but then I heard the sound of bells.<end>

#TEXTBLOCK=4E8
//@男@ヘンリー「すごく　落ち着く音色でさ。<line>
//　　あれって　この修道院の鐘の音<line>
//　　だったのかもしれないな。<end>
@男@Henry: It was an amazingly harmonious sound. It was probably the sound of the bell at this abbey.<end>

#TEXTBLOCK=4E9
//ネコは　うれしそうに<line>
//草の間を　歩いている。<end>
The cat looks really pleased frolicking in the grass.<end>

#TEXTBLOCK=4EA
//@女@＊「やはり　行ってしまうのですね。<line>
//　　なんでも　母をさがす旅とか。<end>
@女@＊: You really are leaving us. You're going to search for your mother, no matter what?<end>

#TEXTBLOCK=4EB
//@女@＊「北にある　大きな町でなら<line>
//　　何か　分かるかもしれませんね。<line>
//　　どうか　お気をつけて。<end>
@女@＊: You might be able to find out something in the large town to the north. Please, be careful.<end>

#TEXTBLOCK=4EC
//@女@マリア「本当に　いろいろ<line>
//　　ありがとうございました。<end>
@女@Maria: Thank you so much for all you have done.<end>

#TEXTBLOCK=4ED
//@女@マリア「私は　ここに残り<line>
//　　多くのドレイの皆さんのために<line>
//　　毎日　祈ることにしました。<end>
@女@Maria: I'm going to pray here every day for the slaves that were left behind.<end>

#TEXTBLOCK=4EE
//@女@マリア「そして　@主@さんが<line>
//　　お母さまに会えるようにも……。<line>
//　　どうか　お気をつけてください。<end>
@女@Maria: And for you, @主@, to find your mother... Please be careful.<end>

#TEXTBLOCK=4EF
//@男@＊「@主@<line>
//　　あなたは　もう大人です。<end>
@男@＊: @主@, you're now an adult.<end>

#TEXTBLOCK=4F0
//@男@＊「これからは　自分の道を<line>
//　　自分で見つけなくては<line>
//　　ならないでしょう。<end>
@男@＊: You've got to find your own path from now on.<end>

#TEXTBLOCK=4F1
//@男@＊「しかし　神さまが<line>
//　　見守っていてくださることを<line>
//　　忘れずに……。<end>
@男@＊: Nevertheless, don't forget that God is always watching over you...<end>

#TEXTBLOCK=4F2
//@男@＊「@主@の旅に<line>
//　　神の　ご加護の　あらんことを。<end>
@男@＊: May God's blessing be with you on your journey, @主@.<end>

#TEXTBLOCK=4F3
//@男@ヘンリー「さあて　行こうぜ！<end>
@男@Henry: Right-o, off we go!<end>

#TEXTBLOCK=4F4
//ヘンリーが　仲間に　くわわった！<end>
Henry joined!<end>

#TEXTBLOCK=4F5
//@女@＊「ここから　北に歩くと<line>
//　　オラクルベリーという<line>
//　　大きな町が　あります。<end>
@女@＊: If you walk north from here, you’ll arrive at a large town called Oraclebury.<end>

#TEXTBLOCK=4F6
//@女@＊「あそこには　旅人もたくさん<line>
//　　立ちよりますから　なにか　役に立つ<line>
//　　お話が　聞けるかもしれませんね。<end>
@女@＊: There'll probably be lots of useful info over there... Plenty of passing travelers.<end>

#TEXTBLOCK=4F7
//ネコは　うれしそうに<line>
//ジャレてきた。<end>
A cat is playing happily.<end>

#TEXTBLOCK=4F8
//@男@ヘンリー「あ　そうだ　言い忘れたけど<line>
//　　ドレイにされてたとき<line>
//　　すごろく券を　ひろったんだよ。<end>
//NOTE: literally 'when we were slaves' but doesn't fit -DMM
//removing [sugoroku:parcheesi] so that it fits without splitting up
@男@Henry: I forgot to mention this before, but while we were slaves I came across this ticket.<end>

#TEXTBLOCK=4F9
//@男@ヘンリー「昔の　オレなら<line>
//　　すぐ　捨てちまったんだけど……<end>
@男@Henry: My old self probably would have thrown it right out, but...<end>

#TEXTBLOCK=4FA
//@男@ヘンリー「ドレイにされてからは<line>
//　　なんでも　捨てるのが<line>
//　　もったいなくてさ。　はっはっは。<end>
@男@Henry: Being a slave, I couldn't throw away any bit rubbish. Wahaha!<end>

#TEXTBLOCK=4FB
//ネコは　草の間の虫を<line>
//おいかけているようだ。<end>
The cat seems to be batting at the flies in the grass.<end>

#TEXTBLOCK=4FC
//@女@＊「ここは名もない海辺の修道院。<line>
//　　おとずれる人は　みな<line>
//　　悲しみを　背負った人ばかり。<end>
@女@＊: This is a nameless abbey by the sea. Our visitors are anyone burdened with sadness.<end>

#TEXTBLOCK=4FD
//@女@＊「あなたも　若いのに<line>
//　　ずいぶん大変な経験を<line>
//　　なさいましたね。<end>
@女@＊: Even though you are young, you've had many hardships.<end>

#TEXTBLOCK=4FE
//@女@＊「あなたがた　モンスターの心にも<line>
//　　なにやら　悲しみがみえますわ。<line>
//　　……苦労してきたのね。<end>
@女@＊: You can see the sadness in the hearts of monsters too. ...That's bound to be a great burden.<end>

#TEXTBLOCK=4FF
//@女@＊「マリアお姉ちゃんって<line>
//　　きれいだね！<end>
@女@＊: Sissy Maria is pretty!<end>

#TEXTBLOCK=500
//@女@＊「でも　ずうっと<line>
//　　お祈りしてばかりで<line>
//　　さびしそうなんだよ。<end>
@女@＊: But, she looks so lonely just sayin’ prayers all the time.<end>

#TEXTBLOCK=501
//@女@マリア「私は　子供の頃から<line>
//　　兄と　ふたりだけで<line>
//　　生きてきたんです。<end>
@女@Maria: I've lived with my brother, just the two of us, all my life.<end>

#TEXTBLOCK=502
//@女@マリア「生活がくるしくて　もうダメかって<line>
//　　思ったとき　光の教団に　すすめられ<line>
//　　兄は　兵士になりました。<end>
@女@Maria: When I thought all was lost living that hard life, my brother was promoted as a soldier.<end>

#TEXTBLOCK=503
//@女@マリア「おかげで　私も　教祖さまの<line>
//　　お世話の仕事を　いただいて<line>
//　　とても　かんしゃしていたのです。<end>
@女@Maria: Thanks to him, I was granted a good job by the kindness of Dear Leader.<end>

#TEXTBLOCK=504
//@女@マリア「ですが　多くの人をギセイに<line>
//　　してまで　りっぱな神殿を作るなんて<line>
//　　私には　理解できません。<end>
@女@Maria: But I couldn't understand why they had to use all those people to build that horrible temple.<end>

#TEXTBLOCK=505
//@女@マリア「兄のことも　心配ですが<line>
//　　私に　できるのは<line>
//　　こうして　祈ることだけ……。<end>
@女@Maria: I was worried about my brother too, but all I could do was pray...<end>

#TEXTBLOCK=506
//@女@マリア「まあ！　モンスターなのに<line>
//　　@主@さんたちと<line>
//　　たたかってるの？<end>
@女@Maria: Wow! Even though all those monsters are out there, you’re still going to fight them, @主@?<end>

#TEXTBLOCK=507
//@女@マリア「えらいわね。<line>
//　　がんばって　@主@さんたちを<line>
//　　たすけてあげてね。<end>
@女@Maria: You are noble souls. You two did your best to save me.<end>

#TEXTBLOCK=508
//@主@は　木彫りの女神像を<line>
//うけとった！<end>
@主@ took the wooden goddess statue!<end>

#TEXTBLOCK=509
//@男@＊「あたしゃ　亭主から<line>
//　　逃げてきたんだよ。<line>
//　　とんでもない　らんぼう者でね。<end>
//NOTE: added line for formatting -DMM
@男@＊: I escaped from my husband.<line>He was a wild and crazy guy.<end>

#TEXTBLOCK=50A
//@男@＊「でも　あんたは<line>
//　　やさしい目をしてるから<line>
//　　きっと　いい亭主になるよ。<end>
@男@＊: But since you have such nice eyes, I'm sure you'll make a good husband.<end>

#TEXTBLOCK=50B
//@女@＊「ここは　お客さまの寝室ですわ。<line>
//　　せまい所ですが<line>
//　　お休みになりますか？<end>
@女@＊: This will be your bedroom. Even though it's cramped, would you like to stay here?<end>

#TEXTBLOCK=50C
//@女@＊「では　ごゆっくりどうぞ。<line>
//　　良い夢が見られますよう……。<end>
@女@＊: Well then, rest well. Sweet dreams...<end>

#TEXTBLOCK=50D
//@女@＊「おはようございます。<line>
//　　今日も　いい天気ですよ。<end>
@女@＊: Good morning.<line>Today is another wonderful day.<end>

#TEXTBLOCK=50E
//@女@＊「この修道院を　おとずれる方は<line>
//　　みな　大切なお客さまですわ。<line>
//　　どうぞ　また　お声をかけてください。<end>
@女@＊: Visitors to this abbey are all dear to us. Don’t hesitate to call on us again.<end>

#TEXTBLOCK=50F
//@女@＊「マリアさんと　話せば話すほど<line>
//　　その　心の美しさに<line>
//　　感心してしまいますわ。<end>
@女@＊: Being able to talk with Sister Maria, I completely feel the beauty of her heart.<end>

#TEXTBLOCK=510
//@女@＊「人を　うたがうのは<line>
//　　よくない事ですけど……<end>
@女@＊: Distrusting people may be a negative trait, but...<end>

#TEXTBLOCK=511
//@女@＊「マリアさんを　ドレイにするような<line>
//　　教団の人が　世界を救うとは<line>
//　　とても　信じられませんわ。<end>
@女@＊: I just can't believe that Sister Maria was rescued from being those cultists’ slave.<end>

#TEXTBLOCK=512
//@女@＊「その娘さんといい　@主@さんが<line>
//　　お連れになった　マリアさんといい<line>
//　　ここは　人にめぐまれていますね。<end>
@女@＊: We are blessed with visitors. Whether it's Sister Maria, who you brought to us, or that young woman.<end>

#TEXTBLOCK=513
//@女@＊「あらあら　モンスターが<line>
//　　ここに　入ってくるなんて！<end>
@女@＊: Oh my, how could you bring monsters into a place like this!<end>

#TEXTBLOCK=514
//@女@＊「まあ　@主@さんに<line>
//　　飼われているのね。<line>
//　　いい方に　助けていただいたわね。<end>
@女@＊: Oh, it's being raised by @主@. Aw, it was rescued by such a kind person.<end>

#TEXTBLOCK=515
//ネコは　気持ちよさそうに<line>
//眠っている。<end>
The cat is sleeping peacefully.<end>

#TEXTBLOCK=516
//@女@＊「うーん……　パパ……。<line>
//　　むにゃ　むにゃ。<end>
@女@＊: Yeees... Papa...<line>Zzz Zzz...<end>

#TEXTBLOCK=517
//@男@＊「やっぱり　この子にも<line>
//　　父親が　必要なのかねえ……。<end>
@男@＊: She really does love her father, doesn't she...?<end>

#TEXTBLOCK=518
//@女@＊「すー　すー……。<end>
@女@＊: Zzz Zzz...<end>

#TEXTBLOCK=519
//@女@＊「すや　すや……。<end>
@女@＊: Zzz Zzz...<end>

#TEXTBLOCK=51A
//@女@マリア「教団に　いたことは<line>
//　　後悔していますけど……。<end>
@女@Maria: I regret having been in the cult, but...<end>

#TEXTBLOCK=51B
//@女@マリア「ヘンリーさまや<line>
//　　@主@さんと　お会いできて<line>
//　　うれしかったですわ。　ぽっ。<end>
@女@Maria: I'm so glad that I was able to meet you, @主@. And Henry too... *blush*<end>

#TEXTBLOCK=51C
//@女@＊「あら？　マリアさんったら<line>
//　　顔が　赤いわ。<line>
//　　どうしたのかしら。<end>
//Note: Just a cute joke.
@女@＊: Oh? Maria's face is all red. Does she have a fever?<end>

#TEXTBLOCK=51D
//@低@＊「ここは　誰もが夢を抱き<line>
//　　やって来る<line>
//　　オラクルベリーの都だ。<end>
@低@＊: This ‘ere’s the place everyone dreams of comin’ - the town of Oraclebury!<end>

#TEXTBLOCK=51E
//@男@＊「はやあ　負けた　負けた！<line>
//　　人生　やっぱり　楽をして<line>
//　　かせげないもんだなあ。<end>
@男@＊: GAAHH! I lost. I lost AGAIN! All I wanna do is have fun ‘n not work.<end>

#TEXTBLOCK=51F
//@男@＊「町の外に出て　長く歩くと<line>
//　　やがて夜に　なりましょう。<end>
@男@＊: If you leave town and take a long walk, day will eventually turn to night.<end>

#TEXTBLOCK=520
//@男@＊「夜ともなると　この町は<line>
//　　また別の顔を　人々に<line>
//　　見せるのです。<end>
@男@＊: At night, this town shows you a completely different face.<end>

#TEXTBLOCK=521
//@女@＊「あたし　踊り娘になりたくて<line>
//　　この町に　やって来たの。<end>
@女@＊: I moved to this town to become a dancing girl.<end>

#TEXTBLOCK=522
//@女@＊「きっと　トップダンサーに<line>
//　　なってみせるわ。<end>
@女@＊: I'll show 'em that I've become the best dancer in the world.<end>

#TEXTBLOCK=523
//@女@＊「うにゃ～ん。<end>
@女@＊: Reeeeeoow.<end>

#TEXTBLOCK=524
//@低@＊「めずらしい物を売っている店が<line>
//　　あると　聞いて来たのだが<line>
//　　昼間は　やっていないらしいな。<end>
@低@＊: I’m here to visit this shop that sells extremely rare goods, but it's not open during the day.<end>

#TEXTBLOCK=525
//@低@＊「なんと　馬車を　買っただと！？<line>
//　　ぐぬ～　うらやましい……。<end>
@低@＊: What, you bought yourself a wagon?! Urrgh, I'm so jealous...<end>

#TEXTBLOCK=526
//@低@＊「オレも　買いに来たいんだが<line>
//　　夜に出歩くと　妻がうるさいのだよ。<end>
//note: this line got butchered somewhere down the line
@低@＊: I’d like to get my hands on one too, but my wife raises a ruckus when I duck out at night.<end>

#TEXTBLOCK=527
//@低@＊「なんと　@I228@を<line>
//　　買っただと！？　ぐぬ～<line>
//　　そんなものまで　売っているとは！<end>
@低@＊: What?! You bought a @I228@?! Urrgh, I can’t believe you bought one of those!<end>

#TEXTBLOCK=528
//@低@＊「なんと　@I212@を<line>
//　　買っただと！？　ぐぬ～<line>
//　　そんなものまで　売っているとは！<end>
@低@＊: What?! You bought a @I212@?! Urrgh, I can’t believe you bought one of those!<end>

#TEXTBLOCK=529
//@男@＊「いらっしゃいませ！<end>
@男@＊: Welcome to my shop!<end>

#TEXTBLOCK=52A
//@男@＊「そこの　はり紙に<line>
//　　書いてあるように　お客以外の<line>
//　　通り抜けは　おことわりだよ！<end>
@男@＊: Can’t you read the sign?! Only customers are allowed to walk through my store!<end>

#TEXTBLOCK=52B
//｛防具屋｝ＭＳＧへ。<end>
{Armor Shop} Messages.<end>

#TEXTBLOCK=52C
//@女@＊「おじちゃん　なにか用なの？<end>
@女@＊: Can I help you, sir?<end>

#TEXTBLOCK=52D
//@女@＊「ボク　かくれんぼしてて<line>
//　　いそがしいんだ。<line>
//　　また　あとでね。<end>
@女@＊: I'm very busy playing hide and seek. Perhaps later.<end>

#TEXTBLOCK=52E
//@女@＊「おじさん！<line>
//　　むこうに　行っててよ。<line>
//　　見つかっちゃうじゃないか。<end>
@女@＊: Get away from me, sir! Do you want him to find me?<end>

#TEXTBLOCK=52F
//“当店に　ご用のない方の<line>
//　通り抜け　おことわり。”<end>
"This is not a walkway! Customers only, please!"<end>

#TEXTBLOCK=530
//“掘り出し物なら　当店へ！<line>
//　いつもニコニコ　オラクル屋”<end>
"For the best bargains, drop by 'The Smiling Oracle Shop'."<end>

#TEXTBLOCK=531
//@男@＊「この町の　オラクル屋<line>
//　　知ってますか？<end>
@男@＊: Have you visited this town’s famous Oracle Shop?<end>

#TEXTBLOCK=532
//@男@＊「あの店への　通路にかかっている<line>
//　　のれんこそ　珍品中の珍品<line>
//　　オラクル屋の　のれん！<end>
//Note: Oracle Shop Sign needs to be changed. It’s a tapestry and I think slimes can equip it.
//The capped?
@男@＊: Even the tapestry on the wall of the store is for sale.<arrow>@男@＊: The rarest of the rare, that one is - the [healslime:healer] sash!<end>

#TEXTBLOCK=533
//@男@＊「なんでも　１品しかない<line>
//　　名産品らしくて　常連客でないと<line>
//　　売ってくれないんですよ……。<end>
//Better
@男@＊: They'll only sell the tapestry to special customers.<arrow>@男@＊: One who buys an array of goods, not just a certain famous product...<end>

#TEXTBLOCK=534
//@男@＊「なんだ　知らないの？<line>
//　　この町の　いちばん　西の<line>
//　　奥にある　変な店ですよ。<end>
@男@＊: What, you’ve never heard of it? It's the strange little shop in the far west corner of town.<end>

#TEXTBLOCK=535
//@男@＊「え？　あの　オラクル屋の　のれんを<line>
//　　買ったんですか？<end>
//Note: I was using Aeana's translation. Given how the item looks, it fits. Here guide is on GameFAQs.
@男@＊: What? You actually bought the [healslime:healer] sash?<end>

#TEXTBLOCK=536
//@男@＊「そりゃ　スゴイ！<line>
//　　ボクなら　博物館にでもかざって<line>
//　　大事にしますよ。<end>
@男@＊: That's AMAZING! If I were you, I'd treat that like it belongs in a museum.<end>

#TEXTBLOCK=537
//@男@＊「私は　旅の行商人。<line>
//　　あなたも　旅の途中ですかな。<end>
@男@＊: I'm a traveling merchant. I wonder if you, too, are in the middle of a journey.<end>

#TEXTBLOCK=538
//@男@＊「私は　北西から　やって来たのですが<line>
//　　通りすがりに　ひどく　さびれた村を<line>
//　　見ましたなあ。<end>
@男@＊: I came from the northwest and passed by a horribly ravaged village.<end>

#TEXTBLOCK=539
//@男@＊「あんな所にも　<line>
//　　人が住んでるのか　と<line>
//　　びっくりしましたよ。<end>
@男@＊: I was surprised to see people were actually still living there.<end>

#TEXTBLOCK=53A
//@男@＊「お客さん　知ってますか？<end>
@男@＊: Do you want to know a secret, sir?<end>

#TEXTBLOCK=53B
//@男@＊「なんでも　インパスという呪文で<line>
//　　いろんな物の　かんていが<line>
//　　できるみたいですよ。<end>
@男@＊: With the Identify spell, you can look ‘n see the truth about all kinds of things...<arrow>@男@＊: Like if a chest is a treasure or a trap.<end>

#TEXTBLOCK=53C
//@男@＊「おや　あんた　うちの人の<line>
//　　知り合いかい？<line>
//　　だったら　聞いておくれよ。<end>
@男@＊: Oh, you're an acquaintance of my husband? If so, I'll clue you in.<end>

#TEXTBLOCK=53D
//@男@＊「うちの人ったら　ずっと北東の<line>
//　　大きなお城まで　商売に出たい<line>
//　　なんて　言うんだよ。<end>
@男@＊: My husband told me he wanted to trade goods in the big castle up in the northeast.<end>

#TEXTBLOCK=53E
//@男@＊「でも　あんまり評判のよくない<line>
//　　お城みたいだし　あたしゃ<line>
//　　なんだか心配で……。<end>
@男@＊: That castle has a real bad reputation. I got worried and, oh, I don’t know...<end>

#TEXTBLOCK=53F
//@男@＊「なんか飲むかい？<line>
//　　え？　酒を知らないだって？<line>
//　　へえ　そのトシでねえ……。<end>
@男@＊: Whaddya want to drink? What? You don't know? Must be ‘cause of your age...<end>

#TEXTBLOCK=540
//@男@＊「よくは　分からないけど<line>
//　　ずいぶんと　さみしい所から<line>
//　　来たんだねえ。<end>
@男@＊: Now I may not understand much, but you look like you've come from a very lonely place.<end>

#TEXTBLOCK=541
//@男@＊「さあさ　亭主と子供が<line>
//　　帰ってくるまでに<line>
//　　夕食を作っておかなきゃね。<end>
@男@＊: I have to cook dinner before the master and kids get home.<end>

#TEXTBLOCK=542
//@男@＊「おや　あんた　旅の人だね。<line>
//　　でも　帰る所があるって<line>
//　　いいもんだよ。<end>
@男@＊: Oh, you're travelers, aren't you? But having a home to return to is swell.<end>

#TEXTBLOCK=543
//@男@＊「とか言っても　若い人には<line>
//　　まだ　わからないかねえ……。<end>
@男@＊: No matter how many times I say it, young folks still won't understand...<end>

#TEXTBLOCK=544
//@男@＊「ぐごーぐごー。<end>
@男@＊: Zzz Zzz...<end>

#TEXTBLOCK=545
//@男@＊「まったく　月日のたつのは<line>
//　　早いものじゃ。<end>
@男@＊: Man, I have to get up early tomorrow.<end>

#TEXTBLOCK=546
//@男@＊「わしが若い頃　この町は　まだ小さな<line>
//　　村じゃったが　北に　橋ができてから<line>
//　　人々が来はじめてのう……。<end>
@男@＊: When I was young, the town was still small.<arrow>@男@＊: Ever since the bridge in the north was built, everything started growing...<end>

#TEXTBLOCK=547
//@男@＊「北に　橋が　かかってから<line>
//　　もう１０年になるかのう。<end>
@男@＊: It's been... oh, maybe 10 years since the northern bridge was built.<end>

#TEXTBLOCK=548
//@男@占いババ「わしは　この町では　ちょっと<line>
//　　名の知れた　占いババじゃ。<end>
//note: lit. "old woman fortune teller"
//note: suggestions: Granny Oracle {to keep in sync with Mr. Monster, Mr. Spookz}
@男@Granny Oracle: Oh, well hello to you. I am this town's slightly famous fortune teller.<end>

#TEXTBLOCK=549
//@男@占いババ「悪いが　わしは　夜しか<line>
//　　占わんのじゃよ。　ただし　好みの<line>
//　　男前が　話してくれれば別じゃがのう。<end>
@男@Granny Oracle: I'm sorry, but I only tell my fortunes at night.<arrow>@男@Granny Oracle: But, it's a li'l different if I give one to a handsome gent.<end>

#TEXTBLOCK=54A
//@男@占いババ「本当は　夜しか　占わぬが<line>
//　　おぬしは　なかなかの男前で　わしの<line>
//　　好みだから　いいことを教えるぞえ。<end>
@男@Granny Oracle: Actually, I only do readings at night...<arrow>@男@Granny Oracle: But I'll whip up something 'cause you're just my type, hun.<end>

#TEXTBLOCK=54B
//@男@占いババ「巨大な闇の手が　この世界を<line>
//　　のみこもうと　しておる！<end>
@男@Granny Oracle: A daaaark hand will soon GRIP this world!<end>

#TEXTBLOCK=54C
//@男@占いババ「信じる　信じないは<line>
//　　おぬしの勝手じゃがな……。<line>
//　　ふぁっふぁっふぁ。<end>
@男@Granny Oracle: Believe it, don't believe it, it's up to you... Fwahaha...<end>

#TEXTBLOCK=54D
//@男@＊「わしが　有名な<line>
//　　モンスターじいさんじゃ。<end>
//NOTE: this is a yes/no -DMM
@男@＊: Didja know I'm the famous Mr. Monster? Didja?<end>

#TEXTBLOCK=54E
//@男@＊「ふむ……。　おぬしは　なかなか<line>
//　　よい目を　しておるな。<line>
//　　しかも　ふしぎな目じゃ。<end>
@男@＊: Hmm, you've got some nice eyes. Mysterious eyes at that.<end>

#TEXTBLOCK=54F
//@男@＊「もしかすると　おぬしなら<line>
//　　モンスターですら　改心させ<line>
//　　仲間にできるかも知れんの。<end>
@男@＊: Perhaps with those peepers, you'll be able to make friends with monsters.<end>

#TEXTBLOCK=550
//@男@＊「なに？　それには<line>
//　　どうしたら　いいかだと？<line>
//　　よろしい　教えてしんぜよう。<end>
@男@＊: What? How do you go about doing that? Alright, I'll fill you in.<end>

#TEXTBLOCK=551
//@男@＊「まず　馬車を<line>
//　　手に入れることじゃ！<line>
//　　そして……<end>
@男@＊: First, you have to get yourself a wagon! Then...<end>

#TEXTBLOCK=552
//@男@＊「憎む心ではなく　愛をもって<line>
//　　モンスターたちと　たたかうのじゃ。<end>
@男@＊: ...Without an ounce of hate in your soul, fight those monsters with LOVE.<end>

#TEXTBLOCK=553
//@男@＊「その　おぬしの心が通じたとき<line>
//　　モンスターは　むこうから　仲間に<line>
//　　してくれと　言ってくるじゃろう。<end>
@男@＊: When you fight like that, monsters’ll feel the love and they might get up and ask to join your party.<end>

#TEXTBLOCK=554
//@男@＊「もっとも　彼らは　自分より強い者しか<line>
//　　尊敬しないから　仲間になりたいと<line>
//　　言うのは　こっちが勝った後じゃがな。<end>
@男@＊: Monsters always follow the strongest, so they’ll only ask to join once the fight has ended.<end>

#TEXTBLOCK=555
//@男@＊「どうじゃ　分かったかな？<end>
@男@＊: Well, you got it?<end>

#TEXTBLOCK=556
//@男@＊「よろしい！　おぬしなら<line>
//　　きっと　多くのモンスターを<line>
//　　仲間に　できるはずじゃ！<end>
@男@＊: Alright! You're sure to gather up all kinds of monster friends!<end>

#TEXTBLOCK=557
//@男@＊「馬車があれば　より多くの<line>
//　　モンスターを連れて歩けるが<line>
//　　それでも限度はある。<end>
//trimmed a bit to make it fit
@男@＊: Traveling with monsters is a breeze with a wagon. Though there's still a limit to how many you can take.<end>

#TEXTBLOCK=558
//@男@＊「そのときは　わしの所へ<line>
//　　来ればいい。　仲間のモンスターの<line>
//　　めんどうを見てあげるぞい。<end>
@男@＊: When that time comes, it's best to swing by my place. I'll look after all your monster friends.<end>

#TEXTBLOCK=559
//@男@＊「では　もういっぺん　言うぞ。<end>
@男@＊: Well, I’ve got nothin’ new left to say.<end>

#TEXTBLOCK=55A
//---ジャンプ---> #002995へ<end>
---Jump---> to #002995<end>

#TEXTBLOCK=55B
//@男@＊「なに？　わしを知らん？<line>
//　　まあ　よい。<end>
@男@＊: What? Never even heard of me? Well, that's alright.<end>

#TEXTBLOCK=55C
//---ジャンプ---> #002991へ<end>
---Jump---> to #002991<end>

#TEXTBLOCK=55D
//@女@イナッツ「私は　助手のイナッツよ。<line>
//　　いいことを　教えてあげる。<end>
@女@Inette: I am the assistant, Inette. I'll teach you a few tips.<end>

#TEXTBLOCK=55E
//@女@イナッツ「モンスターに　言うことを<line>
//　　きかせたかったら　育てて<line>
//　　かしこさを　上げることね。<end>
@女@Inette: If you want monsters to listen to you, train them to increase their wisdom.<end>

#TEXTBLOCK=55F
//@女@イナッツ「かしこさが　２０以上になったら<line>
//　　ちゃんと　命令どおりに<line>
//　　たたかってくれるはずよ。<end>
@女@Inette: They should be able to properly follow orders if their wisdom is over 20.<end>

#TEXTBLOCK=560
//@男@＊「ここは　地下牢。<line>
//　　囚人と話したければ<line>
//　　鉄格子ごしに　話しかけるといい。<end>
@男@＊: This is the jail. If you want to talk to the prisoners, you'd best do it from this side of the bars.<end>

#TEXTBLOCK=561
//@低@＊「まったく　オレとしたことが<line>
//　　カジノで　イカサマがバレて<line>
//　　つかまるとはなっ！<end>
@低@＊: To fink that I’d get caught cheatin’ at the casino!<end>

#TEXTBLOCK=562
//@低@＊「その昔　人をさらっては<line>
//　　売りとばしていた頃が<line>
//　　オレの人生の華だったぜ！<end>
//NOTE: added line for readability
//Not needed anymore
@低@＊: I used to make a life sellin’ off wot I kidnapped!<end>

#TEXTBLOCK=563
//@女@＊「ようこそ　カジノへ！<line>
//　　ここは　コインをつかって楽しめる<line>
//　　大人の遊び場。<end>
//Adult gaming hall? :P
@女@＊: Welcome to the casino!<line>This is a gaming hall where you can spend coins and have fun.<end>

#TEXTBLOCK=564
//@女@＊「そこの　キャッシャーで<line>
//　　コインを　買ってくださいね。<end>
@女@＊: Please buy your coins from the cashier over there.<end>

#TEXTBLOCK=565
//@男@＊「いくら　カジノで勝っても<line>
//　　コインは　お金には<line>
//　　もどせないのだ。<end>
@男@＊: No matter how many coins you win at the casino, you can't trade them in for gold.<end>

#TEXTBLOCK=566
//@男@＊「無理をせずに　あまったお金で<line>
//　　楽しむのが　かしこい<line>
//　　やり方だろう。<end>
//note: this got butchered at some time
@男@＊: Relaxing your worries away, that's the cool way to have fun spending your leftover cash.<end>

#TEXTBLOCK=567
//@男@＊「聞いてください！<end>
@男@＊: Hey, take a look at this!<end>

#TEXTBLOCK=568
//@男@＊「あのモンスターが　勝てば<line>
//　　大穴ねらいだから<line>
//　　なんと　コインが２０倍以上に！<end>
@男@＊: If that monster over there wins, I can get 20 times my bet ‘cause the odds were so low!<end>

#TEXTBLOCK=569
//@男@@拡@＊「いけ～！<line>
//　　そこだ！<end>
@男@@拡@＊: Fight!<line>Git 'im o'er there!<end>

#TEXTBLOCK=56A
//@男@＊「今日は　どうも<line>
//　　ついてないわねえ……。<end>
@男@＊: I'm not having any luck today, either...<end>

#TEXTBLOCK=56B
//@男@＊「おお！　今日の　かせぎが<line>
//　　ぜんぶ　パーです。　トホホ……。<end>
//Gambling
@男@＊: Nice! Today I broke even. Tohoho...<end>

#TEXTBLOCK=56C
//@男@＊「この劇団　まあまあイケてるね。<end>
@男@＊: This troupe is pretty good.<end>

#TEXTBLOCK=56D
//@女@＊「おかしいわねえ。<line>
//　　どうして　出ないのかしら……？<end>
@女@＊: That's strange. I wonder why my coins aren’t coming out...<end>

#TEXTBLOCK=56E
//@低@＊「どうだ？　もうかってるか？<end>
@低@＊: How'd it go? Are you winning?<end>

#TEXTBLOCK=56F
//@低@＊「よ～し　それなら<line>
//　　強気で　ゆくんだ！<line>
//　　勝ってる時は　強気だぜっ！<end>
@低@＊: 'Olrigh! If that's the case, let's be strong! Winners're strong!<end>

#TEXTBLOCK=570
//@低@＊「な～に。　ツキは　そのうち<line>
//　　やってくるさ。<line>
//　　ここは　ガマンで　がんばれよ。<end>
@低@＊: Cor blimey! Luck'll come 'round. You just got to wait for the right moment 'n do your best!<end>

#TEXTBLOCK=571
//@男@＊「世界を　闇が　むしばむという<line>
//　　ウワサが　あるみたいですが……<end>
@男@＊: It seems there are these rumors about how darkness will cover the world, but...<end>

#TEXTBLOCK=572
//@男@＊「人間　死ぬときは　死ぬんです。<line>
//　　人生　楽しまなくっちゃ！<end>
@男@＊: When people die, they die. You have to have as much FUN as you can while you’re still alive!<end>

#TEXTBLOCK=573
//@男@＊「ここに　来ると<line>
//　　いろんな人の　人生が<line>
//　　見えるのじゃよ。<end>
@男@＊: You see people from all walks of life playing here.<end>

#TEXTBLOCK=574
//@男@＊「このトシになったら<line>
//　　それだけが　楽しみで……。<line>
//　　ふぁっふぁっふぁっ。<end>
@男@＊: This is just about the most fun you can have at my age...<end>

#TEXTBLOCK=575
//@男@＊「伝説の勇者って　知ってますか？<line>
//　　そういう人が　ホントに<line>
//　　出現するか　どうか……。<end>
@男@＊: Do you know about the legendary hero? I wonder if this so-called hero will really appear or not...<end>

#TEXTBLOCK=576
//@男@＊「私は　出現する方に<line>
//　　コイン１０００枚<line>
//　　かけてるんですよっ。<end>
@男@＊: I'm betting 1,000 coins that he'll make his appearance.<end>

#TEXTBLOCK=577
//@低@ガルダン「おお～　なぜ～<line>
//　　私から　去ろうとする～のだ～<end>
@低@Galdan: Oh~ why~<line>are you~ running~ from~ me~?<end>

#TEXTBLOCK=578
//@低@ガルダン「これほど　そなた～を～<line>
//　　愛しているぅ～のにぃ～♪<end>
@低@Galdan: When I love~ you~ this much~♪<end>

#TEXTBLOCK=579
//@低@ガルダン「おの～れ～<line>
//　　ヨハンめ～　わたしの力を～<line>
//　　思い知るがいいぃぃ～！<end>
@低@Galdan: You'd better~<line>know my power~, Juan~<line>you bastard~!<end>

#TEXTBLOCK=57A
//@女@リリアナ「ああ～　いとしい　ヨハンよ～<line>
//　　この身が　罪にふるえて～も～<line>
//　　あなたへの　この～思いは～<end>
@女@Lilliana: Aah~ My dear Jua~n<line>Even if~ sin took~ this body~<line>I'll never~ I'll never~<end>

#TEXTBLOCK=57B
//@女@リリアナ「決して～　決して～<line>
//　　消え去ることのない～<line>
//　　たましいの～　きらめき　だから～♪<end>
@女@Lilliana: Lose~ these feelings~<line>I have for you~<line>Because~ my soul~ shines for you♪<end>

#TEXTBLOCK=57C
//@男@ヨハン「ボクは～　お金もない～<line>
//　　地位もない～　ただの男～<end>
@男@Juan: I have~ no money~<line>I'm just a man~ no family~<end>

#TEXTBLOCK=57D
//@男@ヨハン「きっと　ガルダンの愛が～<line>
//　　リリアナを　包み込んで～<line>
//　　幸せ～に～　してくれるはず～<end>
@男@Juan: Certainly Galdan's love~<line>will entice Lilliana~<line>and they should be~ hap~py~<end>

#TEXTBLOCK=57E
//@男@ヨハン「けれども～<line>
//　　ひきさかれる　この心～<line>
//　　おおおお～　リリア～ナ～♪<end>
@男@Juan: Even so~<line>my heart is torn~<line>Ohhhhhh~ Lil~liana~♪<end>

#TEXTBLOCK=57F
//@男@ヨハン「ボクに～　ついてきてくれる～<line>
//　　のか～♪　たとえ～　イバラの道が<line>
//　　待っていて～も～！<end>
@男@Juan: Why won't you~ come~ to<line>me~♪ Even~ if~ the future<line>will be~ rough~!<end>

#TEXTBLOCK=580
//@男@＊「ウララ～<line>
//　　悲劇の時～が～<line>
//　　悲劇の時～が～<end>
@男@＊: Ulala~<line>In~ tragedy~<line>In~ tragedy~<end>

#TEXTBLOCK=581
//@男@＊「闇の～　光が～<line>
//　　ほとば～し～るぅ～♪<end>
//keping same form
@男@＊: The light~ of darkness~<line>shines~ throu~gh~♪<end>

#TEXTBLOCK=582
//@女@＊「ここは　私たちの　ひかえ室よ。<line>
//　　タンスを　勝手に<line>
//　　開けたりしないでね。<end>
@女@＊: This is our backstage dressing room. Don't rummage through our things, okay?<end>

#TEXTBLOCK=583
//@女@＊「昼間のステージは　オーナーが<line>
//　　旅まわりの劇団に<line>
//　　貸しているんですって。<end>
@女@＊: I heard that the owner will give the traveling troupe the lunch performance.<end>

#TEXTBLOCK=584
//@女@＊「あら　ダメよ。　<line>
//　　いくら　お客さんでも　着がえ中は　<line>
//　　入ってこないでね。<end>
@女@＊: Hey, what’re you doing?! We’re changing in here!<arrow>@女@＊: No audience members are allowed in our dressing room.<end>

#TEXTBLOCK=585
//@男@＊「うおぉぉ～<line>
//　　なんと　そうきたか！<line>
//　　たまらんのう。<end>
@男@＊: Woooah! Why did that have to happen?! How unbearable!<end>

#TEXTBLOCK=586
//@男@＊「あれこれ　予想しても<line>
//　　しょせん　スライムのやることは<line>
//　　分からんて。<end>
@男@＊: I've no clue how a slime will do even after looking at the odds.<end>

#TEXTBLOCK=587
//@女@＊「ぷにっ　ぷにっ。<end>
@女@＊: *squish* *squish*<end>

#TEXTBLOCK=588
//@女@＊「わしゃあ　ヤルときは<line>
//　　ヤルけんのう。<end>
@女@＊: I’m-a ready to go when it's racin’ time. *smiles*<end>

#TEXTBLOCK=589
//@女@＊「なにか知りたいの？<line>
//　　え～と　明日の天気は<line>
//　　くもり　かな……。<end>
@女@＊: What do you wanna know? Umm, I wonder if tomorrow's weather will be cloudy...<end>

#TEXTBLOCK=58A
//@女@＊「なにか知りたいの？<line>
//　　え～と　明日の天気は<line>
//　　はれ　かな……。<end>
@女@＊: What do you wanna know? Umm, I wonder if tomorrow's weather will be sunny...<end>

#TEXTBLOCK=58B
//@女@＊「なにか知りたいの？<line>
//　　え～と　明日の天気は<line>
//　　雨　かな……。<end>
@女@＊: What do you wanna know? Umm, I wonder if tomorrow's weather will be rainy...<end>

#TEXTBLOCK=58C
//@低@＊「う～む。<line>
//　　こちらから　まわるか　それとも<line>
//　　あっちから　まわるか……。<end>
@低@＊: Hmm...<line>Should I circle around from here, or circle from there?<end>

#TEXTBLOCK=58D
//@男@＊「わっはっは！<line>
//　　あなたも　落ちましたな！<end>
@男@＊: Ha HA!<line>You fell too!<end>

#TEXTBLOCK=58E
//@男@＊「私は　ここの　すごろく場に<line>
//　　いちども　ゴールしたことが<line>
//　　ないんです。<end>
@男@＊: I haven't even finished this [Sugoroku board:Parcheesi track] once.<end>

#TEXTBLOCK=58F
//@男@＊「こうして　落ちてくる人を<line>
//　　見るのだけが　楽しみでしてねぇ。<end>
@男@＊: I just enjoy watching suckers like you fall on their faces.<end>

#TEXTBLOCK=590
//@男@＊「ここは　誰もが楽しむ<line>
//　　オラクルベリーの町だ。<end>
@男@＊: This is the town everyone enjoys, Oraclebury!<end>

#TEXTBLOCK=591
//@男@＊「いや～　今日は<line>
//　　勝たせてもらったなあ！<end>
//note: lit. i received the letting of the win today
@男@＊: My my, I came out ahead today!<end>

#TEXTBLOCK=592
//@男@＊「ギャンブルは　やっぱり<line>
//　　引きぎわが　大事だな。<end>
@男@＊: The key to gambling is knowing when to quit.<end>

#TEXTBLOCK=593
//@女@＊「ゴロゴロゴロ……。<end>
@女@＊: Grrr...<end>

#TEXTBLOCK=594
//@男@＊「風のウワサに聞いたのですが<line>
//　　どこかで　人々が幸せに暮らせる<line>
//　　光の国をつくっているとか。<end>
@男@＊: I heard people whispering that there's this Kingdom of Light where people live in complete bliss.<end>

#TEXTBLOCK=595
//@男@＊「もし本当なら<line>
//　　行ってみたいものですね。<end>
@男@＊: If it's true, then I'd like to go and see it for myself.<end>

#TEXTBLOCK=596
//@男@占いババ「わしは　占いババじゃ。<line>
//　　しかし　そなたらの　先頭の者は<line>
//　　わしの好みじゃないのう……。<end>
//note: she introduces herself here "old woman fortune teller" -> "Granny Oracle"
@男@Granny Oracle: I'm an old fortune teller. Sorry, I don't like the look of your party's leader...<end>

#TEXTBLOCK=597
//@男@占いババ「好みの男が　話しかけてくれば<line>
//　　占ってもいいんじゃが。<end>
@男@Granny Oracle: If I talk to a handsome man, it's good fortune for him.<end>

#TEXTBLOCK=598
//@男@占いババ「わしは　占いババじゃ。<line>
//　　占ってほしいのか？<end>
@男@Granny Oracle: I'm the fortune telling Oracle. How would you like to have your fortune told?<end>

#TEXTBLOCK=599
//@男@占いババ「よろしい。　おぬしは<line>
//　　男前じゃから　特別に　ただで<line>
//　　見てしんぜよう。<end>
@男@Granny Oracle: Alrighty. Given the fine hunk of man you are, I'll take a special look for free.<end>

#TEXTBLOCK=59A
//@男@占いババ「ふむふむ　おぬしは　誰かを<line>
//　　さがしておるな。　それは<line>
//　　おぬしに親しい女と　出たぞ。<end>
@男@Granny Oracle: Hmm, you are searching for someone. A woman it seems.<arrow>@男@Granny Oracle: But during your search, a NEW woman will appear.<end>

#TEXTBLOCK=59B
//@男@占いババ「しかし　おぬしには　その者が<line>
//　　まだ生きているのか<line>
//　　分からないとみえる……。<end>
@男@Granny Oracle: Sadly, I can't tell if the woman you’re searching for is still alive or not...<end>

#TEXTBLOCK=59C
//@男@占いババ「安心せい！　その者は　まだ<line>
//　　生きておる！　そして　おぬしに<line>
//　　会える日を　待っているぞ！<end>
@男@Granny Oracle: Don't worry! The one you’re looking for is still alive, AND...<arrow>@男@Granny Oracle: She's waiting for the day she can meet you!<end>

#TEXTBLOCK=59D
//@男@占いババ「まず　北に行くがよい。<line>
//　　そこで　おぬしは　なにかを<line>
//　　見つけるじゃろう。<end>
@男@Granny Oracle: First head north. You're sure to find something there.<end>

#TEXTBLOCK=59E
//@男@占いババ「そうか……。　自分の道は<line>
//　　自分で見つけると　言うのじゃな。<line>
//　　それもまた　よかろうぞ。<end>
@男@Granny Oracle: I see... Well, I guess that’s alright. They say you should go your own way in life.<end>

#TEXTBLOCK=59F
//@男@＊「ウワサでは　世界の　どこかに<line>
//　　ちいさなメダルを　集めてる<line>
//　　王さまが　いるそうですね。<end>
@男@＊: According to rumors, there is a king somewhere in the world who collects small medals.<end>

#TEXTBLOCK=5A0
//@男@＊「その王さまの　ところに<line>
//　　メダルを　持ってゆくと<line>
//　　いろんな物を　くれるそうです。<end>
@男@＊: If you bring all your medals to that king, he'll reward you with all sorts of trinkets.<end>

#TEXTBLOCK=5A1
//@男@＊「私なんか　もう　２０枚も<line>
//　　見つけてしまいましたよ。<line>
//　　わっはっはっはっ。<end>
@男@＊: I've already collected 20 medals. Wahahaha!<end>

#TEXTBLOCK=5A2
//@低@＊「今　私の妻が　お風呂に<line>
//　　入っているのだ。　のぞくと<line>
//　　ただでは　すまさぬぞ！<end>
@低@＊: My wife is in the bath right now. Don’t expect any mercy if I catch you taking a peek!<end>

#TEXTBLOCK=5A3
//@女@＊「きゃあー　エッチ！<end>
@女@＊: KYAAAAAAA, PERVERT!<end>

#TEXTBLOCK=5A4
//@女@＊「と　言うと思ったでしょ？<end>
@女@＊: That’s what you thought I was going to say, right?<end>

#TEXTBLOCK=5A5
//@女@＊「もう　お風呂から<line>
//　　あがって　服を着たとこよ。<line>
//　　残念でした！<end>
@女@＊: I've already gotten out of the bath and dressed. Ha, too bad!<end>

#TEXTBLOCK=5A6
//@男@＊「最近　うちの子供が<line>
//　　町の外で　遊んでるらしくて<line>
//　　とても心配だわ。<end>
@男@＊: I've been worried recently about our children playing outside town.<end>

#TEXTBLOCK=5A7
//@男@＊「魔物たちの出ない<line>
//　　平和な世の中に　なって<line>
//　　くれないものかねえ……。<end>
@男@＊: I wonder if there'll ever be a peaceful world where monsters don’t roam...<end>

#TEXTBLOCK=5A8
//@女@＊「すやすや……。<end>
@女@＊: Zzz...<end>

#TEXTBLOCK=5A9
//@男@＊「最近の客は　文句が多くて<line>
//　　いけねえや。<end>
@男@＊: All my recent customers have been complaining and I can't have that.<end>

#TEXTBLOCK=5AA
//@女@＊「あら　ハンサムな　お兄さん<line>
//　　ゆっくり飲んでいってねっ。<end>
@女@＊: Hey there, handsome. You’re welcome to drink as much as you'd like.<end>

#TEXTBLOCK=5AB
//@男@＊「この店は　酒は　うまいが<line>
//　　料理は　まずいのう。<line>
//　　ほれ　食ってみなされ。<end>
@男@＊: This bar's liquor is tops, but the food’s the pits. Stay away from it!<end>

#TEXTBLOCK=5AC
//@男@＊「ん？<line>
//　　なんと　うまいと申されるか？<end>
@男@＊: What?<line>You think this slop is good?<end>

#TEXTBLOCK=5AD
//@男@＊「お前さん　今まで　よっぽど<line>
//　　ひどい物しか食わんかったな。<line>
//　　かわいそうにのう……。<end>
@男@＊: Man, you must’ve been eating somethin' incredibly spoiled... Poor guy.<end>

#TEXTBLOCK=5AE
//@男@＊「私はね　今は　しがない防具屋ですが<line>
//　　もっと　でっかい商売を<line>
//　　するのが　夢なんですよ。<end>
@男@＊: I'm a small-time armorer right now, but I dream of being able to sell so much more.<end>

#TEXTBLOCK=5AF
//@男@＊「そのためには　北東にあるという<line>
//　　大きな　お城に行って<line>
//　　注文をどっさりと……<end>
@男@＊: To follow my dream, I'm going to start filling the orders for the castle in the northeast.<end>

#TEXTBLOCK=5B0
//@男@＊「でも　うちの女房が<line>
//　　許してくれなくて……。<line>
//　　なんでい！　ひっく……。<end>
@男@＊: But my wife won't let me... Why...? Whyyy! *hic*<end>

#TEXTBLOCK=5B1
//@男@＊「家族がいるって<line>
//　　いいもんよねえ……。<end>
@男@＊: Family is always a good thing to have...<end>

#TEXTBLOCK=5B2
//@女@＊「よーし　この次は<line>
//　　見つからないぞ！<line>
//　　むにゃむにゃ……。<end>
@女@＊: O-kay, you won't find me next time!<line>*mutter* Zzz Zzz...<end>

#TEXTBLOCK=5B3
//@女@＊「うちの　おじいちゃんたら<line>
//　　また酒場かしら……。<line>
//　　こまったものね。<end>
@女@＊: I wonder if Gramps is at the bar again... He's such a hassle.<end>

#TEXTBLOCK=5B4
//@男@＊「うちの　ばあちゃんに<line>
//　　なにか用かい？<end>
@男@＊: Do you need to talk to Granny Oracle?<end>

#TEXTBLOCK=5B5
//@男@＊「ばあちゃんなら　町のどこかで<line>
//　　占いを　やっているはずだよ。<end>
@男@＊: Ol’ Granny is sure to be telling fortunes somewhere in town.<end>

#TEXTBLOCK=5B6
//@女@イナッツ「う～ん。<line>
//　　むにゃむにゃ……。<end>
@女@Inette: Yeeees.<line>*mumble* Zzz...<end>

#TEXTBLOCK=5B7
//@低@＊「ぐがー　ぐがー……。<end>
@低@＊: Zzz Zzz...<end>

#TEXTBLOCK=5B8
//@低@＊「王妃さま　それでは約束が……。<line>
//　　あっ　親分！　ぎゃー！<line>
//　　むにゃむにゃ……。<end>
@低@＊: My Queen, that's a promise... Ah, Boss! Gyaaa!<line>*mumble* Zzz...<end>

#TEXTBLOCK=5B9
//@男@＊「お前さん　旅の人かい？　だったら<line>
//　　馬車のひとつも　買ってみないか？<line>
//　　多くの仲間を　乗せられるぞ！<end>
@男@＊: You're travelers, aren't you? How’d you like to buy yourself a wagon?<arrow>@男@＊: Many companions can ride along with you!<end>

#TEXTBLOCK=5BA
//@男@＊「３０００ゴールドと　言いたい<line>
//　　ところだが　まけにまけて<line>
//　　３００ゴールドで　どうだい？<end>
@男@＊: I'd like to say 3,000 gold, but I'll give you a very special discount. How’s 300 gold instead?<end>

#TEXTBLOCK=5BB
//@男@＊「よし　商談成立だ！<line>
//　　馬車は　町の外に出しとくから<line>
//　　いい旅を　するんだぜ！<end>
@男@＊: O-kay, it’s a deal! Have a nice trip and the wagon will be waiting for you outside!<end>

#TEXTBLOCK=5BC
//@男@＊「また　来ておくれよっ！<end>
@男@＊: Come again anytime!<end>

#TEXTBLOCK=5BD
//@男@＊「わるいが　お金が<line>
//　　足りないようだな。<line>
//　　また　来ておくれよっ！<end>
@男@＊: Aw sorry, but you don't have enough money. Come again!<end>

#TEXTBLOCK=5BE
//@男@＊「おう！　あんたは　馬車を<line>
//　　買ってくれた人だな！<end>
@男@＊: Oh, hello again! You're the guy who bought the wagon!<end>

#TEXTBLOCK=5BF
//@男@＊「また　めずらしい物が<line>
//　　手に入ったら　店に出すから<line>
//　　ちょくちょく　寄ってくれよ！<end>
@男@＊: Drop in again sometime soon, because once I get more rare goods, I'll be selling 'em!<end>

#TEXTBLOCK=5C0
//@男@＊「……それはそうと　この町にいる<line>
//　　モンスターじいさんには<line>
//　　会ったかい？<end>
@男@＊: ...Say, have you met the old monster man who lives in this town?<end>

#TEXTBLOCK=5C1
//@男@＊「じいさんなら<line>
//　　馬車の　うまい使い方を<line>
//　　教えてくれるはずだぜっ！<end>
@男@＊: If you pay him a visit, he'll teach you how to put your wagon to good use!<end>

#TEXTBLOCK=5C2
//@女@＊「ようこそ　カジノへ！<line>
//　　のんびり　楽しんでいって<line>
//　　くださいね。<end>
@女@＊: Welcome to the casino! Please, enjoy yourself.<end>

#TEXTBLOCK=5C3
//@男@＊「もう少しで　ボクが予想した<line>
//　　モンスターが　勝ちそうなんです！<end>
@男@＊: The monster I bet on was THIS close to winning!<end>

#TEXTBLOCK=5C4
//@男@＊「スロットには　１コイン　１０コイン<line>
//　　１００コイン　の　３種類があります。<end>
@男@＊: There are three types of slots: 1 coin, 10 coin, and 100 coin.<end>

#TEXTBLOCK=5C5
//@男@＊「まずは　１コインのスロットで<line>
//　　遊んでみることですな。<end>
@男@＊: First, you should try your luck on the 1 coin slot.<end>

#TEXTBLOCK=5C6
//@女@＊「こちらは　当店じまんの<line>
//　　１００コイン　スロットですわ。<end>
@女@＊: This is the casino's world famous 100 coin slot.<end>

#TEXTBLOCK=5C7
//@男@＊「せっかく　大勝ちしてたのに<line>
//　　そこの　１００コイン　スロットで<line>
//　　もっていかれました……。<end>
@男@＊: If you want to win big, the 100 coin slot is the one for you...<end>

#TEXTBLOCK=5C8
//@男@＊「早く　ひかえ室を　もらえるような<line>
//　　役者に　なりたいっすよ。<end>
//Hmmm
@男@＊: I want to be a famous actor. So famous that I get my own dressing room!<end>

#TEXTBLOCK=5C9
//@男@＊「どうも　声の調子が　よくないな。<line>
//　　もっと飲まなきゃ。<line>
//　　グビッ　グビッ。<end>
@男@＊: But my voice isn't so great. If I hadn't drunk so much...<end>

#TEXTBLOCK=5CA
//@男@＊「ここのダンサーたち<line>
//　　まあまあイケてるね。<end>
@男@＊: The dancers here are pretty good.<end>

#TEXTBLOCK=5CB
//@低@＊「なんだ　ジャマしないでくれよ。<line>
//　　今　いいところなんだ。<end>
@低@＊: Wot the... bugger off! I'm in such a good place now.<end>

#TEXTBLOCK=5CC
//@女@＊「ララララ～♪<line>
//　　愛の　ささやきも～<line>
//　　今は　とどかな～い<end>
@女@＊: Lalalala~♪<line>Even now~ I have not<line>received love's whisper~<end>

#TEXTBLOCK=5CD
//@女@＊「ララララ～♪<line>
//　　プリーズ　プリーズ<line>
//　　アイ　ニード　ユ～<end>
@女@＊: Lalalala~♪<line>Pleaase, pleaaase<line>I need youuuuu~<end>

#TEXTBLOCK=5CE
//@女@＊「どう？　私の踊りって<line>
//　　色っぽいでしょ。<line>
//　　みんなに　言われるんだぁ。<end>
@女@＊: How’d you like my number? My dancing is really sexy. Everyone’s said so.<end>

#TEXTBLOCK=5CF
//@女@＊「あら　お客さんも　踊りたいの？<line>
//　　ほら　もっと　コシをふって。<line>
//　　シャン　シャン　シャン♪<end>
@女@＊: Oh, you want to dance too? Hey, you need to lift your leg more like this. Beautiful, beautiful, beautiful♪<end>

#TEXTBLOCK=5D0
//@女@＊「あら　お客さんも<line>
//　　リズム感よさそうね。<line>
//　　さあ　踊ってみて！<end>
@女@＊: Hey, you've got some good rhythm too. Why don’t you do a little dance for me!<end>

#TEXTBLOCK=5D1
//@女@＊「まあ！<line>
//　　なかなかステキよ。<end>
@女@＊: Wow! You’ve got some pretty good moves.<end>

#TEXTBLOCK=5D2
//@男@ヨハン「やあ　ボクのファンの人？<line>
//　　ごめんね。　サインは<line>
//　　あげられないんだ。<end>
@男@Juan: Oh, you're one of my fans? Sorry. I can’t give you an autograph.<end>

#TEXTBLOCK=5D3
//@女@リリアナ「私たちの　舞台を<line>
//　　見てくださったのですか？<line>
//　　ありがとう。<end>
@女@Lilliana: Did you see our performance? Thanks.<end>

#TEXTBLOCK=5D4
//@低@ガルダン「旅をしていて　思うのだが<line>
//　　どうも最近　よからぬ者が<line>
//　　増えてきている気がするのだ。<end>
@低@Galdan: I thought about traveling, but the unsavory characters have increased recently.<end>

#TEXTBLOCK=5D5
//@低@ガルダン「北の方では　魔物に<line>
//　　ほろぼされた　城もあるというしな。<line>
//　　キミも道中　気をつけなさい。<end>
@低@Galdan: It's said a castle to the north was ruined by demons. You too should be careful on the road.<end>

#TEXTBLOCK=5D6
//@女@＊「ここは　サンタローズの村だよ。<line>
//　　西に行くと　アルカパの町が<line>
//　　あるんだい！<end>
@女@＊: This is the village of Santa Rosa. You’ll reach the town of Alcapa if you go west!<end>

#TEXTBLOCK=5D7
//@男@＊「はて？　どちらさま<line>
//　　だったかのう……？<end>
@男@＊: Whoa? Do I know either of you...?<end>

#TEXTBLOCK=5D8
//@男@＊「なんと！　パパスどのの<line>
//　　息子の　@主@か！<end>
@男@＊: What? You’re Lord Papas' son, @主@?<end>

#TEXTBLOCK=5D9
//@男@＊「おお！　おお！<line>
//　　大きゅうなって……。<line>
//　　立派に　なったのう……。<end>
@男@＊: Oh! Well, I’ll be! You've grown tall... So much like your father...<end>

#TEXTBLOCK=5DA
//@男@＊「して　パパスどのは？<end>
@男@＊: Say, whatever happened to Lord Papas?<end>

#TEXTBLOCK=5DB
//@主@は　これまでに起きたことを<line>
//老人に　説明した。<end>
@主@ explained the last decade’s events to the old man.<end>

#TEXTBLOCK=5DC
//@男@＊「……なんと　そんなことが<line>
//　　あったのか！？<line>
//　　苦労したんじゃのう……。<end>
@男@＊: ...How could that have happened?! This is so troubling...<end>

#TEXTBLOCK=5DD
//@男@＊「この村も　ほれ　見たとおりの<line>
//　　ありさま　じゃが……<end>
@男@＊: This village too, I mean just look at what it has become...<end>

#TEXTBLOCK=5DE
//@男@＊「パパスどのまでが　若い命を<line>
//　　うばわれるとはのう……。<end>
@男@＊: Even Lord Papas' life was cut too short...<end>

#TEXTBLOCK=5DF
//@男@＊「そういえば　あの当時<line>
//　　パパスどのは　洞くつの中に<line>
//　　大切な物を　かくしていたようじゃ。<end>
@男@＊: Oh, I just remembered that long ago Lord Papas hid some precious memento in the middle of the cave.<end>

#TEXTBLOCK=5E0
//@男@＊「何年も　たっているので<line>
//　　どうなっているかは　知らんが……<end>
@男@＊: I don't know what became of it after so many years, though...<end>

#TEXTBLOCK=5E1
//@男@＊「おそらく　洞くつの中は<line>
//　　あの頃のまま　残されているはず！<line>
//　　気をつけて　調べなされよ。<end>
@男@＊: There’s no reason why it wouldn’t still be in the cave! You should look, but please be careful.<end>

#TEXTBLOCK=5E2
//@女@＊「その昔　ここは　とても<line>
//　　美しい村でしたのよ。<end>
@女@＊: This was a very beautiful town in days past..<end>

#TEXTBLOCK=5E3
//@女@＊「しかし　ある日<line>
//　　ラインハットの兵士たちが<line>
//　　村を焼きはらいに来て……。<end>
@女@＊: Sadly, on that fateful day, soldiers from Reinhart came and burned the village...<end>

#TEXTBLOCK=5E4
//@女@＊「ひどい！　ひどいわ！<line>
//　　パパスさんのせいで　王子さまが<line>
//　　行方不明になっただなんて！<end>
@女@＊: Horrible! It was horrible! They said that it was Papas' fault that their prince up ‘n vanished!<end>

#TEXTBLOCK=5E5
//@女@＊「あら　ごめんなさい。<line>
//　　あたしったら　急に<line>
//　　とりみだしたりして……。<end>
@女@＊: Oh, I'm sorry. I just get so frustrated thinking about it...<end>

#TEXTBLOCK=5E6
//@女@＊「見ず知らずの人に<line>
//　　パパスさんの話をしても<line>
//　　しかたなかったですわね……。<end>
@女@＊: Oh, what good will it do, telling Papas' story to total strangers...<end>

#TEXTBLOCK=5E7
//@女@＊「え？　パパスさんを知ってる？<line>
//　　あなたの父親ですって？<line>
//　　そんなっ……！<end>
@女@＊: What? You know Papas? He's your father? What the...!<end>

#TEXTBLOCK=5E8
//@女@＊「でも　確かに　あの時の坊やの<line>
//　　おもかげが……。<line>
//　　@主@！　@主@なの！？<end>
@女@＊: But, nobody has seen the little boy from back... @主@! You're @主@!?<end>

#TEXTBLOCK=5E9
//@女@＊「こんなことって……。<line>
//　　こんなことって……。<line>
//　　ああ　神さま！<end>
@女@＊: Oh, God! I can’t believe it! I said all those things...<end>

#TEXTBLOCK=5EA
//@女@＊「ひどい人！<line>
//　　からかったのね！<end>
@女@＊: You scamp! How could you tease me like that?!<end>

#TEXTBLOCK=5EB
//@女@＊「でも　あなたには　どこかで<line>
//　　会ったことがあるような気が<line>
//　　しますわ。　気のせいかしら……。<end>
@女@＊: But, I can’t help but feel like I had met you somewhere. I wonder if that's why...<end>

#TEXTBLOCK=5EC
//@女@＊「そうだったの……。<line>
//　　そんなことがあって<line>
//　　パパスさんは　もう……。<end>
@女@＊: I see... If such an awful thing happened, then Papas has already...<end>

#TEXTBLOCK=5ED
//@女@＊「そして　パパスさんに　代わって<line>
//　　@主@が　お母さまを<line>
//　　さがしだすつもりなのね。<end>
@女@＊: And in place of Papas, you, @主@, are going to take on the search for your mother.<end>

#TEXTBLOCK=5EE
//@女@＊「ああ　どうか　@主@に<line>
//　　幸運を……　神さま！<end>
@女@＊: Oh God, please give @主@ your blessing!<end>

#TEXTBLOCK=5EF
//@女@＊「いじめないで！<line>
//　　ボクは　ずっと昔<line>
//　　洞くつの奥にいた　スライムだよ。<end>
@女@＊: Please don't hurt me! I'm the slime who lived in the back of the cave long ago.<end>

#TEXTBLOCK=5F0
//@女@＊「この村が　ものすごい火事になったの<line>
//　　知ってるよ。　おそってきた兵士たち<line>
//　　ちょっと　様子が変だったんだよね。<end>
@女@＊: I know all about this town’s horrible fire. The soldiers looked pretty strange.<end>

#TEXTBLOCK=5F1
//@女@＊「それから　洞くつの奥に<line>
//　　パパスさんの　大事な部屋が<line>
//　　あったのも　知ってるもん。<end>
//special, or secret?
@女@＊: They knew all about Papas' special room inside the cave.<end>

#TEXTBLOCK=5F2
//@女@＊「イカダに乗って　洞くつに入った先の<line>
//　　ずっと　奥だよ。<end>
@女@＊: It's way in the back. Take the raft once you enter the cave.<end>

#TEXTBLOCK=5F3
//@男@＊「昔ね　もっと　ちゃんとした宿屋<line>
//　　だったけど　兵士たちに<line>
//　　こわされちゃってねえ……。<end>
@男@＊: We used to have a real inn a long time ago, but it was destroyed by the soldiers...<end>

#TEXTBLOCK=5F4
//@男@＊「まあ　こんな所だけど<line>
//　　ゆっくり　旅のつかれを<line>
//　　とって行っておくれよ。<end>
@男@＊: Well, it's not the greatest place, but please come in and rest from your weariness.<end>

#TEXTBLOCK=5F5
//@女@＊「ぐう　ぐう……。<end>
@女@＊: *snore*...<end>

#TEXTBLOCK=5F6
//@女@＊「むにゃむにゃ……　キミはだれ？<line>
//　　ベラ？　おかしな名前だね……。<line>
//　　ぐうぐう……。<end>
@女@＊: *mumbles*... Who are you? Bella? What a strange name... *snore*...<end>

#TEXTBLOCK=5F7
//@男@＊「この子供は　親を亡くして<line>
//　　１人ぼっちじゃったのを<line>
//　　わしが引きとったんじゃ。<end>
@男@＊: I took this boy in when he was orphaned from the attack.<end>

#TEXTBLOCK=5F8
//@男@＊「お前さんが　この村にいたのも<line>
//　　ちょうど　この子くらい<line>
//　　だったかのう……。<end>
@男@＊: You were just like this child when you came to this village...<end>

#TEXTBLOCK=5F9
//@男@＊「今　ベッドのしたくを<line>
//　　してるからね。<line>
//　　ゆっくり　休んでおくれ。<end>
@男@＊: I'm preparing the beds now. Please rest awhile.<end>

#TEXTBLOCK=5FA
//@男@＊「このサンタローズは　今じゃ<line>
//　　何もないけど　昔は　聖なる原石を<line>
//　　堀りに　学者まで来たらしくてね。<end>
@男@＊: There isn't any to be found in Santa Rosa now, but long ago scholars mined holy ore.<end>

#TEXTBLOCK=5FB
//@男@＊「もしかしたら　今でも　洞くつに<line>
//　　落ちてる大きな岩なんかに<line>
//　　埋もれているかもしれないよ。<end>
@男@＊: Perhaps even now, there are some still buried beneath large rocks in the cave.<end>

#TEXTBLOCK=5FC
//@男@＊「そうだねえ……　人が下じきに<line>
//　　なるくらいの大きな岩なら　その中に<line>
//　　聖なる原石が残ってるんじゃないかい。<end>
@男@＊: That's right. If someone were trapped by a large boulder...<arrow>@男@＊: Then there’s bound to be holy ore inside, right?<end>

#TEXTBLOCK=5FD
//@男@＊「なんと　洞くつで<line>
//　　天空のつるぎというのを<line>
//　　見つけなされたか！<end>
@男@＊: Astounding, you found the [Heavenly:Zenithian] Sword in the cave!<end>

#TEXTBLOCK=5FE
//@男@＊「して　その剣は<line>
//　　勇者にしか　装備できぬと。<line>
//　　なるほどのう……。<end>
@男@＊: Unfortunately, you can't wield it if you're not the legendary hero. That's just how it is...<end>

#TEXTBLOCK=5FF
//@男@＊「かつて　パパスどのが　なぜ自分に<line>
//　　装備できぬかと　なげいておったのは<line>
//　　その剣じゃったのか。<end>
@男@＊: That sword! Lord Papas was always wondering why even he couldn't wield it.<end>

#TEXTBLOCK=600
//@男@＊「パパスどのの　あんなに<line>
//　　くやしそうな姿を見たのは<line>
//　　その時が　初めてじゃったのう。<end>
@男@＊: That was the first time I ever saw Lord Papas look frustrated.<end>

#TEXTBLOCK=601
//@女@＊「まあ！　伝説の勇者さまを<line>
//　　さがし出すですって！？<line>
//　　本気なの？<end>
@女@＊: Well, I never! You're going to look for the legendary hero?! Really?<end>

#TEXTBLOCK=602
//@女@＊「そうなの……。　そういえば昔<line>
//　　アルカパの町で　勇者さまの<line>
//　　話を聞いたことがあるわ。<end>
@女@＊: I see... Long ago, I once heard the hero's story over in the town of Alcapa.<end>

#TEXTBLOCK=603
//@女@＊「アルカパといえば　@主@の<line>
//　　おさななじみの　ビアンカさんも<line>
//　　いたわね。　お元気かしら。<end>
@女@＊: Alcapa, that's where @主@'s old friend, Bianca, lived too. I wonder if she's doing well.<end>

#TEXTBLOCK=604
//@女@＊「そうよね　冗談よね。<line>
//　　伝説なんて言うくらいだから<line>
//　　もうとっくに死んでいるはずよ。<end>
@女@＊: Ah, you’re just pulling my leg. It's a legend, so I figured he's probably long dead by now.<end>

#TEXTBLOCK=605
//@先@は　地面に　<line>
//つき立てられた剣を　調べた。<end>
@先@ investigated the sword stuck in the ground.<end>

#TEXTBLOCK=606
//剣は　なまりのように　重く<line>
//@先@には　引き抜くことが<line>
//できなかった……。<end>
@先@ could not pull out the sword as it felt as heavy as lead...<end>

#TEXTBLOCK=607
//@主@は　地面に　<line>
//つき立てられた剣を　調べた。<end>
@主@ investigated the sword stuck in the ground.<end>

#TEXTBLOCK=608
//剣は　なまりのように　重い！<line>
//しかし　もう少し　がんばれば<line>
//なんとか　引き出せそうだ！<end>
The sword is as heavy as lead! Although, it looks like if he tries a little harder he can pull it out!<end>

#TEXTBLOCK=609
//@主@は　力いっぱい<line>
//天空のつるぎを　引き出した！<end>
@主@ pulled the [Heavenly:Zenithian] Sword with all his strength!<end>

#TEXTBLOCK=60A
//@主@は　天空のつるぎを<line>
//手に入れた！<end>
@主@ got the [Heavenly:Zenithian] Sword!<end>

#TEXTBLOCK=60B
//……しかし　剣をもつ手に<line>
//これ以上　力が入らず　身体が<line>
//なまりのように　重くなった。<end>
...But unfortunately, it is much too heavy for him to wield.<end>

#TEXTBLOCK=60C
//@主@には　天空のつるぎを<line>
//装備できそうにない……。<end>
It looks like @主@ cannot equip himself with the [Heavenly:Zenithian] Sword...<end>

#TEXTBLOCK=60D
//@主@は　天空のつるぎを<line>
//@袋@に　入れた！<end>
@主@ put the [Heavenly:Zenithian] Sword in the @袋@!<end>

#TEXTBLOCK=60E
//@先@は　宝箱を　開けた！<end>
@先@ opened the chest!<end>

#TEXTBLOCK=60F
//なんと　中には<line>
//パパスの手紙が　入っていた！<end>
There was a letter written by Papas inside!<end>

#TEXTBLOCK=610
//しかし　@先@には　パパスの手紙を<line>
//読むことができない！<end>
But @先@ couldn't read Papas' letter!<end>

#TEXTBLOCK=611
//@先@は　パパスの手紙を<line>
//そっと　宝箱にもどした……。<end>
@先@ placed Papas' letter back in the chest...<end>

#TEXTBLOCK=612
//@主@は　パパスの手紙を<line>
//読みはじめた。<end>
//note: parenthesis marks in several blocks below seem out of place
//note: but since they are in the japanese script
//note: I'm not messing with them -Plat
@主@ began to read Papas' letter.<end>

#TEXTBLOCK=613
//@FS06@“@主@よ。　お前がこの手紙を読んで<line>
//　いるということは　何らかの理由で　私は<line>
//　もう　お前のそばにいないのだろう。<end>
@FS06@@主@. Reading this letter means, regrettably, I am no longer by your side.<end>

#TEXTBLOCK=614
//“すでに　知っているかもしれんが<line>
//　私は　邪悪な手にさらわれた　妻の<line>
//　マーサを助けるため　旅をしている。<end>
You may already know this, but I was traveling to save my wife, Martha.<arrow>She fell into the clutches of evil.<end>

#TEXTBLOCK=615
//“私の妻　お前の母には<line>
//　とても　不思議な力が　あった。<end>
My wife, your mother, has very mysterious powers.<end>

#TEXTBLOCK=616
//“私には　よく分からぬが<line>
//　その能力は　魔界にも<line>
//　通じるものらしい。<end>
I don't understand it well, but it seems these powers also work for the benefit of the Demon World.<end>

#TEXTBLOCK=617
//“たぶん妻は　その能力ゆえに<line>
//　魔界へ　連れ去られたのであろう。<end>
Sadly, it seems her abilities made her a target to be taken down into the Demon World...<end>

#TEXTBLOCK=618
//“@主@よ！<line>
//　伝説の勇者を　さがすのだ！<end>
@主@!<line>You must do everything in your power to find the legendary hero!<end>

#TEXTBLOCK=619
//“私の調べたかぎり<line>
//　魔界に入り　邪悪な手から　妻を<line>
//　取りもどせるのは……<end>
From my research, the only one that can bring Martha back from the evil clutches of the Demon World...<end>

#TEXTBLOCK=61A
//“天空の武器と防具を　身につけた<line>
//　勇者だけなのだ。<end>
...Is the hero who can don the [Heavenly:Zenithian] Armor and Sword.<end>

#TEXTBLOCK=61B
//“私は　世界中を旅して<line>
//　天空のつるぎを　見つけることができた。<end>
I traveled the world and I managed to acquire the [Heavenly:Zenithian] Sword.<end>

#TEXTBLOCK=61C
//“しかし　いまだ<line>
//　伝説の勇者は　見つからぬ……。<end>
However, I still haven't found a trace of the legendary hero...<end>

#TEXTBLOCK=61D
//“@主@よ！　残りの防具を　さがし出し<line>
//　勇者を見つけ　そして　わが妻マーサを<line>
//　助け出すのだ。<end>
Please, @主@! Search for the remaining armor, track down the legendary hero, and...<arrow>Rescue my beloved Martha!<end>

#TEXTBLOCK=61E
//“私は　お前を信じている。<line>
//　たのんだぞ　@主@！”@FS07@<end>
I believe in you. I'm counting on you, @主@!@FS07@<end>

#TEXTBLOCK=61F
//@先@は　パパスの手紙を<line>
//手に入れた！<end>
@先@ receives Papas' Letter!<end>

#TEXTBLOCK=620
//@男@ヘンリー「なにやら　大変な話に<line>
//　　なってきたな。<line>
//　　伝説の勇者かあ……。　うーん。<end>
@男@Henry: Wow, it's such a sorrowful tale. The legendary hero, huh...?<end>

#TEXTBLOCK=621
//ヘンリーは　パパスの手紙を<line>
//読みはじめた。<end>
Henry began to read Papas' letter.<end>

#TEXTBLOCK=622
//しかし　○○○○には<line>
//パパスの手紙を　読むことができない。<end>
However he couldn't read Papas' Letter to ○○○○.<end>

#TEXTBLOCK=623
//○○○○は　残念そうに<line>
//パパスの手紙を　しまった。<end>
○○○○ looked disappointedly at Papas' letter.<end>

#TEXTBLOCK=624
//“危険！　入るな！”<line>
//と書いてあるようだが……　古びて<line>
//文字が　かすれている。<end>
"Danger! Do Not Enter!" is written in faded letters.<end>

#TEXTBLOCK=625
//@先@は　目の前の大岩を<line>
//たんねんに　調べた。<end>
@先@ took a closer look at the large rock before his eyes.<end>

#TEXTBLOCK=626
//なんと　聖なる原石を　見つけた！<end>
Found holy ore!<end>

#TEXTBLOCK=627
//@先@は<line>
//大きな岩を　調べた。<end>
@先@ looked at the large rock.<end>

#TEXTBLOCK=628
//@女@＊「ようこそ　アルカパの町に。<end>
@女@＊: Welcome to the town of Alcapa.<end>

#TEXTBLOCK=629
//@男@＊「あんた　旅の人だね。<line>
//　　オレも昔は　ラインハット城まで<line>
//　　よく武器を売りに行ったものさ。<end>
@男@＊: You're travelers, right? I used to go to and fro selling weapons to Reinhart Castle.<end>

#TEXTBLOCK=62A
//@男@＊「けど　どんなに　もうかっても　二度と<line>
//　　あんな城に行くのは　ごめんだね。<line>
//　　命がいくつあっても足りねえや。<end>
@男@＊: Sorry, but boy, do I regret going to that castle a second time, even if they buy. I value my hide.<end>

#TEXTBLOCK=62B
//@男@ヘンリー「…………。<end>
@男@Henry: ...<end>

#TEXTBLOCK=62C
//@男@＊「まいっちゃったよなあ……。<end>
@男@＊: I've said too much already...<end>

#TEXTBLOCK=62D
//@男@＊「わがまま王子が　いなくなって<line>
//　　弟が王位をついだと聞いたから<line>
//　　あの城の兵士になったのに……。<end>
@男@＊: Ever since our prince vanished, his little brother ascended to the throne, and...<arrow>@男@＊: Well, the castle's soldiers started acting very strange...<end>

#TEXTBLOCK=62E
//@男@＊「実権をにぎってるのは　王さまの母親の<line>
//　　太后さまで　これがとんでもないんだ！<line>
//　　あの城も　もう　おしまいだな。<end>
@男@＊: Truthfully, all this is because of that Queen Mother! It's all over for that castle.<end>

#TEXTBLOCK=62F
//@男@＊「こいつ　ラインハット城から<line>
//　　逃げだして来たんだぜ。<end>
@男@＊: My brother here fled from Reinhart Castle.<end>

#TEXTBLOCK=630
//@男@＊「ウワサには聞いてたけど　あの城が<line>
//　　それほど　ひどくなってるとは<line>
//　　知らなかったな。<end>
@男@＊: I heard the rumors, but I didn't know that kingdom had deteriorated so much in recent years.<end>

#TEXTBLOCK=631
//@男@＊「私は　伝説の武器を求めて<line>
//　　旅をしている。<end>
@男@＊: I'm on a journey looking for a legendary weapon.<end>

#TEXTBLOCK=632
//@男@＊「この町に　伝説にくわしい男が<line>
//　　住んでいるらしいのだが……。<end>
@男@＊: They say a bloke in this town knows the legend very well...<end>

#TEXTBLOCK=633
//@女@＊「私は　旅の尼。<line>
//　　私には感じることが出来ます。<end>
@女@＊: I am a traveling nun. People are welcome to come and confide in me.<end>

#TEXTBLOCK=634
//@女@＊「かつて神が閉ざしたという魔界。<line>
//　　その封印の力が<line>
//　　しだいに弱まりつつあります。<end>
@女@＊: The Demon World is a realm sealed off by God. That seal's power has been gradually weakening.<end>

#TEXTBLOCK=635
//@女@＊「もし封印が破られれば　世界は<line>
//　　再び　闇におおいつくされる<line>
//　　ことでしょう。　ああ！<end>
@女@＊: If that seal were to break, once again the world would be plunged in darkness. Ohhh!<end>

#TEXTBLOCK=636
//@男@＊「わしは　昔この宿をやってた<line>
//　　ダンカンさんの知り合いでの。<line>
//　　久しぶりに会いに来たのじゃ。<end>
@男@＊: I'm Duncan's old friend who used to take care of the inn. I came back to drop by and say hello.<end>

#TEXTBLOCK=637
//@男@＊「けど　ダンカンさんは身体を悪くして<line>
//　　宿屋をやめ　はるか海の向こうの<line>
//　　山奥の村に引っ越して行ったらしい。<end>
@男@＊: Seems that Duncan grew ill, sold the inn, and moved to some remote village far across the sea.<end>

#TEXTBLOCK=638
//@男@＊「あの　かわいい娘さんにも<line>
//　　会いたかったのう。<line>
//　　ざんねんじゃわい……。<end>
@男@＊: I wanted to catch a glimpse of that cute little daughter of his. Too bad...<end>

#TEXTBLOCK=639
//@男@＊「誰かを　おさがしの旅ですか？<end>
@男@＊: Oh, you're on a journey to find someone?<end>

#TEXTBLOCK=63A
//@男@＊「そういえば昔<line>
//　　さらわれた王妃をさがして<line>
//　　旅に出た王さまが　いたとか。<end>
@男@＊: That reminds me. Long ago, there was a tale of a king who set out to rescue his kidnapped queen.<end>

#TEXTBLOCK=63B
//@男@＊「その後　見つけたとは聞きませんから<line>
//　　今も　さがしているのでしょう。<line>
//　　ロマンティックな話ですね。<end>
@男@＊: I never heard if he ever found her, or if he’s still searching. Such a romantic tale.<end>

#TEXTBLOCK=63C
//@男@＊「ラインハットに　おつとめに<line>
//　　出ていた　うちの息子が<line>
//　　帰ってきたんだよ。<end>
@男@＊: My son returned home after closing his business in Reinhart.<end>

#TEXTBLOCK=63D
//@男@＊「えらくなるまで　帰らないぞ！<line>
//　　なんて言って　家をとび出したのに<line>
//　　なさけないよね。<end>
@男@＊: I’d told him not to come back until he grew up! Oh well, I guess leaving home can be pretty miserable.<end>

#TEXTBLOCK=63E
//@男@＊「でも　あたしゃ　ホッとしたわ。<line>
//　　これが　親心なのかねえ……。<end>
@男@＊: I was so relieved when he returned, though. I guess that's unconditional love...<end>

#TEXTBLOCK=63F
//@男@＊「え？　ビアンカ？<line>
//　　知らないね　そんな子は。<end>
@男@＊: Huh? Bianca? Sorry, can’t say I know anyone by that name.<end>

#TEXTBLOCK=640
//@男@＊「あたしら夫婦は　７年ほど前<line>
//　　ダンカンっていう人から　ここを<line>
//　　買いとって　宿を始めたのさ。<end>
@男@＊: My husband and I bought this inn from a man named Duncan seven years ago.<end>

#TEXTBLOCK=641
//@男@＊「それより　泊まっておゆきよ。<line>
//　　今なら　２泊以上　ご利用の<line>
//　　お客さまに　記念品をプレゼント！<end>
@男@＊: Won't you stay the night? If you stay more than twice, I'll throw in a present for you!<end>

#TEXTBLOCK=642
//@男@＊「ぜひ　２回以上お泊まりになって<line>
//　　あたしに声を　かけてちょうだいね。<end>
@男@＊: If you stay more than twice, you should definitely tell me about it.<end>

#TEXTBLOCK=643
//@男@＊「え？　もう　２回以上　ご利用？<line>
//　　まいど　ごひいきに！<end>
@男@＊: What’s that? You've already stayed twice? Well, thanks for the patronage!<end>

#TEXTBLOCK=644
//@男@＊「それじゃ　アルカパじまんの　ぶどうの<line>
//　　香りつき　安眠まくらを<line>
//　　さしあげちゃうよ！<end>
@男@＊: Then let me give you the pride of Alcapa, a soft, grape-scented pillow!<end>

#TEXTBLOCK=645
//@先@は　安眠まくらを<line>
//うけとった！<end>
@先@ took the goodnight pillow!<end>

#TEXTBLOCK=646
//@男@＊「ぜひ　２回以上お泊まりになって<line>
//　　あたしに声を　かけてちょうだい。<line>
//　　記念品を　さし上げちゃうよ。<end>
@男@＊: You should definitely talk to me once you stay more than twice. I'll give you a nice souvenir.<end>

#TEXTBLOCK=647
//@男@＊「わるいけど　やっぱり<line>
//　　ビアンカなんて子は<line>
//　　知らないねえ。<end>
@男@＊: I'm sorry, but I really don't know a girl called Bianca.<end>

#TEXTBLOCK=648
//@女@＊「あら　ステキな　お兄さん！<line>
//　　なにか飲む？<end>
@女@＊: Hey, big boy!<line>Wanna drink?<end>

#TEXTBLOCK=649
//@女@＊「はい　どうぞ。<line>
//　　ゆっくりして行ってね。<end>
@女@＊: Here ya go!<line>Enjoy yourself.<end>

#TEXTBLOCK=64A
//@女@＊「じゃあ　どんなご用かしら？<line>
//　　ふ～ん　伝説の勇者の話……。<line>
//　　ちょっと待ってね。<end>
@女@＊: Well then, how can I help you? Hmm, the tale of the hero...? Hold on a minute.<end>

#TEXTBLOCK=64B
//@女@＊「勇者の話なら　お父さんが<line>
//　　くわしいと思うわ。<line>
//　　奥にいるから聞いてみたら？<end>
@女@＊: Come this way. You’ll want to ask my father about that. He's in the back now.<end>

#TEXTBLOCK=64C
//@女@＊「勇者の話なら　お父さんが<line>
//　　くわしいと思うわ。<line>
//　　どうぞ　ゆっくりしていってね。<end>
@女@＊: If it's the hero's tale you’re after, then my father knows all about it. Enjoy your drink.<end>

#TEXTBLOCK=64D
//@低@＊「なに？　伝説の勇者について<line>
//　　話を聞きたいだと！？<line>
//　　よし！　話してやろう。<end>
@低@＊: Wot? You want to hear the tale ‘bout the legendary hero!? Alright! Gather ‘round.<end>

#TEXTBLOCK=64E
//@低@＊「だいぶ昔の話だが……　闇の帝王<line>
//　　エスなんたらが復活し　世界を<line>
//　　ほろぼそうとしたことがあったんだ。<end>
@低@＊: It's an old story, but...<arrow>@低@＊: Once upon a time, the Dark Emperor Esturk revived an’ plunged the world into chaos.<end>

#TEXTBLOCK=64F
//@低@＊「しかし　天空の武器防具を身につけた<line>
//　　勇者がな　そのエスなんたらをたおし<line>
//　　世界を救ったっちゅうことだ。<end>
@低@＊: But ‘ope wasn’t lost, a hero wearing ‘ese [Heavenly:Zenithian] armaments beat Esturk an’ saved the world!<end>

#TEXTBLOCK=650
//@低@＊「ちなみに　勇者の武器防具とは<line>
//　　天空の剣　天空のよろい　天空の盾<line>
//　　天空のかぶと　の４つだったそうだ。<end>
@低@＊: The [Heavenly:Zenithian] toggery were a helm, shield, suit of armor, and sword.<end>

#TEXTBLOCK=651
//@低@＊「え？　そのあとの勇者かい？<end>
@低@＊: Eh? Wot happened to the hero after that?<end>

#TEXTBLOCK=652
//@低@＊「う～ん　一説には<line>
//　　天空にもどったとも　言われてるけど<line>
//　　そこまでは知らんなあ。<end>
@低@＊: Well, one story says he returned up to [Heaven:Zenithia], but I don’t know nuffin else.<end>

#TEXTBLOCK=653
//@低@＊「まあ　大昔のことだし<line>
//　　どっちにしても　もう生きては<line>
//　　いないと思うぞ。<end>
@低@＊: Ah, it's an old tale, an’ I fink that no matter wot, he's not among the livin’.<end>

#TEXTBLOCK=654
//@低@＊「勇者の子孫くらいなら<line>
//　　どこかにいるかも知れんがな。<end>
@低@＊: If the hero had any offspring, they're probably ‘round somewhere.<end>

#TEXTBLOCK=655
//@女@＊「こんばんわ。<line>
//　　ようこそ　アルカパの町に。<end>
@女@＊: Good evening.<line>Welcome to the town of Alcapa.<end>

#TEXTBLOCK=656
//@男@＊「ラインハットのお城も<line>
//　　前の王さまの時は<line>
//　　よかったんだがね。<end>
@男@＊: Times were good when the old King of Reinhart was still alive.<end>

#TEXTBLOCK=657
//@男@＊「王さまが　お亡くなりになって<line>
//　　デール王子さまが　王位に<line>
//　　ついてからは　いけねえや。<end>
@男@＊: After he passed, Prince Dale ascended the throne and it went downhill from there.<end>

#TEXTBLOCK=658
//@女@＊「私は　聞いたことがあります。<line>
//　　どこかに　魔界の封印を<line>
//　　守っている一族がいると。<end>
@女@＊: I heard something interesting about this family somewhere that is protecting the Demon World’s seal.<end>

#TEXTBLOCK=659
//@女@＊「その人たちは　魔物たちとも<line>
//　　心を通わせることができた　と<line>
//　　言われています。<end>
@女@＊: It was said that those people can somehow understand the hearts of monsters.<end>

#TEXTBLOCK=65A
//@男@＊「つい　この間まで　子供だと<line>
//　　思っていたのに　いつの間にか<line>
//　　こんなに大きくなって……。<end>
@男@＊: He grew up so big... I’d always thought of him as a kid up until now.<end>

#TEXTBLOCK=65B
//@男@＊「でも　あたしにとっちゃ<line>
//　　子供は　いつまでたっても<line>
//　　子供だねえ。<end>
@男@＊: I guess he’ll always be my baby to me.<end>

#TEXTBLOCK=65C
//@男@＊「ぐがーぐがー。<end>
@男@＊: Zzz Zzz...<end>

#TEXTBLOCK=65D
//@男@＊「さあ　お風呂も　入ったし<line>
//　　ねよう　ねよう！<end>
@男@＊: Well, I've taken my bath, and now it's bedtime!<end>

#TEXTBLOCK=65E
//@男@＊「明日になれば　いいことが<line>
//　　あるかも知れませんからねっ。<end>
@男@＊: Who knows, tomorrow might possibly be a good day.<end>

#TEXTBLOCK=65F
//@主@は　ふと　目覚めた。<line>
//ヘンリーが　何か　考えごとを<line>
//しているようだ。<end>
@主@ awoke.<line>Henry seems to be thinking about something.<end>

#TEXTBLOCK=660
//@男@ヘンリー「起きたのか？　@主@。<line>
//　　いや　ちょっと　お城のことを<line>
//　　思い出していてね……。<end>
@男@Henry: You awake, @主@? I was just remembering my life back at the castle.<end>

#TEXTBLOCK=661
//@男@ヘンリー「町の人に　聞いたけど<line>
//　　親父が　死んでたなんて<line>
//　　ちょっとショックだったな……。<end>
@男@Henry: I heard from the townspeople that my father died, and I was in total shock...<end>

#TEXTBLOCK=662
//@男@ヘンリー「弟のデールが　王に<line>
//　　なったらしいけど　あんまり<line>
//　　評判も　よくないみたいだし。<end>
@男@Henry: My brother, Dale, has indeed become King, but it doesn’t sound good.<end>

#TEXTBLOCK=663
//@男@ヘンリー「ちょっとだけ<line>
//　　帰ってみるかなあ……。<end>
@男@Henry: I wonder if I can see about returning for a bit.<end>

#TEXTBLOCK=664
//@男@ヘンリー「ラインハットは　ここから<line>
//　　東の方だったよなあ……。<end>
@男@Henry: Reinhart is just east of here...<end>

#TEXTBLOCK=665
//@男@ヘンリー「まあ　いいや。<line>
//　　今夜はもう　ねよう　ねよう！<end>
@男@Henry: Well, that's all for tonight, I guess. Time to get some sleep!<end>

#TEXTBLOCK=666
//@男@＊「私の夢は　伝説の武器を手に入れて<line>
//　　地上最強の戦士に　なることなのだ。<end>
@男@＊: My dream was to get the legendary sword and become the mightiest knight in the land.<end>

#TEXTBLOCK=667
//@男@＊「ダンカンさんの一家は<line>
//　　どこへ　行ってしもうたん<line>
//　　じゃろうなあ。<end>
@男@＊: I wonder where Duncan and his family could have moved to.<end>

#TEXTBLOCK=668
//@男@＊「お願いです！<line>
//　　どうか　見のがしてください！<end>
@男@＊: I beg you!<line>Please look the other way!<end>

#TEXTBLOCK=669
//@男@＊「え？　私たちをつかまえに<line>
//　　来たんじゃないのですか！？<line>
//　　ああ　よかった……。<end>
@男@＊: What? You haven't come to arrest us?! Oh, phew...<end>

#TEXTBLOCK=66A
//@男@＊「じつは　私たちは　身分ちがいの<line>
//　　恋をしてしまい……<end>
@男@＊: Truth be told, we have fallen in love, even though our families are of different social status.<end>

#TEXTBLOCK=66B
//@男@＊「それでも　はなれられなくて<line>
//　　家出してしまったのです。<end>
@男@＊: Because of that, we decided to run away and elope.<end>

#TEXTBLOCK=66C
//@男@＊「はじめは　２人で死ぬつもりでしたが<line>
//　　その時　この城を見つけて　ここなら<line>
//　　幸せに　暮らしていけると思いました。<end>
@男@＊: We first thought about suicide, but we found this castle, and we thought about living happily here.<end>

#TEXTBLOCK=66D
//@女@＊「とても　ふしぎなこと<line>
//　　なのですが……<end>
@女@＊: This is going to sound completely strange, but...<end>

#TEXTBLOCK=66E
//@女@＊「初めて　このお城に入った時<line>
//　　お城が　私たちを　あたたかく迎えて<line>
//　　くれたような　そんな気がして……。<end>
@女@＊: When we first entered this castle, we got a feeling like... like it seemed to be warmly welcoming us.<end>

#TEXTBLOCK=66F
//@女@＊「死のうと考えたことが<line>
//　　まるでウソのように　今は<line>
//　　幸せですわ。　ぽっ……。<end>
@女@＊: Now we’d never think about dying and we're so happy to be together... *blush*<end>

#TEXTBLOCK=670
//“エリック王　ここに眠る”<line>
//と　墓石に　きざまれている。<end>
"Here rests King Eric" is inscribed here.<end>

#TEXTBLOCK=671
//“ソフィア王妃へ　永遠の愛を”<line>
//と　墓石に　きざまれている。<end>
"Eternal love to my Queen Sophia" is inscribed here.<end>

#TEXTBLOCK=672
//@男@＊「ここは　静かで<line>
//　　落ち着きますなあ……。<line>
//　　ところで<end>
@男@＊: We can settle down quietly here. By the way...<end>

#TEXTBLOCK=673
//｛宿屋｝ＭＳＧへ。<line>
//泊まった後は普通に、ここで復活です。<end>
{Inn} MSG<line>After resting, normally refresh here.<end>

#TEXTBLOCK=674
//@低@＊「ここは　ビスタの港だ。<line>
//　　船に　乗りに来たのかい？<line>
//　　でも　船は　来ないぜっ。<end>
@低@＊: This is Vista Harbor. Have you come for a sea voyage? Sorry, the ships have stopped docking here.<end>

#TEXTBLOCK=675
//@低@＊「ラインハット王からの命令で<line>
//　　王家が　必要なとき以外は<line>
//　　この港を使えないんだよ。<end>
@低@＊: By order of King Reinhart, the harbor can only be used for important royal family matters.<end>

#TEXTBLOCK=676
//@低@＊「そんなわけで　どの船も<line>
//　　このビスタの港には<line>
//　　寄りつかねえって　わけよ。<end>
@低@＊: For that reason, any ship sails straight past Vista.<end>

#TEXTBLOCK=677
//@男@＊「まったく　いやな世の中だよ。<line>
//　　ラインハットの国は<line>
//　　どうなっちまうのかねえ……。<end>
@男@＊: It really is a horrible world. I wonder what'll happen to the Kingdom of Reinhart now...<end>

#TEXTBLOCK=678
//@男@兵士「ここから先は<line>
//　　ラインハットの国だ。<end>
@男@Soldier: You stand before the passage to the Kingdom of Reinhart.<end>

#TEXTBLOCK=679
//@男@兵士「太后さまの　命令で<line>
//　　許可証のない　よそ者は<line>
//　　通すわけにいかぬぞ！<end>
@男@Soldier: By the Queen Mother's order, no traveler shall pass without the proper documents!<end>

#TEXTBLOCK=67A
//@男@兵士「あたっ！！<end>
@男@Soldier: Hey!!<end>

#TEXTBLOCK=67B
//@男@ヘンリー「ずいぶん<line>
//　　えらそうだな　トム！<end>
@男@Henry: It's been a long time, Tom!<end>

#TEXTBLOCK=67C
//@男@兵士「あいたた！　タンコブが……。<line>
//　　無礼なヤツ！　何者だっ！？<line>
//　　どうして　私の名前を？？？<end>
@男@Soldier: What the...! You flaccid... honorless bastard! Who are you?! How do you know my name??<end>

#TEXTBLOCK=67D
//@男@ヘンリー「あいかわらず　カエルは<line>
//　　苦手なのか？<end>
@男@Henry: I say, could you still be afraid of frogs, I wonder?<end>

#TEXTBLOCK=67E
//@男@ヘンリー「ベッドに　カエルを<line>
//　　入れておいたときが　いちばん<line>
//　　けっさくだったな。<end>
@男@Henry: Remember the time I hid those frogs in your bed? Ah, my masterpiece!<end>

#TEXTBLOCK=67F
//@男@兵士「…………！<line>
//　　そ　そんな……　まさか……。<end>
@男@Soldier: ...!<line>No, i-it... can't be...<end>

#TEXTBLOCK=680
//@男@ヘンリー「そう。　オレだよ　トム。<line>
//兵士「ヘンリー王子さま！<end>
@男@Henry: It is, Tom. The one and only.<line>Soldier: Prince Henry!<end>

#TEXTBLOCK=681
//@男@兵士「ま　まさか<line>
//　　生きておられたとは……。<end>
@男@Soldier: I, I can't believe you're still alive...<end>

#TEXTBLOCK=682
//@男@兵士「おなつかしゅうございます！<line>
//　　思えば　あの頃が楽しかった。<line>
//　　今の　わが国は……。<end>
@男@Soldier: It's been so long! Now looking back, those times were fun. But now, our kingdom...<end>

#TEXTBLOCK=683
//@男@ヘンリー「なにも言うな　トム。<line>
//　　兵士のお前が　国の悪口を言えば<line>
//　　なにかと問題が　多いだろう。<end>
@男@Henry: Don't say another word, Tom. As a soldier you’ll be reprimanded if you speak ill of your country.<end>

#TEXTBLOCK=684
//@男@兵士「はっ…………。<end>
@男@Soldier: ...<end>

#TEXTBLOCK=685
//@男@ヘンリー「通してくれるな？　トム。<end>
@男@Henry: Will you allow us to pass, Tom?<end>

#TEXTBLOCK=686
//@男@兵士「はい！　よろこんで！<end>
@男@Soldier: Yes sir! I'd be glad to, Your Majesty!<end>

#TEXTBLOCK=687
//@男@兵士「また　こうして<line>
//　　ヘンリー王子に会えるとは<line>
//　　夢にも　思いませんでした。<end>
@男@Soldier: I'd never have dreamed that I would ever see you again.<end>

#TEXTBLOCK=688
//@男@兵士「あの頃は　泣かされましたが<line>
//　　今となっては　いい思い出<line>
//　　ですなあ。<end>
@男@Soldier: You made me cry so many times. Thinking back, they’re good memories now.<end>

#TEXTBLOCK=689
//@男@兵士「やや！　あなたは<line>
//　　ヘンリー王子の　お知り合い！<line>
//　　どうぞ　お通りください。<end>
@男@Soldier: Ho! You're Prince Henry's friend! Please, feel free to pass through.<end>

#TEXTBLOCK=68A
//@男@＊「ほっといてくだされ。<end>
@男@＊: Give me a moment up here.<end>

#TEXTBLOCK=68B
//@男@＊「わしは　川の流れを見ながら<line>
//　　この国の　ゆく末を<line>
//　　案じているだけじゃて……。<end>
@男@＊: I just ponder the fate of this country while watching the river flow...<end>

#TEXTBLOCK=68C
//@女@＊「ここは　ラインハットの国です。<end>
@女@＊: This is the Kingdom of Reinhart.<end>

#TEXTBLOCK=68D
//@男@＊「お前さん　何をしに来たのか　知らんが<line>
//　　命がおしかったら　あんまり<line>
//　　城に近づかんほうが　ええぞ。<end>
@男@＊: I don't know why you've come, but if you value your life, you better not go near the castle.<end>

#TEXTBLOCK=68E
//@女@＊「どうか　おめぐみを……。<line>
//　　もう３日も　なにも<line>
//　　食べていないんです。@FS15@<end>
@女@＊: Please, sir, I beg you... Chaaange? Spare some change? I haven't eaten for three days.@FS15@<end>

#TEXTBLOCK=68F
//@先@は　５ゴールドを<line>
//手わたした。<end>
@先@ handed over 5 gold.<end>

#TEXTBLOCK=690
//@女@＊「あ　ありがとうございます。<line>
//　　ご恩は　一生　忘れません。<end>
@女@＊: Th-Thank you very much. I won't forget this act of kindness.<end>

#TEXTBLOCK=691
//@女@＊「うっうっうっ……。<end>
@女@＊: *sob*...<end>

#TEXTBLOCK=692
//@女@＊「私の夫は　かつて　お城に<line>
//　　つとめていたのですが　太后さまに<line>
//　　さからったとのことで　牢に……。<end>
@女@＊: My husband used to work in the castle, but he disobeyed the Queen Mother, and now...<end>

#TEXTBLOCK=693
//@女@＊「あれから　８年にもなりますから<line>
//　　おそらく　夫はもう……。<line>
//　　うっうっうっ……。<end>
@女@＊: It's been eight years since then, so he's probably already... Oh... *sob*<end>

#TEXTBLOCK=694
//@女@＊「おなかが　すいたよぉ。<end>
@女@＊: I'm so hungry.<end>

#TEXTBLOCK=695
//@男@＊「ガルルルー！<end>
@男@＊: Grrrrrr!<end>

#TEXTBLOCK=696
//“ラインハット王国に　栄光あれ！<line>
//　すべては　王国のために！”<end>
"Glory to the Kingdom of Reinhart! All for the sake of the kingdom!"<end>

#TEXTBLOCK=697
//@男@＊「この国が　強い兵士たちを<line>
//　　高いお金で　集めていると聞き<line>
//　　やって来たのだが……。<end>
@男@＊: This country is luring strong soldiers with the promise of a big payoff.<end>

#TEXTBLOCK=698
//@男@＊「そのために　国民は<line>
//　　重い税金に　生活もできぬほど<line>
//　　苦しんでいるらしいぞ。<end>
@男@＊: Because of that promise, the citizens are living a harsh life, burdened with heavy taxes.<end>

#TEXTBLOCK=699
//@男@ヘンリー「ちょっと　待ってくれよ。<end>
@男@Henry: Wait a moment.<end>

#TEXTBLOCK=69A
//@男@ヘンリー「言っておくけど　とりあえず<line>
//　　事情が分かるまで　オレが誰かは<line>
//　　ナイショにしておこうと思うんだ。<end>
@男@Henry: Until we understand the situation, I think it'd be best if no one knew who I was.<end>

#TEXTBLOCK=69B
//@男@ヘンリー「しばらくは<line>
//　　オレは　ただの旅人だぜ。<line>
//　　さあ　行こうか。<end>
@男@Henry: For the moment, I'll be just a wayfarer. Okay, off we go.<end>

#TEXTBLOCK=69C
//@男@ヘンリー「おい！　このまま<line>
//　　ひきさがる　つもりなのか？<end>
@男@Henry: Hey! Are we to just take leave, with my kingdom in this rut?<end>

#TEXTBLOCK=69D
//@男@ヘンリー「といっても　城の奥に<line>
//　　入れなきゃ　しかたないか……。<end>
@男@Henry: Hmm... To investigate further, it seems we have to enter from the rear of the castle.<end>

#TEXTBLOCK=69E
//@男@ヘンリー「いや　まてよっ！<end>
@男@Henry: No, wait!<end>

#TEXTBLOCK=69F
//@男@ヘンリー「たしか　この城には<line>
//　　外から中に入れる　抜け道が<line>
//　　あったはずだ。<end>
@男@Henry: There should be an alternate path to get into the castle from the outside.<end>

#TEXTBLOCK=6A0
//@男@ヘンリー「抜け道の入口は<line>
//　　どこだったっけなあ……。<line>
//　　夜にでも　さがしてみるか……。<end>
@男@Henry: Now where was that secret entrance...?<arrow>@男@Henry: The moat’s a good place to start. Shall we try searching at night?<end>

#TEXTBLOCK=6A1
//@女@＊「その昔　巨大な城が　天空より<line>
//　　落ちて来たそうです。<end>
@女@＊: A long time ago, a grand, immaculate castle fell from the sky.<end>

#TEXTBLOCK=6A2
//@女@＊「そして　それ以来　再び<line>
//　　魔物が　人をおそうように<line>
//　　なったと言われています。<end>
@女@＊: And it was said that once it fell, demons were unleashed unto the world and began harming people.<end>

#TEXTBLOCK=6A3
//@男@＊「これより先は　太后さまに<line>
//　　呼ばれた者しか　通すわけには<line>
//　　いかぬ。　帰った　帰った！<end>
@男@＊: By order of the Queen Mother, those who have not been summoned may not pass. Leave. LEAVE!<end>

#TEXTBLOCK=6A4
//@男@＊「ん？<line>
//　　太后さまに　呼ばれた者か？<end>
@男@＊: Hm?<line>The Queen Mother had called for you?<end>

#TEXTBLOCK=6A5
//@男@＊「用が　すんだのなら<line>
//　　城の中を　ウロウロせず<line>
//　　さっさと　帰ることだな。<end>
@男@＊: If your business is finished, stop wandering about and head home already.<end>

#TEXTBLOCK=6A6
//@低@＊「この国の　太后さまは<line>
//　　なかなか　たいした人物だな。<end>
@低@＊: The Queen Mother is a powerful woman.<end>

#TEXTBLOCK=6A7
//@低@＊「この国が　世界を征服する日も<line>
//　　そう遠いことでは　あるまい。<line>
//　　わっはっはっ。<end>
//Hmm
@低@＊: It won't be much longer until this country conquers the world. Gahaha!<end>

#TEXTBLOCK=6A8
//@低@＊「よお　兄ちゃん！　おめえも<line>
//　　兵士になりたくて　やって来たのかい？<line>
//　　この国は　いいぞお！<end>
@低@＊: Hey, dude! Did you come to be a soldier, too? This country’s the coolest!<end>

#TEXTBLOCK=6A9
//@低@＊「戦ってさえいれば<line>
//　　金が　いっぱい　もらえるし<line>
//　　うまい物も　食い放題だぜっ。<end>
@低@＊: We earn a boatload of money, just by fighting, AND get to scarf down such great food.<end>

#TEXTBLOCK=6AA
//@低@＊「世の中に　戦いほど<line>
//　　楽しいことは　ないぜ。<end>
@低@＊: There ain't nothing more fun in the world than fighting.<end>

#TEXTBLOCK=6AB
//@低@＊「人と　人とが　血を流し合う。<line>
//　　たまんねえよなあ……。<line>
//　　ぐひひひ。<end>
@低@＊: The flow of blood from person to person. Isn't it unbearable... G'heeheehee!<end>

#TEXTBLOCK=6AC
//@男@＊「最近　思うのですが<line>
//　　太后さまの集めた連中は<line>
//　　気持ちの悪い人ばかりで……。<end>
@男@＊: These days, I can’t help but wonder why the Queen Mother's call to arms is only attracting bad apples...<end>

#TEXTBLOCK=6AD
//@男@＊「ああっと！　私が　こんなこと<line>
//　　言ったなんて　人には<line>
//　　言わないでくださいよ。<end>
@男@＊: Oh, no! Please don't tell anyone I said such a thing.<end>

#TEXTBLOCK=6AE
//@男@＊「う～ん　う～ん……。<line>
//　　は！　夢だったかっ！？<end>
@男@＊: Yeah, yeah... What! Was I dreaming?!<end>

#TEXTBLOCK=6AF
//@男@＊「しかし　今　思い出しても<line>
//　　あれは　イヤな戦いだった……。<end>
@男@＊: Th-That was a horrible order we had to execute... I’ll never be able to forget it.<end>

#TEXTBLOCK=6B0
//@男@＊「いくら太后さまの命令とはいえ<line>
//　　なんの罪もない村を<line>
//　　ほろぼしてしまったのだからな。<end>
@男@＊: We d-destroyed an innocent village on the Queen Mother’s order.<end>

#TEXTBLOCK=6B1
//@男@＊「ここは　大学者デズモンさまの<line>
//　　お部屋です。<end>
@男@＊: This is the great scholar Desmond's quarters.<end>

#TEXTBLOCK=6B2
//@男@＊「わたしは　生き物についての<line>
//　　研究をしておる。<end>
//Note: It’s a Lost pun.
@男@＊: Hullo, brother. I’m cooped up in this room researching living things.<end>

#TEXTBLOCK=6B3
//@男@＊「人は　生き物は　なぜ<line>
//　　今の形に　なったのか？<line>
//　　もっと　強い存在になれぬのか？<end>
//I don't like the second sentence
@男@＊: How did we evolve into what we are today? How did we become stronger to survive?<end>

#TEXTBLOCK=6B4
//@男@＊「かつて　その謎をとく秘法が<line>
//　　あったと聞くが……　それは<line>
//　　神の技だったのかも知れんな……。<end>
@男@＊: There was a secret method to solve this puzzle, but... now it's lost and only in God's hands.<end>

#TEXTBLOCK=6B5
//@男@＊「ん？　誰か来たのか……。<end>
@男@＊: Hello? Who's out there...?<end>

#TEXTBLOCK=6B6
//@男@＊「なん年も　ここにいて<line>
//　　目も耳も　すっかり<line>
//　　悪くなったわい。<end>
@男@＊: I've been imprisoned here for so long, my eyes and ears have gone bad.<end>

#TEXTBLOCK=6B7
//@男@＊「しかし　これだけは<line>
//　　言うとくぞっ！<end>
@男@＊: I’ll tell you this, but you have to promise not to tell anyone else!<end>

#TEXTBLOCK=6B8
//@男@＊「ヘンリー王子を<line>
//　　亡き者にしたのは　元王妃<line>
//　　今の太后さまじゃ！<end>
@男@＊: That trollop the King married was responsible for what happened to Prince Henry.<arrow>@男@＊: And now she’s the Queen Mother!<end>

#TEXTBLOCK=6B9
//@男@＊「なのに自分も　ヘンリー王子の<line>
//　　行方知れずを悲しむふりをし<line>
//　　すべて　パパスどのの責任に！<end>
@男@＊: Even now, I’m disgusted how no one knows what happened to him and blames it all on Lord Papas!<end>

#TEXTBLOCK=6BA
//@男@＊「パパスどのが　住んでいた<line>
//　　サンタローズの村にまで<line>
//　　攻めこんだんじゃ。<end>
@男@＊: They even went as far as to attack Santa Rosa, where Lord Papas lived.<end>

#TEXTBLOCK=6BB
//@男@＊「あんな　性悪な女は<line>
//　　見たことがない。<line>
//　　今に　天罰をくらうぞ！<end>
@男@＊: I've never seen such a horrible woman. May God's wrath be upon her!<end>

#TEXTBLOCK=6BC
//返事がない……。<line>
//ただの　しかばねのようだ。<end>
There was no reply...<line>Just your everyday corpse.<end>

#TEXTBLOCK=6BD
//@男@＊「おお！　よくぞ来てくれた！<end>
@男@＊: Oh! I thank you for having the courage to come all this way!<end>

#TEXTBLOCK=6BE
//@男@＊「わらわは　この国の太后じゃ！<line>
//　　早く　わらわを　ここから<line>
//　　出してたもれ！<end>
@男@＊: I am the Queen Mother! You'd better get me out of this cell, quickly!<end>

#TEXTBLOCK=6BF
//@男@＊「どうした？　わらわが太后だと<line>
//　　信じられぬと申すかっ？<line>
//　　ええい　はがゆい！<end>
@男@＊: What? You don't believe I’m the Queen Mother? Ugh, how irritating!<end>

#TEXTBLOCK=6C0
//@男@＊「たしかに　１０年前<line>
//　　ヘンリーをさらわせ　亡き者に<line>
//　　させたのは　わらわじゃ。<end>
@男@＊: It was me. I’m the one who plotted to rid Reinhart of Prince Henry 10 years ago.<end>

#TEXTBLOCK=6C1
//@男@＊「しかし　それも　わが息子<line>
//　　デールを　王にさせたかった<line>
//　　あわれな親心から……。<end>
@男@＊: It was just because I wanted to see my son, Dale, my own flesh and blood, become king...<end>

#TEXTBLOCK=6C2
//@男@＊「今では　本当に悪かったと<line>
//　　改心しておる。<end>
@男@＊: Now, I deeply regret my actions.<end>

#TEXTBLOCK=6C3
//@男@＊「だから　お願いじゃ。　わらわを<line>
//　　ここから……。　うっうっうっ。<end>
@男@＊: That's why I implore you. Take me away from here... *sob*<end>

#TEXTBLOCK=6C4
//@女@＊「あら　あなた　見かけない顔ね。<line>
//　　新しく　やとわれた人でしょ。<line>
//　　だったら　教えてあげる。<end>
@女@＊: Oh, haven't seen you around here before. Since you're a newcomer, here’s a bit of gossip.<end>

#TEXTBLOCK=6C5
//@女@＊「この国の王は　デールさま。<line>
//　　でも実権は　デールさまの母上<line>
//　　太后さまが　にぎっているのよ。<end>
@女@＊: This country's ruler is King Dale. But in reality, the Queen Mother runs the show.<end>

#TEXTBLOCK=6C6
//@女@＊「くれぐれも　太后さまに<line>
//　　さからわないことね。<line>
//　　でないと　クビが　とぶわよ。<end>
@女@＊: You shouldn't dare defy the Queen Mother. Otherwise, she'll have your neck.<end>

#TEXTBLOCK=6C7
//@男@＊「太后さまも　王妃さまの頃は<line>
//　　息子のデールさまを　あんなに<line>
//　　かわいがっていたのに……。<end>
@男@＊: The Queen Mother always doted on her son, Dale, as far as I can remember...<end>

#TEXTBLOCK=6C8
//@男@＊「デールさまが　国王になり<line>
//　　自分が太后さまになったとたん<line>
//　　人が　変わってしまって……。<end>
@男@＊: When Dale became King, and she the Queen Mother, her personality quickly changed...<end>

#TEXTBLOCK=6C9
//@男@＊「今では　国王のデールさまを<line>
//　　ジャマにさえ思っている<line>
//　　ご様子。<end>
@男@＊: Even now she seems to consider King Dale to be nothing more than a nuisance.<end>

#TEXTBLOCK=6CA
//@男@＊「まったく<line>
//　　どうしてしまったのかねえ。<end>
@男@＊: I wonder what the bloody hell happened.<end>

#TEXTBLOCK=6CB
//@男@＊「今日も　また<line>
//　　税金の払えなかった者を　１人<line>
//　　処刑してしまった……。<end>
@男@＊: Today, they executed yet another poor chap who couldn't pay his taxes...<end>

#TEXTBLOCK=6CC
//@男@＊「太后さまの命令とはいえ<line>
//　　いったい　いつまで<line>
//　　こんな事が続くのだろうか……。<end>
@男@＊: Even if it is the Queen Mother's orders, how long do we have to keep living like this...?<end>

#TEXTBLOCK=6CD
//@男@大臣「わが国王に　なにか用か？<line>
//　　しかし　デール王は<line>
//　　気分が　すぐれぬとのこと。<end>
@男@Chancellor: What business do you have with our King? Sorry, but King Dale is not feeling well.<end>

#TEXTBLOCK=6CE
//@男@大臣「出なおしてまいれっ。<end>
@男@Chancellor: Please leave immediately.<end>

#TEXTBLOCK=6CF
//@男@デール「……………。<end>
@男@Dale: ...<end>

#TEXTBLOCK=6D0
//@男@デール「そこにいる大臣から<line>
//　　聞いたであろう。<end>
@男@Dale: I'm sure you already heard the details from my chancellor over there.<end>

#TEXTBLOCK=6D1
//@男@デール「今日は<line>
//　　誰とも　話したくないのだ。<line>
//　　さがるがよい。<end>
@男@Dale: I don't feel like talking to anyone today. You should leave now.<end>

#TEXTBLOCK=6D2
//ヘンリーが　小声で　ささやいた。<end>
Henry whispered in a small voice.<end>

#TEXTBLOCK=6D3
//@男@ヘンリー「ですが　王さま。<line>
//　　子分は親分の言うことを<line>
//　　聞くものですぞ。<end>
@男@Henry: Yes, but Your Majesty, the flunky should listen to "The Don".<end>

#TEXTBLOCK=6D4
//@男@デール「…………！！<end>
@男@Dale: ...!!<end>

#TEXTBLOCK=6D5
//@男@デール「そんな…………。<line>
//　　まさか………………。<end>
@男@Dale: What the...<line>It can't be...<end>

#TEXTBLOCK=6D6
//@男@デール「おい　大臣！<line>
//　　私は　この者と話がある。<line>
//　　さがっておれ！<end>
@男@Dale: Say, Chancellor!<line>I need to have a word with this one. Leave us!<end>

#TEXTBLOCK=6D7
//@男@大臣「は？　……はい<line>
//　　分かりました。<end>
@男@Chancellor: What?<line>...Yes, understood, Sire.<end>

#TEXTBLOCK=6D8
//@男@デール「兄さん！　ヘンリー兄さん<line>
//　　生きていたんだね！<end>
@男@Dale: Brother! You're alive, Henry!<end>

#TEXTBLOCK=6D9
//@男@ヘンリー「ああ　ずいぶんと<line>
//　　留守にして　悪かったな。<line>
//　　じつは…………。<end>
@男@Henry: Quite so! Sorry for leaving you in charge for so long. Honestly...<end>

#TEXTBLOCK=6DA
//@男@デール「え！　母上が地下牢にっ！？<end>
@男@Dale: WHAT! Mother is in the underground dungeon?!<end>

#TEXTBLOCK=6DB
//@男@ヘンリー「シー！<line>
//　　声が大きいぞ。　デール。<end>
@男@Henry: Shhh!<line>Keep it down, Dale.<end>

#TEXTBLOCK=6DC
//@男@デール「そういえば　いろいろ<line>
//　　思いあたることが　あるな……。<end>
@男@Dale: Since you mentioned it, I've been thinking a lot about Mother recently...<end>

#TEXTBLOCK=6DD
//@男@デール「いつだったか　ボク<line>
//　　読んだことがあるんだ。<line>
//　　ふしぎな鏡の伝説を。<end>
@男@Dale: I don't know when, but I read something. Something about a legend of a mysterious mirror.<end>

#TEXTBLOCK=6DE
//@男@デール「この城の　倉庫の<line>
//　　本だな　だったと思うな。<end>
@男@Dale: I think it's in a book tucked away in the castle's pantry.<end>

#TEXTBLOCK=6DF
//@男@デール「そうだ。　このカギを<line>
//　　持ってお行きよ。<line>
//　　きっと　役に立つから。<end>
@男@Dale: That's right. Take this key with you. It’s certain to come in handy.<end>

#TEXTBLOCK=6E0
//○対象○は　ラインハットのカギを<line>
//手に入れた！<end>
Henry received Reinhart's key.<end>

#TEXTBLOCK=6E1
//@男@デール「無理をしないようにね。<end>
@男@Dale: Please don't overdo it.<end>

#TEXTBLOCK=6E2
//@男@デール「ボクにも<line>
//　　兄さんのような行動力が<line>
//　　あったらなあ……。<end>
@男@Dale: If only I had the energy to do what you could do, Brother...<end>

#TEXTBLOCK=6E3
//@男@デール「ボクには　やっぱり<line>
//　　王さまは　むかなかったのかも<line>
//　　知れないな。<end>
@男@Dale: I'm probably not cut out to be King.<end>

#TEXTBLOCK=6E4
//@男@大臣「この私まで　さけるとは<line>
//　　いったい　わが国王は<line>
//　　やる気が　あるのだろうか！<end>
@男@Chancellor: Sending even me away... What the bloody hell has gotten into our King!<end>

#TEXTBLOCK=6E5
//@男@大臣「もっとも　太后さまさえ　いれば<line>
//　　わが国は　安泰だがな。<end>
@男@Chancellor: If it weren't for the Queen Mother, our kingdom would not be so peaceful.<end>

#TEXTBLOCK=6E6
//@低@＊「ここは　太后さまの　お部屋だ。<line>
//　　太后さまに　呼ばれたのか？<end>
@低@＊: This is the Queen Mother's room. Did the Queen Mother call for you?<end>

#TEXTBLOCK=6E7
//@低@＊「ウソをつくな！<line>
//　　お前のような者が来るとは<line>
//　　聞かされておらぬぞ！<end>
@低@＊: Don't you lie to me! I haven't heard anything about the arrival of someone like you.<end>

#TEXTBLOCK=6E8
//@低@＊「では　さがれ！<line>
//　　太后さまは　必要のある者しか<line>
//　　お会いにならぬのだ。<end>
@低@＊: Out with you then!<line>The Queen Mother only meets with the most important people.<end>

#TEXTBLOCK=6E9
//@先@は　本だなを　調べた。<end>
@先@ investigated the bookshelf.<end>

#TEXTBLOCK=6EA
//なんと　古びた日記を　見つけた！<line>
//@先@は　日記を読んだ。<end>
//Don't use<line> here
Wow, an old diary was found! @先@ read the diary.<end>

#TEXTBLOCK=6EB
//“○月×日。<line>
//　今日　この城の旅の扉より<line>
//　南の地に　おもむく。<end>
○ Month / Day ×<line>Today, I ventured south using the traveler's gate in the castle.<end>

#TEXTBLOCK=6EC
//“南の地には　古き塔あり。<line>
//　真実の姿を　うつしだす鏡が<line>
//　まつられていると聞く。<end>
Those lands are home to an old tower.<arrow>Legends tell of a mirror inside that can reflect one’s true form.<end>

#TEXTBLOCK=6ED
//“しかし　塔の扉は　我には<line>
//　開かれず。<line>
//　そのカギは　修道僧が持てり。”<end>
Unfortunately, I could not open the tower door. The key is kept by the nuns at the abbey.<end>

#TEXTBLOCK=6EE
//@男@＊「国が　豊かになっても<line>
//　　国民は貧しくなるいっぽう。<end>
@男@＊: The country might be wealthy, but us commoners become poorer every day.<end>

#TEXTBLOCK=6EF
//@男@＊「これが　飲まずに　いられますか<line>
//　　ってんだ！　ヒック……。<end>
@男@＊: The only thing I can do about it is drink! Hiccup...<end>

#TEXTBLOCK=6F0
//@男@＊「なんでも　この国の　前の王は<line>
//　　９年ほど前に　亡くなったそうだ。<end>
@男@＊: This country's former King passed away nine years ago.<end>

#TEXTBLOCK=6F1
//@男@＊「自分の死期を知り　その前に<line>
//　　ヘンリーという第一王子に<line>
//　　王位をゆずろうとしたが……<end>
@男@＊: Knowing his death was imminent, he was going to pass the throne to Prince Henry, but...<end>

#TEXTBLOCK=6F2
//@男@＊「ある日　王子は行方知れずに<line>
//　　なってしまったらしい。<end>
@男@＊: On that day, the Prince suddenly vanished.<end>

#TEXTBLOCK=6F3
//@男@＊「そんなことがあり　今は<line>
//　　第二王子だった　デールさまが<line>
//　　王さまというわけだ。<end>
//second => younger
@男@＊: So that's why the younger prince, Dale, became King.<end>

#TEXTBLOCK=6F4
//@男@＊「私は　めずらしい物を求め<line>
//　　旅をしている商人です。<end>
@男@＊: I'm a trader who travels around looking for rare and unusual goods.<end>

#TEXTBLOCK=6F5
//@男@＊「このお城にも<line>
//　　ふしぎな物について書かれた<line>
//　　書物があると聞いたのですが……。<end>
@男@＊: Mmm, I heard there was a book in this castle that describes a mystifying item...<end>

#TEXTBLOCK=6F6
//@男@＊「昔は　姉が店をやってたんだけど<line>
//　　ここの売上げじゃ　とても<line>
//　　税金が払いきれなくて……。<end>
@男@＊: My sister used to tend the store, but even with all the sales we had...<arrow>@男@＊: We couldn't come close to paying all the taxes...<end>

#TEXTBLOCK=6F7
//@男@＊「オラクルベリーまで　出かせぎに<line>
//　　行ってるんです。　昔は　この城の方が<line>
//　　ずっと　栄えてたんですけどねえ。<end>
@男@＊: She’s since set out for Oraclebury. Oh, well. The people of this kingdom used to be so prosperous.<end>

#TEXTBLOCK=6F8
//@男@＊「この先へ　行きたいのか？<line>
//　　だが　おぬしには　まだ<line>
//　　早すぎるようじゃな。<end>
@男@＊: You want to go on up ahead? Now’s not the time. Don’t be in such a rush.<end>

#TEXTBLOCK=6F9
//@男@＊「旅の扉を　くぐれば<line>
//　　たちまち　遠い所へ<line>
//　　はこばれよう。<end>
@男@＊: If you step into the traveler's gate, you’ll be carried to some far off locale.<end>

#TEXTBLOCK=6FA
//@男@＊「じゃが　今は　夜ふけ。<line>
//　　こんな時間に　ここを<line>
//　　通すわけにはいかんのう。<end>
@男@＊: I’m sorry, but I can't let you pass at this time of night.<end>

#TEXTBLOCK=6FB
//ネコは　楽しそうに<line>
//あたりを　かぎまわっている。<end>
A cat playfully sniffs around.<end>

#TEXTBLOCK=6FC
//@女@＊「ここは名もない海辺の修道院。<line>
//　　おとずれる人は　みな<line>
//　　悲しみを　背負った人ばかり……。<end>
@女@＊: This is a nameless abbey by the sea. Our visitors are all those who are lost to sadness...<end>

#TEXTBLOCK=6FD
//@女@＊「まあ！<line>
//　　あなたさまは　いつぞやの……。<end>
@女@＊: Well! Long time no see...<end>

#TEXTBLOCK=6FE
//@女@＊「よくぞ　おいでくださいました。<line>
//　　マリアも　きっと<line>
//　　よろこびますわ。<end>
@女@＊: Welcome back.<line>I'm sure Maria will be overjoyed to see you.<end>

#TEXTBLOCK=6FF
//@女@＊「そういえば　@主@さんは<line>
//　　お母さまを　さがして<line>
//　　旅をしているのでしたね。<end>
@女@＊: Oh, and how is @主@ doing on his search for his mother?<end>

#TEXTBLOCK=700
//@女@＊「早く　会えるよう<line>
//　　私も　祈っていますわ。<end>
@女@＊: I pray every day that you will find her soon.<end>

#TEXTBLOCK=701
//@女@＊「マリア。　あなたが<line>
//　　@主@さまたちの　希望の光に<line>
//　　なれるよう　祈っていますわ。<end>
@女@＊: Maria. You are praying for a ray of hope for @主@ as well.<end>

#TEXTBLOCK=702
//@女@＊「マリア姉ちゃんを<line>
//　　あぶない目に　あわせたら<line>
//　　ぜったいに　ダメだからねっ。<end>
//NOTE: dangerous eyes sounds weird
@女@＊: Looking at Sissy Maria like that is off limits, buster.<end>

#TEXTBLOCK=703
//@女@マリア「こんにちは。<line>
//　　ここでは　誰もが　神に祈り<line>
//　　生き方を　学ぶことができますわ。<end>
@女@Maria: Good day. All those willing to pray and aspire to make their lives better are welcome here.<end>

#TEXTBLOCK=704
//@女@マリア「まあ！<line>
//　　神さまが　私の願いを<line>
//　　聞きとどけてくださったのかしら。<end>
@女@Maria: Hallelujah!<line>God has answered my prayers.<end>

#TEXTBLOCK=705
//@女@マリア「@主@さまと<line>
//　　ヘンリーさまには　また<line>
//　　お会いしたいと……。　ぽっ。<end>
@女@Maria: I was hoping to see you and Henry again... *blush*<end>

#TEXTBLOCK=706
//@女@マリア「ええ。　私は元気です。<line>
//　　皆さん　とても<line>
//　　よくしてくださるし……。<end>
@女@Maria: Yes, I'm doing very well... Everyone here has just been so wonderful.<end>

#TEXTBLOCK=707
//@女@＊「あら　思いがけぬ　お客さま<line>
//　　だこと。　え？　@主@さんたちの<line>
//　　お仲間ですって？<end>
@女@＊: Oh! An unexpected visitor. What? You're a friend of @主@'s?<end>

#TEXTBLOCK=708
//@女@＊「それなら　ぜひ<line>
//　　@主@さんたちにも　お顔を<line>
//　　見せていただきたいですわ。<end>
@女@＊: Well then, I'm glad to have met these nice friends of @主@’s.<end>

#TEXTBLOCK=709
//@女@＊「あら　思いがけぬ　お客さま<line>
//　　だこと。　でも　お顔が……。<line>
//　　なにか　おこまりですか？<end>
//Better?
@女@＊: Oh, unexpected visitors. Though... By the looks on your faces, something must be wrong.<end>

#TEXTBLOCK=70A
//@女@＊「え？　ふしぎな鏡が　まつられている<line>
//　　南の塔に　入りたいと？<line>
//　　それは　こまりましたね。<end>
@女@＊: What? You wish to enter the southern tower to search for a legendary mirror? Interesting.<end>

#TEXTBLOCK=70B
//@女@＊「あの塔の入口は<line>
//　　神につかえる　乙女にしか<line>
//　　開くことは　できないのです。<end>
@女@＊: Only the most devoted nuns have the power to open the door to the Tower of God.<end>

#TEXTBLOCK=70C
//@女@＊「とはいえ　魔物の出るなか<line>
//　　女の足で　あそこまで<line>
//　　行くのは……。<end>
@女@＊: However, it’s not safe to be going out that far with all the monsters around...<end>

#TEXTBLOCK=70D
//@女@マリア「私に　行かせてください！<end>
@女@Maria: Please, Sister, let me go!<end>

#TEXTBLOCK=70E
//@女@＊「マリア…………！<end>
@女@＊: Maria ...!<end>

#TEXTBLOCK=70F
//@女@マリア「この人たちは　私に<line>
//　　とても　親切にしてくださいました。<line>
//　　今度は　私の番です。<end>
@女@Maria: I am very much indebted to these kind souls. Now it's my turn to repay them.<end>

#TEXTBLOCK=710
//@女@マリア「それに　試したいのです。<line>
//　　この私にも　あの神の塔の扉が<line>
//　　開かれるか　どうかを……。<end>
@女@Maria: That's why I ask your permission.<arrow>@女@Maria: I need to know whether my faith is strong enough to open the tower.<end>

#TEXTBLOCK=711
//@女@＊「分かりました。<line>
//　　そこまで　言うなら　もう<line>
//　　止めません。<end>
@女@＊: I understand.<line>I won't stand in your way if you so desire.<end>

#TEXTBLOCK=712
//@女@＊「@主@さん。<line>
//　　どうか　マリアを<line>
//　　連れて行ってくださいましね。<end>
@女@＊: @主@, please take Maria with you to the tower.<end>

#TEXTBLOCK=713
//@女@マリア「私　できるだけ<line>
//　　足手まといに　ならないよう<line>
//　　気をつけます。<end>
@女@Maria: I'll do my best not to be a burden.<end>

#TEXTBLOCK=714
//@女@マリア「さあ　行きましょうか。<end>
@女@Maria: Okay, shall we go now?<end>

#TEXTBLOCK=715
//@女@＊「ヘンリーさん。<line>
//　　どうか　マリアを<line>
//　　連れて行ってくださいましね。<end>
@女@＊: Henry, please take Maria to the tower with you.<end>

#TEXTBLOCK=716
//@女@＊「それなら　いいのですが。<line>
//　　どうか　ゆっくり<line>
//　　していってくださいね。<end>
//I think by "Him" they mean God.  It was cut from the English DS version so it probably does mean that.  Should be capitalized.
@女@＊: With Him, you'll always be safe. Go with grace.<end>

#TEXTBLOCK=717
//@女@＊「マリアを　よろしく<line>
//　　お願いします。<line>
//　　どうか　お気をつけて。<end>
@女@＊: I’m entrusting Maria to you. Stay safe.<end>

#TEXTBLOCK=718
//@女@＊「物を大切に　そして<line>
//　　この大地を愛すること。　それが<line>
//　　わが修道院の　教えのひとつです。<end>
@女@＊: Embrace life and love this world. That's the first lesson of our abbey.<end>

#TEXTBLOCK=719
//@女@＊「南の塔に　行かれるのですね。<end>
@女@＊: If what my sisters told me is correct, you're going to the southern tower, right?<end>

#TEXTBLOCK=71A
//@女@＊「あの塔は　神が　私たちを<line>
//　　ためすために　作られたと<line>
//　　言われています。<end>
@女@＊: It is said that tower was built for the purpose of communicating deeply with God.<end>

#TEXTBLOCK=71B
//@女@＊「おのれの　見たことしか<line>
//　　信じぬ者は　その　ごうまんさ故に<line>
//　　神の祝福を受けられないでしょう。<end>
@女@＊: Those arrogant enough to only believe what they see with their own eyes may not receive God's blessing.<end>

#TEXTBLOCK=71C
//@女@＊「勇気を出して<line>
//　　一歩　ふみ出した者だけが<line>
//　　その祝福を　受けられるとか。<end>
@女@＊: Only those courageous enough to put their faith in the Lord and step forward may receive His blessing.<end>

#TEXTBLOCK=71D
//@女@＊「どうか　お気をつけて……。<end>
@女@＊: Please stay safe on your journey, my child...<end>

#TEXTBLOCK=71E
//@女@＊「しばらく前まで　花嫁修業に<line>
//　　いらしていた　おじょうさまは<line>
//　　お元気かしら……。<end>
@女@＊: I wonder if the girl who was training here to become a proper wife is doing well...<end>

#TEXTBLOCK=71F
//@女@＊「ここで　学んだことが<line>
//　　その後の人生の　お役に立てば<line>
//　　うれしいのですけど。<end>
@女@＊: If the lessons she learned here are useful to people, then I'll be happy.<end>

#TEXTBLOCK=720
//@女@＊「あらあら　モンスターが<line>
//　　ここにはいってくるなんて！<end>
@女@＊: Oh, no, a monster has broken into the abbey!<end>

#TEXTBLOCK=721
//@女@＊「う～ん……　パパ……。<line>
//　　むにゃ　むにゃ。<end>
@女@＊: Okaaay... Papa...<line>*mumbles*...<end>

#TEXTBLOCK=722
//@女@＊「すう　すう……。<end>
@女@＊: *sob*...<end>

#TEXTBLOCK=723
//@先@は　扉を開けようとしたが<line>
//どうやっても　開かない！<end>
@先@ tried to open the door, but it did not budge no matter what!<end>

#TEXTBLOCK=724
//しかし　マリアが<line>
//塔を見上げて　話しはじめた。<end>
However, Maria looked at the tower and began to speak.<end>

#TEXTBLOCK=725
//@女@マリア「ここが　神の塔ですね。<line>
//　　私　ここに来るのは<line>
//　　初めてなんです。<end>
@女@Maria: This is the first time I’ve seen the Tower of God.<end>

#TEXTBLOCK=726
//@女@マリア「私で　お力になれると<line>
//　　よいのですが……。<end>
@女@Maria: Lord, I'd be so happy if you'd grant me your blessing, so I can help my companions...<end>

#TEXTBLOCK=727
//マリアは　ひざまずき<line>
//手を合わせ　神に祈った……。<end>
Maria closed her hands and prayed to God...<end>

#TEXTBLOCK=728
//なんと　扉が開いた！<end>
Mysteriously, the door opened!<end>

#TEXTBLOCK=729
//@女@マリア「まあ！　よかったですわ……。<line>
//　　では　@主@さん<line>
//　　まいりましょう。<end>
@女@Maria: Ah, well done... Off we go, @主@.<end>

#TEXTBLOCK=72A
//@女@マリア「まあ！　よかったですわ……。<line>
//　　では　ヘンリーさま<line>
//　　まいりましょう。<end>
@女@Maria: Ah, well done... Off we go, Henry.<end>

#TEXTBLOCK=72B
//ふたたび　扉が開いた！<end>
The door opened once again!<end>

#TEXTBLOCK=72C
//@女@マリア「まあ！　よかったですわ……。<line>
//　　では　@先@さん<line>
//　　まいりましょう。<end>
@女@Maria: Ah, well done... Off we go, @先@.<end>

#TEXTBLOCK=72D
//@女@マリア「あら？<line>
//　　いま　そこに　どなたか<line>
//　　いらっしゃいませんでしたか？<end>
@女@Maria: Huh? Was there someone there just now?<end>

#TEXTBLOCK=72E
//@女@マリア「そういえば　神の塔は<line>
//　　たましいの記憶が　宿る場所とも<line>
//　　言われているそうです。<end>
@女@Maria: I heard that the Tower of God was a place that housed memories of people’s souls.<end>

#TEXTBLOCK=72F
//@女@マリア「だからこそ　すべてを見通す<line>
//　　ふしぎな鏡が　まつられて<line>
//　　いるのだとか……。<end>
@女@Maria: Is that why the mysterious mirror can see through anything that stands before it...?<end>

#TEXTBLOCK=730
//@女@マリア「今の　幻影も　もしかしたら<line>
//　　誰かの　たましいの記憶<line>
//　　だったのかもしれません。<end>
@女@Maria: That illusion we just saw could probably be a good memory left by some poor soul.<end>

#TEXTBLOCK=731
//@男@＊「さっき　デールさまが<line>
//　　太后さまを連れて　階段を<line>
//　　上がって行ったようだったが……<end>
@男@＊: It looks like King Dale rushed the Queen Mother upstairs just now, but...<end>

#TEXTBLOCK=732
//@男@＊「でも　４階におられた　太后さまが<line>
//　　下におりて来た　おぼえはないし<line>
//　　気のせいかな。<end>
@男@＊: The Queen Mother was just on the 4th floor, and I don't remember seeing her come down.<end>

#TEXTBLOCK=733
//@男@大臣「わが王に　なにか用か？<line>
//　　しかし　今は　それどころでは<line>
//　　ないのだ！<end>
@男@Chancellor: You have business with our King? Sorry, now is not the time or place!<end>

#TEXTBLOCK=734
//@男@大臣「なんと　王さまが<line>
//　　どこからか　太后さまを<line>
//　　お連れして……<end>
@男@Chancellor: The Queen Mother has run off with the King somewhere...<end>

#TEXTBLOCK=735
//@男@大臣「おどろくなかれっ。<line>
//　　太后さまが　２人に<line>
//　　なってしまったんじゃっ！<end>
@男@Chancellor: Now I'm shocked to learn the Queen Mother seems to have a twin!<end>

#TEXTBLOCK=736
//@低@＊「いったい　どうしたことか！<line>
//　　２人の太后さまが　会ったとたん<line>
//　　とっくみ合いの　ケンカに！<end>
@低@＊: What’s going on here?! When the two Queens met, they started to scream and claw at each other!<end>

#TEXTBLOCK=737
//@低@＊「なんとか　２人を引きはなしたが<line>
//　　王さまにも　どちらが　どちらか<line>
//　　分からなくなったのだ！<end>
@低@＊: We managed to pull them apart, but even the King doesn't know which one is which!<end>

#TEXTBLOCK=738
//@男@デール「う～ん　どちらが<line>
//　　本物の母上だろうか……。<end>
@男@Dale: Huh? I have no earthly idea which one of them is my real mother...<end>

#TEXTBLOCK=739
//@男@デール「兄上だけに　苦労させてはと<line>
//　　ボクなりに　やってみるつもり<line>
//　　だったのに……。<end>
@男@Dale: My brother, I’ve put you through so much already, but can you give it a try for me...?<end>

#TEXTBLOCK=73A
//@男@デール「どうも　ボクのやることは<line>
//　　ヘマばかりだな。<end>
@男@Dale: Everything that I've done so far has been one mistake after the other.<end>

#TEXTBLOCK=73B
//@男@太后「デールや　この母が<line>
//　　分からぬのですか？<line>
//　　さあ　こっちへ　いらっしゃい。<end>
@男@Queen Mother: Dale, don't you recognize your own mother? Now, come over here.<end>

#TEXTBLOCK=73C
//@先@は　ラーの鏡を<line>
//のぞきこんだ……。<end>
@先@ took out the Mirror of Ra...<end>

#TEXTBLOCK=73D
//鏡には　年老いた女の姿が<line>
//うつっている。<end>
An elderly woman appears in the mirror’s reflection.<end>

#TEXTBLOCK=73E
//@男@太后「ええい！　私が　本物だと<line>
//　　なぜ　分からぬのかっ！<end>
@男@Queen Mother: Waaah! How could you not recognize your real mother!<end>

#TEXTBLOCK=73F
//@男@太后「この　うすぎたない女を<line>
//　　早く　牢に入れておしまい！<end>
@男@Queen Mother: Now do away with this filthy imposter, quickly!<end>

#TEXTBLOCK=740
//なんと　鏡には　魔物の姿が<line>
//うつしだされたっ！<end>
A hideous monster appears in the mirror’s reflection!<end>

#TEXTBLOCK=741
//@低@太后「そ　その鏡はっ！<line>
//　　ええい　正体がバレては<line>
//　　しかたがない！<end>
@低@Fake Queen: Th-That mirror! Kyaah, now that my plan has been foiled, I don't have a choice!<end>

#TEXTBLOCK=742
//@低@ニセ太后「こうなったら<line>
//　　皆殺しに　してくれるわっ！<end>
@低@Fake Queen: It seems I'll just have to KILL YOU ALL!<end>

#TEXTBLOCK=743
//@男@＊「オレは　なにも　見ちゃいないぜ。<line>
//　　お前らも　だまっておくのが<line>
//　　身のためだろう。<end>
//note: fixme: first line
//note: fixme: is this the fake queen or someone else? I'm not sure on the context here. I'm
//note: fixme: assuming this is the fake queen speaking in a different tone.
//Note: The boss always has a line where you come back should it wipe you out.
@男@＊: I'll just have to clean this mess up. Ya should have kept yer traps shut now!<end>

#TEXTBLOCK=744
//@男@デール「な　なんてことだ！<line>
//　　モンスターが　母上に化けて<line>
//　　いたなんて……。<end>
@男@Dale: Wh-What the bloody hell! My mother was being impersonated by... by a monster?!<end>

#TEXTBLOCK=745
//@男@太后「お　おのれ　魔物め！<line>
//　　私の息子に　手をだしたら<line>
//　　ゆるしませんよ！<end>
@男@Queen Mother: You disgusting little beast! You’ll be sorry for putting those filthy paws on my son!<end>

#TEXTBLOCK=746
//@低@ニセ太后「なんと　あきらめの悪い<line>
//　　ヤツらよ。　また　やつざきに<line>
//　　してくれよう！<end>
@低@Fake Queen: Why can't you accept your fate? I'll tear you apart limb from limb!<end>

#TEXTBLOCK=747
//@低@ニセ太后「おろかな人間どもよ……。<end>
@低@Fake Queen: You worthless gits...<end>

#TEXTBLOCK=748
//@低@ニセ太后「オレさまを　殺さなければ<line>
//　　この国の王は　世界の王に<line>
//　　なれたものを……。　ぐふっ！<end>
@低@Fake Queen: If you hadn’t stuck your noses in, I’d be well on my way to ruling the entire world...<end>

#TEXTBLOCK=749
//なんと　太后さまは　ニセ者だった。<end>
The Queen Mother everyone knew turned out to be an imposter.<end>

#TEXTBLOCK=74A
//この　ウワサは<line>
//またたく間に　国中にひろがり<line>
//そして　夜が明けた……。<end>
The news spread throughout the kingdom and then night faded into morning...<end>

#TEXTBLOCK=74B
//@男@デール「@主@。　兄上と共に<line>
//　　よくぞ　母上のニセ者を<line>
//　　たおしてくれました。<end>
@男@Dale: @主@. Thank you for assisting my brother in toppling my mother's imposter.<end>

#TEXTBLOCK=74C
//@男@デール「心から　礼を言いますぞ。<line>
//　　あのままだと　この国が<line>
//　　どうなっていたか……。<end>
@男@Dale: I express my deepest gratitude. I shudder to think what else might have happened here...<end>

#TEXTBLOCK=74D
//@男@デール「まったく　ボクは<line>
//　　王さまとしては　失格ですね。<end>
@男@Dale: Honestly, I am a complete failure as a King.<end>

#TEXTBLOCK=74E
//@男@デール「だから　@主@さんからも<line>
//　　たのんでくれませんか？<line>
//　　兄上が　王さまに　なるように。<end>
@男@Dale: May I make a request of you, @主@?<arrow>@男@Dale: Please help persuade my brother to take his rightful place on the throne.<end>

#TEXTBLOCK=74F
//@男@ヘンリー「王さま。　その話は<line>
//　　おことわり　したはずですが。<end>
@男@Henry: Your Majesty, I simply cannot accept your offer, so...<end>

#TEXTBLOCK=750
//@男@デール「しかし　兄上……。<end>
@男@Dale: But, Brother...<end>

#TEXTBLOCK=751
//@男@ヘンリー「子分は　親分の<line>
//　　言うことを　聞くものですぞ。<end>
@男@Henry: The flunky should listen to "The Don".<end>

#TEXTBLOCK=752
//@男@ヘンリー「もちろん　この兄も<line>
//　　できうるかぎり　王さまを<line>
//　　助けてゆくつもりです。<end>
@男@Henry: Of course, as your brother, I could easily be an advisor to the King.<end>

#TEXTBLOCK=753
//@男@ヘンリー「……というわけで<line>
//　　@主@とは　これ以上　旅を<line>
//　　続けられなくなっちゃったな。<end>
@男@Henry: ...But if I do this, I wouldn't be able to continue my travels with @主@.<end>

#TEXTBLOCK=754
//@男@ヘンリー「いろいろ世話になったけど<line>
//　　ここで　お別れだ。<end>
@男@Henry: We’ve caused quite a bit of trouble over the years, but we must part here.<end>

#TEXTBLOCK=755
//@男@ヘンリー「お前に　買ってもらった武器や<line>
//　　防具は　その　@袋@に<line>
//　　入れておいたからな。<end>
@男@Henry: I’ve put all the weapons and armor you bought for me in the @袋@.<end>

#TEXTBLOCK=756
//@男@ヘンリー「じゃあ<line>
//　　元気でやるんだぜ　@主@。<end>
@男@Henry: Well, take good care of yourself, @主@.<end>

#TEXTBLOCK=757
//@男@デール「本当に　@主@さんには<line>
//　　お世話に　なりました。<end>
@男@Dale: You've really done us a great favor, @主@.<end>

#TEXTBLOCK=758
//@男@デール「これからは　兄と　ともに<line>
//　　人々が　幸せに　暮らせる国を<line>
//　　作ってゆくつもりです。<end>
@男@Dale: From here on, I plan to provide prosperity for our people, with the help of my brother.<end>

#TEXTBLOCK=759
//@男@太后「そなたには　本当に<line>
//　　なんと言ったらよいか……。<line>
//　　お礼の言葉も　ないぞよ。<end>
@男@Queen Mother: I don't know what to say... There are no appropriate words to express my gratitude.<end>

#TEXTBLOCK=75A
//@男@太后「すべては　わらわの<line>
//　　思い上がりから　出たこと。<end>
@男@Queen Mother: Everything stemmed from my conceited nature.<end>

#TEXTBLOCK=75B
//@男@太后「今度という　今度は<line>
//　　それが　骨身に　こたえたわ。<end>
@男@Queen Mother: This time, my selfish actions wound up hurting my own flesh and blood.<end>

#TEXTBLOCK=75C
//@男@太后「これからは　出しゃばらず<line>
//　　かげながら　王を助けてゆくぞよ。<line>
//　　安心してたもれ。<end>
@男@Queen Mother: Don’t worry. From now on, I’ll end my meddling and try to help from the background.<end>

#TEXTBLOCK=75D
//@男@大臣「兄弟なかよく<line>
//　　国を治めてくれれば<line>
//　　この国も　安泰じゃ！<end>
@男@Chancellor: If the two brothers can repair the kingdom, well, then this country has nothing to worry about!<end>

#TEXTBLOCK=75E
//@女@マリア「@主@さまや<line>
//　　ヘンリーさまと　旅が出来て<line>
//　　とても楽しかったです。<end>
@女@Maria: It was ever so much fun to travel and go on an adventure with @主@ and Lord Henry.<end>

#TEXTBLOCK=75F
//@女@マリア「私は　また　修道院に<line>
//　　もどるつもりですから<line>
//　　ここで　お別れですね。<end>
@女@Maria: I plan on departing to the abbey from here, so this is goodbye for now.<end>

#TEXTBLOCK=760
//@女@マリア「@主@さまは<line>
//　　お母さまを　助けるために<line>
//　　伝説の勇者さまを　さがす旅とか。<end>
@女@Maria: @主@, I know you're going to search for the legendary hero, and save your mother.<end>

#TEXTBLOCK=761
//@女@マリア「どうか　お気をつけて。<line>
//　　ご無事を　祈っておりますわ。<end>
@女@Maria: Take care of yourself.<line>I’ll pray for your safety.<end>

#TEXTBLOCK=762
//@男@ヘンリー「国が　もとに　もどって<line>
//　　間もなく　ビスタの港にも<line>
//　　また　船が　入ってくるはずだ。<end>
@男@Henry: With the country returning to normal, ships can once again make port at Vista Harbor.<end>

#TEXTBLOCK=763
//@男@ヘンリー「お前は　そこから<line>
//　　さらなる旅に　出るつもり<line>
//　　なんだろ。<end>
@男@Henry: You should plan to continue your journey from there.<end>

#TEXTBLOCK=764
//@男@ヘンリー「あっ　そうだ！<end>
@男@Henry: Oh, that's right!<end>

#TEXTBLOCK=765
//@男@ヘンリー「オレ　こんなものも<line>
//　　あの　ドレイ時代に　ひろって<line>
//　　もってたんだ。<end>
@男@Henry: I’ve been carrying this around ever since we were slaves.<end>

#TEXTBLOCK=766
//@男@ヘンリー「ちょっと　クシャクシャだけど<line>
//　　お前に　やるよ。<end>
@男@Henry: It's a bit crumpled up, but I want to give it to you.<end>

#TEXTBLOCK=767
//@主@は　ヘンリーから<line>
//ふくびき券を　受けとった！<end>
@主@ took the lottery ticket!<end>

#TEXTBLOCK=768
//@主@は　ふくびき券を<line>
//大事に　@袋@に　しまった。<end>
@主@ placed the lottery ticket carefully into the @袋@.<end>

#TEXTBLOCK=769
//@男@ヘンリー「早く　伝説の勇者が<line>
//　　見つかると　いいなっ。<line>
//　　元気でな　@主@。<end>
@男@Henry: It'd be tops to find the legendary hero as quickly as possible. Take care, @主@.<end>

#TEXTBLOCK=76A
//@男@＊「この部屋のものは　どうぞ<line>
//　　自由にお持ちください。<end>
@男@＊: Please feel free to take whatever catches your eye in this room.<end>

#TEXTBLOCK=76B
//@男@＊「ただし　魔物よけのため<line>
//　　床にはバリアを　はりめぐらせて<line>
//　　ありますから　お気をつけて。<end>
@男@＊: But be careful. We put up a barrier on the floor to keep those monsters away.<end>

#TEXTBLOCK=76C
//@男@＊「やや！　あなたが<line>
//　　ニセの太后さまを<line>
//　　やっつけてくれた人ですね！<end>
@男@＊: I say! You're the guy who beat that imposter Queen Mother!<end>

#TEXTBLOCK=76D
//@男@＊「もう　誰も　処刑しなくて<line>
//　　いいんです。<line>
//　　うれしくって……！<end>
@男@＊: It'll be great not to execute anyone anymore. Sure puts a spring in my step!<end>

#TEXTBLOCK=76E
//@男@＊「おかげで　この国も　もと通り。<line>
//　　どうも　ありがとうございました！<end>
@男@＊: Thanks to you, this kingdom is returning to normal. Thank you very much!<end>

#TEXTBLOCK=76F
//@男@＊「ヘンリーさまが<line>
//　　生きていたとはなあ。<line>
//　　おどろくことばかりだ！<end>
@男@＊: I sure was surprised to see Lord Henry was still alive.<end>

#TEXTBLOCK=770
//@男@＊「おお！　あんたは！<line>
//　　わしですじゃ。<line>
//　　地下牢にいた　ジジですじゃ。<end>
@男@＊: Oh! It’s you! Don’t you recognize me? I’m the old man who was jailed beneath the castle.<end>

#TEXTBLOCK=771
//@男@＊「今は　牢から　出してもらい<line>
//　　こうして　手あつい　かんごを。<end>
@男@＊: Thanks to everything that's happened, that cell is no longer my home.<end>

#TEXTBLOCK=772
//@男@＊「これも　あんたの　おかげじゃ。<line>
//　　ありがとう　ありがとう……。<end>
@男@＊: This has all been thanks to you.<line>Thank you, thank you...<end>

#TEXTBLOCK=773
//@男@＊「ようこそ！<line>
//　　ラインハットの　お城に！<end>
@男@＊: Welcome!<line>This is Reinhart Castle!<end>

#TEXTBLOCK=774
//@男@＊「と　誰にでも　こう言えるって<line>
//　　しあわせだなあ。<end>
@男@＊: It’s great to be able to tell people that now.<end>

#TEXTBLOCK=775
//@女@＊「ねえ　ヘンリーさまって<line>
//　　すごく　カッコいいよね！<line>
//　　あこがれちゃうなぁ……。<end>
@女@＊: Hey, Lord Henry looks pretty handsome! I'm completely in love...<end>

#TEXTBLOCK=776
//@男@＊「ヘンリーさまが<line>
//　　あんな立派になって<line>
//　　帰って来たなんて……。<end>
@男@＊: Lord Henry came back looking so regal...<end>

#TEXTBLOCK=777
//@男@＊「もう　あたしゃ<line>
//　　うれしくって　うれしくって。<end>
@男@＊: Now I’m so, so happy.<end>

#TEXTBLOCK=778
//@女@＊「ここで　ごはんを<line>
//　　食べさせて　もらえるんです。<end>
@女@＊: I can receive meals here now.<end>

#TEXTBLOCK=779
//@女@＊「もう　ひもじい思いを<line>
//　　しなくても　いいんです。<line>
//　　うっうっうっ……。<end>
@女@＊: Not having to be hungry is great...<line>*sob*<end>

#TEXTBLOCK=77A
//@女@＊「おなかが　すいたよお。<line>
//　　スープおかわり　してもいい？<end>
@女@＊: I'm hungry. Please, sir. Can I have some more soup?<end>

#TEXTBLOCK=77B
//@女@＊「わーい！　ありがとう！<end>
@女@＊: Wahoo!<line>Thanks!<end>

#TEXTBLOCK=77C
//@女@＊「うえーん！<line>
//　　いじわるー！<end>
@女@＊: Waaaah!<line>You meanie!<end>

#TEXTBLOCK=77D
//@男@＊「ビスタの港に　船が入るように<line>
//　　なって　この城下町も<line>
//　　にぎわうように　なったのう。<end>
@男@＊: With ships coming into Vista Harbor again, this castle town is thriving.<end>

#TEXTBLOCK=77E
//@男@＊「私は　はるか西の国から<line>
//　　海をこえて　やってきました。<end>
@男@＊: I came by sea from a far off western country.<end>

#TEXTBLOCK=77F
//@男@＊「西の国には　すごい防具の<line>
//　　伝説が　あったのですが<line>
//　　結局　見つかりませんでしたな。<end>
@男@＊: The western country is known for being home to a piece of legendary armor...<arrow>@男@＊: But, much to my chagrin, I was never able to find it.<end>

#TEXTBLOCK=780
//@女@＊「わーい　わーい！<line>
//　　太后さまは　ニセ者だったんだ。<line>
//　　わーい！<end>
@女@＊: Wahoo! Yaaay!<line>That terrible Queen Mother was an imposter. Wahooo!<end>

#TEXTBLOCK=781
//@男@＊「昔　いなくなってた　王子が<line>
//　　帰ってきたそうだ。<line>
//　　めでてえこったなあ！<end>
@男@＊: I heard that the long lost Prince has actually returned. That’s cause for a celebration!<end>

#TEXTBLOCK=782
//@女@＊「さあっ　みんなで<line>
//　　おどって　祝いましょ！<end>
@女@＊: Look, everyone's dancing with joy!<end>

#TEXTBLOCK=783
//@女@＊「だって　この国が　平和な国に<line>
//　　もどったんですものねっ。<end>
@女@＊: This hostile old place is coming back being a peaceful kingdom again.<end>

#TEXTBLOCK=784
//“ラインハット王国に　栄光あれ！<line>
//　すべては　国民のために！”<end>
"Glory to the Kingdom of Reinhart! For the good of all people!"<end>

#TEXTBLOCK=785
//@男@＊「オラクルベリーに　出かせぎに<line>
//　　行ってた　姉さんが　無事に<line>
//　　帰ってきたんです！　それはさておき…<end>
@男@＊: My sister had run off to Oraclebury, but now she’s returned safely!<end>

#TEXTBLOCK=786
//｛道具屋｝<end>
{Item Shop}<end>

#TEXTBLOCK=787
//@男@＊「これからは　国も　国民も<line>
//　　どんどん豊かに　なりますよ！<line>
//　　もう　うれしくって。<end>
@男@＊: From here on, the country and its people will only become wealthier! I'm so happy.<end>

#TEXTBLOCK=788
//@男@＊「星が　きれいだなあ。<line>
//　　ぐがー　ぐがー。<end>
@男@＊: The stars're pretty.<line>Zzz Zzz...<end>

#TEXTBLOCK=789
//@男@＊「ここだけの話ですが　東の国では<line>
//　　ここより　もっと　おそろしい<line>
//　　魔物たちが　人をおそって……。<end>
@男@＊: Don't pass this around, but...<arrow>@男@＊: In the kingdom to the east, terrible monsters have been attacking people...<end>

#TEXTBLOCK=78A
//@男@＊「世界は　もう長くない<line>
//　　なんて言う人も　いるんですよ。<end>
@男@＊: There are some blokes saying that the world’s not going to last much longer.<end>

#TEXTBLOCK=78B
//@男@＊「オラクルベリーに行ってた　姉が<line>
//　　無事　帰ってきたのは<line>
//　　いいんですが……<end>
@男@＊: I'm so glad that my sister, who went off to Oraclebury, returned safely, but...<end>

#TEXTBLOCK=78C
//@男@＊「マジメだった姉が　すっかり別人に。<line>
//　　よろこんでいいやら<line>
//　　悲しんでいいやら……。<end>
@男@＊: My once serious sister is now like a different person. I'm not sure if I should be happy or sad...<end>

#TEXTBLOCK=78D
//@女@＊「あら　ステキな　お兄さん！<line>
//　　ぱふぱふ　する？<end>
@女@＊: Hey, big boy!<line>Wanna puff puff?<end>

#TEXTBLOCK=78E
//@女@＊「え？　あなた　ぱふぱふも<line>
//　　知らないの？<end>
@女@＊: What? You don't know what a puff puff is?<end>

#TEXTBLOCK=78F
//@女@＊「分かった。<line>
//　　あなた　女の子と<line>
//　　つき合ったこと　ないでしょ。<end>
@女@＊: Got it.<line>You've never taken a girl out before, have you?<end>

#TEXTBLOCK=790
//@女@＊「でも　あせらないことね。<line>
//　　あなたなら　今に　きっと<line>
//　　かわいい恋人が　見つかるわよ。<end>
@女@＊: Ah, no need to rush. I'm sure you'll find yourself a cute li'l lover soon.<end>

#TEXTBLOCK=791
//@男@＊「お礼に　お教えしましょう。<line>
//　　なんでも　オラクルベリーの珍品屋が<line>
//　　モンスターボックスを　売り出したとか。<end>
@男@＊: To show my thanks, here’s some info.<arrow>@男@＊: I’ve heard of a special shop in Oraclebury that sells a curious item called a monster box.<end>

#TEXTBLOCK=792
//@女@＊「マリアお姉ちゃん<line>
//　　はやく　帰ってこないかなあ……。<end>
@女@＊: I hope Sissy Maria comes home soon...<end>

#TEXTBLOCK=793
//@女@＊「ラインハット王から　マリアを<line>
//　　しばらく　お城で休養させてくださると<line>
//　　お手紙が　届きました。<end>
@女@＊: I received a letter from King Reinhart saying Maria will be visiting the castle for a little longer.<end>

#TEXTBLOCK=794
//@女@＊「マリアが　あなた方の<line>
//　　お役に立てて　本当に<line>
//　　よかったですわ。<end>
@女@＊: I'm very glad that Maria was useful to you.<end>

#TEXTBLOCK=795
//@女@＊「南の塔は　神が　私たちを<line>
//　　ためすために　作られたと<line>
//　　言われています。<end>
@女@＊: It is said that the south tower was made for us to communicate deeply with God.<end>

#TEXTBLOCK=796
//@女@＊「ならば　塔にまつられる　ふしぎな鏡を<line>
//　　手にした　@主@さんは<line>
//　　きっと　神の祝福を　得られるでしょう。<end>
@女@＊: Since @主@ obtained the mirror enshrined in the tower, you surely have been blessed by God.<end>

#TEXTBLOCK=797
//@男@＊「うわさでは<line>
//　　ラインハットの国が<line>
//　　もとに　もどったそうじゃ。<end>
@男@＊: I've heard rumors that the kingdom of Reinhart is returning to the good ol' days.<end>

#TEXTBLOCK=798
//@男@＊「わしが　川の流れを見ながら<line>
//　　案じた　おかげ　じゃな。<line>
//　　ふぁっ　ふぁっ　ふぁっ。<end>
@男@＊: It's because I pondered through it all as I watched the river flow.<line>Swish swish swish.<end>

#TEXTBLOCK=799
//@男@占いババ「まず　港から船に乗るがよい。<line>
//　　その先に　おぬしの新たな道が<line>
//　　ひらけるじゃろう。<end>
@男@Granny Oracle: Hmm, I see you should catch a boat from Vista Harbor.<arrow>@男@Granny Oracle: If you do that, a new path will open before you.<end>

#TEXTBLOCK=79A
//@男@＊「ほほう　お前さんも<line>
//　　まずいと申されるか。<line>
//　　そうじゃろう　そうじゃろう。<end>
@男@＊: Ho ho, you think that it’s bad too? It is. Oh boy, it sure is!<end>

#TEXTBLOCK=79B
//@男@＊「お前さん　旅の人かい？　だったら<line>
//　　この　ふしぎな地図は<line>
//　　かかせないぜっ！<end>
@男@＊: You're a traveler? If so, don't venture onward without your mysterious map!<end>

#TEXTBLOCK=79C
//@男@＊「３０００ゴールドと　言いたい<line>
//　　ところだが　まけにまけて<line>
//　　１０００ゴールドで　どうだい？<end>
@男@＊: I'd like to charge 3,000 gold for it, but I can handle the loss if you buy it for 1,000 gold.<arrow>@男@＊: Would you like it?<end>

#TEXTBLOCK=79D
//@男@＊「よし！　ふしぎな地図は<line>
//　　その　@袋@に　入れておくぜ。<line>
//　　いい旅をなっ。<end>
@男@＊: O-kay, it’s a deal! I'll place your mysterious map in your @袋@. Have a good trip!<end>

#TEXTBLOCK=79E
//@低@＊「私は　安住の地を求め<line>
//　　さまよう戦士だ。<end>
@低@＊: I'm a roaming knight who fights for the peace of this land.<end>

#TEXTBLOCK=79F
//@低@＊「かつて　この地より<line>
//　　多くの人々が　聖なる土地に<line>
//　　運ばれたと　聞いたのだが……。<end>
@低@＊: I heard that before this region formed...<arrow>@低@＊: There used to be a tower that carried people to the holy land...<end>

#TEXTBLOCK=7A0
//@低@＊「今では　ただの　はいきょ。<line>
//　　なにも　ないようだな。<end>
@低@＊: Now it's nothing more than some old ruins.<end>

#TEXTBLOCK=7A1
//返事がない。<line>
//ただの　しかばねのようだ……。<end>
There was no reply.<line>It was just a corpse...<end>

#TEXTBLOCK=7A2
//@低@＊「なんだか　知らねえが<line>
//　　ラインハットの国が<line>
//　　平和を　とりもどしたらしいな。<end>
@低@＊: I may not know much, but I did hear that the Kingdom of Reinhart is peaceful again.<end>

#TEXTBLOCK=7A3
//@低@＊「これで　もうすぐ　この港にも<line>
//　　船が　やって来るだろうよ。<end>
@低@＊: Thanks to that, the port should have more ships arriving soon.<end>

#TEXTBLOCK=7A4
//@男@＊「おや　あんた<line>
//　　馬車を　手に入れずに<line>
//　　海の向こうへ　わたる気かい？<end>
@男@＊: No, you’re actually intending to travel across the sea without a wagon?<end>

#TEXTBLOCK=7A5
//@男@＊「そりゃ　無茶ってもんだよ。<line>
//　　むこうの大陸には　恐ろしい化け物が<line>
//　　いるってウワサだからねえ。<end>
@男@＊: That's ridiculous!<arrow>@男@＊: I’ve heard many a tale of bloodthirsty beasts on the other continent.<end>

#TEXTBLOCK=7A6
//@男@＊「船が　来たよ！<line>
//　　船が　来たんだよ！<end>
@男@＊: A boat came!<line>A boat came!<end>

#TEXTBLOCK=7A7
//@男@＊「さあさ　早く　行かなきゃ<line>
//　　乗りおくれるよっ。<end>
@男@＊: Quickly, let’s get on board before it ships out.<end>

#TEXTBLOCK=7A8
//@低@＊「さあ　乗った　乗った！<line>
//　　この船の　行き先は<line>
//　　西の国だ！<end>
@低@＊: Blimey, we boarded, we boarded! The ship’s ‘eaded for the western continent!<end>

#TEXTBLOCK=7A9
//@男@船長「おっと！<line>
//　　まだ　客が　いたか。<end>
@男@Captain: Oops!<line>We still have passengers.<end>

#TEXTBLOCK=7AA
//@男@船長「しかし　お前さんで<line>
//　　どうやら　最後の客みたいだな。<end>
@男@Captain: Ah, but it looks like you're the last ones.<end>

#TEXTBLOCK=7AB
//@男@船長「よーし　出航だあー！<end>
@男@Captain: O-kay, set off!<end>

#TEXTBLOCK=7AC
//@男@船長「イカリを　上げろー！<line>
//　　帆を　おろせー！<end>
@男@Captain: Raise the anchor!<line>Hoist the sails!<end>

#TEXTBLOCK=7AD
//@男@＊「船は　来てないかだって？<line>
//　　もう　夜だしねえ。<end>
@男@＊: Here to check on a docking boat? Sorry, it's already nighttime.<end>

#TEXTBLOCK=7AE
//@男@＊「明日になれば<line>
//　　来るかも知れないから<line>
//　　出なおして　おいでよ。<end>
@男@＊: Check back in the morning. Another ship will probably dock tomorrow.<end>

#TEXTBLOCK=7AF
//@低@＊「ぐがー　ぐがー。<line>
//　　やった！　これで船が来るぞ！<line>
//　　むにゃむにゃ……。<end>
@低@＊: *snore*...<line>AHOY! And a boat comes to port!<line>*mumbles*...<end>

#TEXTBLOCK=7B0
//@低@＊「こっくり　こっくり……。<line>
//　　ぐごー　ぐごー。<end>
@低@＊: Zzz Zzz...<end>

#TEXTBLOCK=7B1
//@男@＊「まったく　うちの人ったら<line>
//　　居眠り　ばかりして……。<end>
@男@＊: That’s my old man, he's just dozing off...<end>

#TEXTBLOCK=7B2
//@男@＊「でも　まあ　いいことだよね。<line>
//　　平和でなけりゃ　眠ってなんて<line>
//　　いられないもんねえ。<end>
@男@＊: Ah, well, that's good, eh? I can't afford to miss a second of these peaceful times!<end>

#TEXTBLOCK=7B3
//@男@＊「よーし　お客さんは<line>
//　　全員　おりたな。<end>
@男@＊: O-kay, all passengers have disembarked.<end>

#TEXTBLOCK=7B4
//@男@＊「また　船に乗りたいのか？<line>
//　　だが　この船に　お客さんを<line>
//　　のせられるのは　ここまでなんだよ。<end>
@男@＊: You want another ride? Sorry, this ship is no longer taking passengers.<end>

#TEXTBLOCK=7B5
//@男@＊「しばらく前に　ビスタとの連絡船が<line>
//　　魔物に　おそわれて<line>
//　　沈んじまってね。<end>
@男@＊: A ferry from Vista just got ransacked by monsters.<end>

#TEXTBLOCK=7B6
//@男@＊「今回は　特別に　ルドマンという<line>
//　　お金持ちの　この船を　連絡船に<line>
//　　使わせてもらったのさ。<end>
@男@＊: Right now, this ship is going to be a special ferry for the wealthy Mr. Ludman.<end>

#TEXTBLOCK=7B7
//@男@＊「いつになったら　安心して<line>
//　　船が出せる世の中に<line>
//　　なるんだろうな。<end>
@男@＊: I wonder when ships can sail out peacefully into the world again.<end>

#TEXTBLOCK=7B8
//@男@＊「船が出せなきゃ　オレたち<line>
//　　仕事もありゃしないよ。<end>
@男@＊: If we can't take our ship out, we’ll have no work to do.<end>

#TEXTBLOCK=7B9
//@男@＊「つい先日　ビスタへの連絡船が<line>
//　　出たっていうんで　また出るだろうと<line>
//　　来てみたんですが……。<end>
@男@＊: Just the other day, a ship sailed out from Vista, so we decided to give it another go...<end>

#TEXTBLOCK=7BA
//@男@＊「もう　最後だったようですね。<line>
//　　やれやれ　こうなったら　ウワサの<line>
//　　光の国にでも　行ってみるかな。<end>
@男@＊: It looks like that was the last one. If this keeps up, I may try heading for this Kingdom of Light.<end>

#TEXTBLOCK=7BB
//@低@＊「この先に　灯台があるが<line>
//　　すごい怪物が　住んでるぞ！<end>
@低@＊: There’s a lighthouse up ahead, but a frightenin’ monster lives in there!<end>

#TEXTBLOCK=7BC
//@低@＊「命が　おしかったら<line>
//　　灯台には　近づくなよ！<end>
@低@＊: If ya value yer life, you'll stay ‘way from the lighthouse!<end>

#TEXTBLOCK=7BD
//@低@＊「え？　灯台に　怪物なんか<line>
//　　いなかったって？<end>
@低@＊: Wot? ‘Ere weren't no monsters in the lighthouse?<end>

#TEXTBLOCK=7BE
//@低@＊「なんだ　あんた　本気にしたのか。<line>
//　　冗談だよ　冗談。<line>
//　　わっはっはっはっ。<end>
@低@＊: Cor blimey, yer serious? Ah, I was just jokin’ with ya, eh. Waha! ...Heh.<end>

#TEXTBLOCK=7BF
//@男@＊「わしの息子は　本当に<line>
//　　ウデのいい　船乗りじゃった。<end>
@男@＊: My son was a real fine sailor.<end>

#TEXTBLOCK=7C0
//@男@＊「しかし　息子の乗った船が<line>
//　　魔物どもに　おそわれてのう。<end>
@男@＊: Yet his ship was attacked by monsters.<end>

#TEXTBLOCK=7C1
//@男@＊「今　思いだしても　くやしくて<line>
//　　涙が　でてくるわい……。<end>
@男@＊: Now that I think about it, it’s so painful, I feel like crying...<end>

#TEXTBLOCK=7C2
//@男@＊「あんた！<line>
//　　知ってますかっ？<end>
@男@＊: You!<line>Have you heard the word?<end>

#TEXTBLOCK=7C3
//@男@＊「では　本当だったんだ！<line>
//　　私も　覚えたいもんですなあ。<end>
@男@＊: Well, then it must true! I wish I could remember how it’s done.<end>

#TEXTBLOCK=7C4
//@男@＊「昔は　１度行った城や町に<line>
//　　いつでも戻れる呪文が<line>
//　　あったらしいですよ。<end>
@男@＊: A long time ago, there was a spell that’d zoom you to a castle or town you’d been to before.<end>

#TEXTBLOCK=7C5
//@男@＊「そういう呪文が　つかえたら<line>
//　　本当に　便利でしょうなあ。<end>
@男@＊: If I could learn such a spell, then I'd definitely use it all the time.<end>

#TEXTBLOCK=7C6
//@男@＊「うわさに聞いたのだが<line>
//　　ラインハットという国が<line>
//　　世界を征服するつもりらしい。<end>
@男@＊: I heard a rumor that a country called Reinhart is trying to take over the world.<end>

#TEXTBLOCK=7C7
//@男@＊「しかし　いつまでも<line>
//　　攻めて来ないところを　みると<line>
//　　どうやら　デマだったようだな。<end>
@男@＊: But they have yet to attack. It's probably just some tall tale.<end>

#TEXTBLOCK=7C8
//@男@＊「ああ　二日酔いだ。<line>
//　　きのうは　飲みすぎたなあ。<end>
@男@＊: I-I've been drunk for t-two days. I drinky too much yesterday.<end>

#TEXTBLOCK=7C9
//@女@＊「ここは　港町<line>
//　　ポートセルミよ。<end>
@女@＊: This is the seaside town of Port Selmi.<end>

#TEXTBLOCK=7CA
//@女@＊「古い書物によると<line>
//　　この世界は　巨大な竜の神さまが<line>
//　　治めているそうです。<end>
@女@＊: According to ancient texts, this world is ruled by a deity known as Master Dragon.<end>

#TEXTBLOCK=7CB
//@女@＊「それが真実なら<line>
//　　なぜ　竜の神さまは　魔物たちを<line>
//　　ほっておくのでしょうか……。<end>
@女@＊: If that's true, then why doesn't this Master Dragon save us from all the monsters...?<end>

#TEXTBLOCK=7CC
//@男@＊「へー　東の国から来たのかい？<line>
//　　オレも　東の国の出身よ！<end>
@男@＊: Whoa, you came from the eastern continent? I’M from the eastern continent!<end>

#TEXTBLOCK=7CD
//@男@＊「よし！　いいことを<line>
//　　おしえてやろう。<end>
@男@＊: Smashing! I'll tell you something cool.<end>

#TEXTBLOCK=7CE
//@男@＊「教会の花畑を　調べてみなっ。<line>
//　　ちょっとした物が<line>
//　　見つかるぜっ。<end>
@男@＊: Take a look around the church's garden. You might find something interesting.<end>

#TEXTBLOCK=7CF
//@男@＊「オレはよう　昔は<line>
//　　くすり師に　なりたかったんだ。<end>
@男@＊: I've wanted to be a pharmacist for some time now.<end>

#TEXTBLOCK=7D0
//@男@＊「でも　オレに　薬のことを<line>
//　　教えてくれてた　親方が<line>
//　　死んじまってな。<end>
@男@＊: But my dad, who was going to teach me about medicine, suddenly died.<end>

#TEXTBLOCK=7D1
//@男@＊「くそー！　サンタローズは<line>
//　　本当に　いい所だったよなあ！<end>
@男@＊: Crap! Santa Rosa really is the best place to learn about medicine, isn't it?!<end>

#TEXTBLOCK=7D2
//@女@＊「ボク　大きくなったら<line>
//　　船乗りになって　世界中を<line>
//　　旅するんだ！<end>
@女@＊: When I grow up, I wanna captain a ship ‘n travel ‘round the world!<end>

#TEXTBLOCK=7D3
//@女@＊「それで　いろんな宝物を<line>
//　　集めるんだよ。<line>
//　　すごいでしょ！<end>
@女@＊: And then, I wanna collect all sorts of treasures. It'll be amazing!<end>

#TEXTBLOCK=7D4
//@男@＊「ひー　お助けを！<end>
@男@＊: Somebody help me! He-Help meeee!<end>

#TEXTBLOCK=7D5
//@低@＊「お助けをは　ねえだろ！<line>
//　　オレたちは　おめえの　たのみを<line>
//　　聞いてやろうってんだぜ。<end>
@低@＊: There's nobody to help you here! Nobody can hear you cry for help 'cept us.<end>

#TEXTBLOCK=7D6
//@低@＊「だから　さっさと<line>
//　　その金を　わたしな！<end>
@低@＊: That's why you better hand over the money fast!<end>

#TEXTBLOCK=7D7
//@男@＊「んにゃ！<line>
//　　あんたらは　信用できねえだ。<end>
@男@＊: Aah, I ain’t givin’ you our money!<line>I can't trust you guys.<end>

#TEXTBLOCK=7D8
//@男@＊「この金は　村のみんなが<line>
//　　村のために……。<end>
@男@＊: This money’s from everyone in the village for our village's...<end>

#TEXTBLOCK=7D9
//@低@＊「強情な　おとっつぁん　だぜ！<line>
//　　ん？<end>
@低@＊: Stubborn bastard!<line>What the...?<end>

#TEXTBLOCK=7DA
//@低@＊「なんだよ　お前は？<line>
//　　オレたちと<line>
//　　やろうっていうのか？<end>
@低@＊: Who the hell are you?<line>Oh, you want in on this too?<end>

#TEXTBLOCK=7DB
//@低@＊「上等だぜっ！　そのナマイキな<line>
//　　ハナっぱしらを<line>
//　　たたき折ってやるっ！<end>
@低@＊: That's rich! Hey, this raw flower-lover wants to take US on!<end>

#TEXTBLOCK=7DC
//@低@＊「ほう？<line>
//　　見て見ぬふりかい？<line>
//　　けど　気にくわねえなあ。<end>
@低@＊: That so? Did you actually think you’d walk by us and act like it never happened? Bah, don't worry.<end>

#TEXTBLOCK=7DD
//@低@＊「おめえの　その<line>
//　　人を　小バカにしたような<line>
//　　すずしげな目がなっ！<end>
@低@＊: Hmm, you've got pretty cool eyes, for an idiot!<end>

#TEXTBLOCK=7DE
//@低@＊「けっ！　おぼえてやがれよ！<end>
@低@＊: Ugh! I'm not gonna forget this!<end>

#TEXTBLOCK=7DF
//@男@＊「あぶねえところを<line>
//　　ありがとうごぜえました。<end>
@男@＊: Thanks for getting me out of that tough spot, mister.<end>

#TEXTBLOCK=7E0
//@男@＊「んだ！　あんたなら<line>
//　　信用できるだ！<end>
@男@＊: I think you might be the kinda guy I can trust.<end>

#TEXTBLOCK=7E1
//@男@＊「おねげえだ。<line>
//　　オラのたのみを　聞いてけれ！<end>
@男@＊: I beg ya.<line>Won’t you listen to my troubles?<end>

#TEXTBLOCK=7E2
//@男@＊「やれ　ありがたや！<end>
@男@＊: Oh, thank ya kindly!<end>

#TEXTBLOCK=7E3
//@男@＊「んじゃ<line>
//　　いっぺんしか　言わんので<line>
//　　よおく　聞いてけろよ。<end>
@男@＊: Well now, let's get down to business 'n lend a good ear too.<end>

#TEXTBLOCK=7E4
//@男@＊「じつは　オラの村のそばに<line>
//　　すごい化け物が　住みついて<line>
//　　畑を　あらすだよ！<end>
@男@＊: Truth is, there's a ferocious beast livin’ near our village ‘n eatin’ all our crops!<end>

#TEXTBLOCK=7E5
//@男@＊「このままじゃ　オラたちは<line>
//　　うえ死にするしかねえ……。<end>
@男@＊: If it goes on like this, our li'l village is gonna be ruined...<end>

#TEXTBLOCK=7E6
//@男@＊「だもんで　村を代表して<line>
//　　オラが　この町に　強い戦士を<line>
//　　さがしに来たっちゅうわけだ。<end>
@男@＊: So on behalf of my village, I came here to get us a good, strong knight to take care-a that pest.<end>

#TEXTBLOCK=7E7
//@男@＊「あんたに　たのめて<line>
//　　よかっただよ。　なかなか強ええ<line>
//　　みたいだしな。<end>
@男@＊: I'm glad that you listened to my troubles. You look burly enough for the job.<end>

#TEXTBLOCK=7E8
//@男@＊「もちろん<line>
//　　ただとは　言わねえぞ！<end>
@男@＊: Of course, I ain’t askin’ you to do it for free!<end>

#TEXTBLOCK=7E9
//@男@＊「お礼は　３０００ゴールド！<line>
//　　今　半分　わたすだよ。<end>
@男@＊: We'll give you 3,000 gold! I’ll give ya half right now.<end>

#TEXTBLOCK=7EA
//@先@は　１５００ゴールドを<line>
//受けとった！<end>
@先@ took 1,500 gold.<end>

#TEXTBLOCK=7EB
//@男@＊「もう半分は　化け物を<line>
//　　やっつけてくれた　あとでな。<end>
@男@＊: The other half’ll come when you kill that monster.<end>

#TEXTBLOCK=7EC
//@男@＊「んじゃ　オラは　先に<line>
//　　村に帰ってるから<line>
//　　きっと来てくんろよ！<end>
@男@＊: I'll go on ‘n get back to the village. I know you'll take good care of us!<end>

#TEXTBLOCK=7ED
//@男@＊「オラの村は<line>
//　　ここから　ずっと南に行った<line>
//　　カボチ村だかんな！<end>
@男@＊: Our village is the one straight south from here, called Squashton!<end>

#TEXTBLOCK=7EE
//@男@＊「なんだったら<line>
//　　もういっぺん　言おうか？<end>
@男@＊: What, need me to ‘splain it one more time?<end>

#TEXTBLOCK=7EF
//@男@＊「あんたに　やってほしいのは<line>
//　　化け物退治っちゅうことだよ。<end>
@男@＊: What I need ya to do is to kill off this monster that’s been terrorizin’ our town.<end>

#TEXTBLOCK=7F0
//@男@＊「みごと退治してくれたら<line>
//　　もう１５００ゴールド　わたすだ。<line>
//　　ウソじゃねえぞ。<end>
@男@＊: If you get rid of it, then I'll give you the other 1,500 gold. I ain’t lying!<end>

#TEXTBLOCK=7F1
//@男@＊「オラの　村は<line>
//　　ここから　ずっと南に行った<line>
//　　カボチ村だかんな！<end>
@男@＊: Our village is the one straight south of here, called Squashton!<end>

#TEXTBLOCK=7F2
//@男@＊「そういうふうに<line>
//　　安うけあい　しないところが<line>
//　　さっきの連中とは　ちがうだよ。<end>
@男@＊: I know you're not like those louses who were just here. You’ll take any cheap job, won’t you?<end>

#TEXTBLOCK=7F3
//---ジャンプ---> #004732へ<end>
---Jump---> to #004732<end>

#TEXTBLOCK=7F4
//@男@＊「いやあ<line>
//　　あんたは　見かけによらず<line>
//　　うでっぷしが　強いですなあ。<end>
@男@＊: Hey, you don't look it, but you're pretty buff.<end>

#TEXTBLOCK=7F5
//@男@＊「南にある　カボチ村には<line>
//　　私も　行ったことありますよ。<end>
@男@＊: I've also been to Squashton village... in the deep south.<end>

#TEXTBLOCK=7F6
//@男@＊「しかし　あそこは<line>
//　　とんでもない　田舎ですね。<end>
@男@＊: Wow, what an AWFUL country down there.<end>

#TEXTBLOCK=7F7
//@男@＊「へー　自分の母親を助けるため<line>
//　　伝説の勇者を　さがしてる？<line>
//　　なるほどねえ……。<end>
@男@＊: Oh, you're searching for the legendary hero so you can save your mother? That’s interesting...<end>

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//@女@＊「私の夫は　学者ですが<line>
//　　ある日　突然　旅に出ようと<line>
//　　言いだして……。<end>
@女@＊: My husband's a scholar, but one day he suddenly up and announced he was going on a journey.<end>

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//@女@＊「なんでも　世界を救うため<line>
//　　勇者さまを　さがしだす<line>
//　　つもりらしいんですよ。<end>
@女@＊: He said he was going to look for this legendary hero that will save the world.<end>

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//@男@＊「うーん　うーん<line>
//　　闇の世界から　大魔王が<line>
//　　やって来ようとしている！<end>
@男@＊: Yeah, yeah. The Great Demonlord will soon spring forth from the underworld!<end>

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//@男@＊「勇者さまを　さがしだし<line>
//　　早く　このことを<line>
//　　お伝えせねばっ！<end>
@男@＊: I must find the legendary hero as soon as I can and tell him about this!<end>

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//@女@クラリス「私たちの　ステージは<line>
//　　夜からなのよ。<end>
@女@Clarice: I only perform at night, okay?<end>

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//@女@クラリス「見たかったら<line>
//　　夜に　酒場に来てね。<end>
@女@Clarice: If you wanna see me, come around to the bar tonight.<end>

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//@女@＊「あら　カッコイイお兄さん。<line>
//　　あたしに　会いに<line>
//　　来てくれたのかしら？<end>
@女@＊: Hey, you good looking man, you. I bet you’ve come to see me, hm?<end>

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//@女@＊「もうっ。　お上手ねっ。<end>
@女@＊: Oh, come on. You're too sweet.<end>
</pre>

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